Man-O'-V/ar's Man, The. 1880
Old Log Cabin, The. 1875
Old Sexton, The.
Once Again.
Only a Dream of Home. 1878
On the Road to Mandalay. 1898
Past and Future. 1891
Put On Your Old Grey Bonnet. 1909
Rose-Bush, The. 1859
Sailor Boy's Farewell, The.
Say Once Again I Love You.
Secret Love. 1866
See That My Grave's Kept Green. 1876
Silver Threads Among the Gold. 1873
Spider and the Fly, The. 1847
Star Spangled Banner, The. 1861
Still as the ITight.
Tenting on the Old Camp Ground. 1864
Three Bells, The. 1882
Three Fishers went Sailing.
Thy Sentinel Am 11
Tit for Tat.
Tramp I Tramp l Tramp I 1864
Viva L'America. 1859
Waiting! 1871
What Need Have I the Truth to Tell. 1870
V/hen Johnny Comes Marching Home. 1863
When the Tide Comes Inl 1873
Vi/hlle Thus Around Joy Hovers. 1850
V/hlp-Poor-Wlll's Song. 1865
Yankee Doodle. 1859
Abide with Me.
Dove of Peace, The. 1882
Eventide. 1896
Holy City, The. 1892
King of Love my Shepherd Is, The.
My God and Father, V/hile I Stray. 1884
Not Ashamed of Christ. 1880
One sweetly Solemn Thought.
Peace, Troubled Soul. 1869
Resurrection, The. 1880
Three Calls, The. 1858
1847
Spider and the Fly, The.
1850
i^lle Thus Around Joy Hovers.
1859
Rose-Bush, The.
Viva L 'America.
Yankee Doodle.
1861
Star Spangled Banner, The.
1863
V/hen Johnny Comes Marching Home.
1864
Tenting on the Old Camp Ground.
Tramp'. Tramp'. Tramp'.
1865
Vi/hip-Poor-Wlll ' s Song.
1866
Secret Love.
1870
\¥hat Need Have I the Truth to Tell,
1871
Waiting!
1873
Silver Threads Among the Gold.
V/hen the Tide Comes Inl
1875
Old Log Catln, The.
1876
See That My Grave's Kept Green.
1878
Only a Dream of Home.
1880
Man-O'-V/ar's Man, The.
1882
Three Bells, The.
1891
Past and Future.
1898
On the Road to Man da lay.
1909
put On Your Old Grey Bonnet.
I
No dates
Old Sexton, The.
Once Again.
Sailor Boy's Farewell, The.
Say Once Again I Love You.
Still as the Night.
Three Fishers '.'/ent Sailing.
Thy Sentinel Am 11
Tit for Tat,
f
1858
Three Calls, The.
1869
Peace, Troubled Soul.
1880
Not Ashamed of Christ.
Resurrection, The.
188E
Dove of Peace, The.
1884
My God and Father, vVhlle I Stray.
1892
Holy City, The.
1896
Eventide.
No dates
Abide v/ith Me
King of Love my Shepherd Is, The.
One Sv;eetly Solemn Thought.
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BOSTON :
PublisHe
NEW- York;
C.H.DITSON 8( CO.
ee/ BROAOWAY
dby
Oliver Ditson Company, ""'*''' ^ashnsinns^
CHICAGO, ILL.
LYON 8t HEALY.
COR. STATE 8i MONROE STS .
PHILADELPHIA:
J. E. DITSON 8^ CO.
1228 CHESTNUT ST.
boston:
JOHN C.HAYNESStCO.
33 COURT ar 694 WASMI NGTON STS.
THE MAN-O'-WAR'S MAN.
Words by EDWARD OXENFORD.
Music by ARTHUR W. MARCHANT Op. 80.
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know, my lads, that smiles
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beaming eyes, Will move the sternest tar; But what's most dear to me in life. Ay,
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Is to rise and dip in a
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bonny big ship, In a wild and storm-y
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Copyright, 1880, by O. DiTSON & Co.
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mer-ri-ly hoi So singe the stal-wart tar; The life for me is a life at sea, A
poco ritard.
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I know, my lads, there's charms a- shore, Sweet maids, as fine
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But sweethearts, mind, it's true, you'll find, "Will oft but last a
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The Mu-o'-w"! lUa. B.
Songs for Low Voice.
THE OLD BACHELOR. Arthur W. Marchant. Price 40 cents.
I know an oM Tlachelor o-ver the way. Who is liv-ing afNuinber \ine." He "s fond of his rubber.and gossips do say, He is fond - er still of his wine!
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MY LITTLE SWEETHEART. H. Martyn Van Lennep. Price 40 cents.
Allegretto ma ?ion Iroppo.
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1. oTi. fair Is mv lit - tie sweet-heart, With eyes of li - quid blue, With lips that were made for kiss - es. And hair of a gold- en hue;
2. Oh, coy is my dain - ty maid - en. And ten -der and shy and sweet. Her dimp-ling cheeks are blush-es, Where ros- es and li - lies meet;
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SALVE REGINA. (Latin and English words.) Dudley Buck. Price 50 cents.
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Sal - re, Sal
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come from thy glorious dwell
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t"opyrl«hl, 1H"4, by Olivkh IUtsom & Co.
3 5
THE MINSTER SONG. George B. Nevin. Price 40 cents.
' Vantaliile. :=*
Oh, sweet and dim the light andsliade Across the min.s-ter steal
iiig.
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GOOD-NIGHT. G. W. Chadwick. Price 40 cents.
oos(en«to.
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The moon I, .Inkl.gfast m ylove.Thestars now shine less bright, With a hea - ^vj^SiTiiTist I depart.Good-night, my loTe.good^ght.
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e.l>!rn»lil aDccc. XXXI. l.y olivkb li.T«oh~;r; _.
Any of .he above Choice Songs mailed post-paid for price named. Catalogue of Sheet Muei.
and Music Books mailed tree on applicatioa.
^-7T"r
0*0 WILLI^fiJil II. (^EHJTHOFF, JTexv Yorh Czty.
1^4^^
THE OLD LOG CABIN
-.Jh»«-r-
SONG AND CHORUS
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Bung hy Willia/m, Coti-rti-ight, tJie I^cuys, cund otJiers.
.,3sW*T-
WRITTEN BY
OBAci tmitrm,
40.
MUSIC ARRANGED BY
t^p^f:^-
W. % dofiiell,
212 GRAND STREET, and BRANCH 218 BROADV/AY,
BBOOKLVN, E. D.
,3W«,.
il?!"^,.?^..
Z^^ & IVALKBR.
PHILADELPHIA.
C. M DITSON & CC^O^DW^y ; WHITE. SMITH & CO..
A)
NEW YORK.
- •^'•#lf* -■
Entered, according to Act ot Congreps, in the year 13T5, by J. C. Chamberlain, at tlie Librarian's Office, Washington, D. C.
THE OLD LOG CABIN.
%Vet&s h^ (Brarf (TarUtxin.
Aiulante allettuoso.
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1. 1 am grow-ing old and weary now, my siglitls get -ting dim, And iiiy
2. Oh, I once lias hap - py all the day, and ncr - er kneu^ a care, And my
3. So I'll tot - ter to my journey's end and try to do my best, Tho' 1
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work lip - on the earth is near - ly done ;
yttud old ififr she nan-dcr'd by my aide;
sa«l and wea- ry - heart- ed all the day;
Old mas - sa has de -
Our lit - tie home iras
The an - gels soon wUl
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-part-ed, I soonwlU fol - low bim, Audmy friends have era^'dflieriYer one hy
hmn-hlc, but hap-pi • ncss was tftcre 'T was the sueitcst spot in all the world no
call me, I soon -will lie at rest, In that bright and happy home so far a-
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Oh, 'tis sad to bid goodby to all that was so
IK^ow 'tis sink - ing to de - eay, and all is dark and
Still I lin - ger by the door and try to sing my
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And I'm
dear. For lU nev-er see those good old times a - gain;
sad, And I hear up - on the roof the fall - ing rain;
song As I used to do a - mongUie siig - ar - cane;
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miss the hap - py voices that I fond-ly iised to hear
ban Jo - now is si- lent, that once made my heart so f/l'"^
wait - iiig for the giimmous, and it soon will come a - long
In mj'
In ?ni/
To my
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lit - tie
lit - tie
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old log cab -in in the lane!
old lot) cab • in in the lane.'
old log cab -in in the lane!
ife
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lead nie, when my time has come to go, From my lit-tle old log cabin in the lane!
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DANCE.
Wlunthf Lhortis is ustd the Dancf-may be omitted.
(■lii'tl^}t..nW„xU Knf.ii,
TH I HO L OITI n IH
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I gathrr them i>L - una ttietr frnaU. Test, i
Ls here , Aoyvn hfrp on the ea.rxh'cr doric bri:as± ■
PAliK WE^mSKMlW, im^
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BOSTON.
Viihli.vh.,! '..■ 'UENTISS 4 CIA RK. WSsTlk^lOiL Si-
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Many are with nie but >till I'm alone
I'm king; of tlie dead— and I make nij- throne
On a monument (slab of marble cold
And my sceptre of rule is the sj)ade 1 liold
Come they from cottag-e or come thej- from hal
Mankind are my subjects — all . all, all
Let them loiter in pleasure, or toilfuUy sjjin-
I gather them in! I g^athei' them in!
4
I gather them in- and theii' final rest
Is here down here in the earllrs daik breast
And the sexton ceased-for the funeral train
Wound mutely o'er that solemn plain
And I said to my lieart-when time is told
A mio-htier voice than that sexton's old
Will sound o'er the last trump's dreadful din-
I gather them in! I gather them in!
16
FLY F0RTH:() GENTLE DOVE.
TIRED
ILOVEMYLOVE.
WISHING RING.
WHETHER OR NO?
FAIR DOVE! FOND DOVE!
BUTTER-CUPS AND DAISIES.
Pinsuti 3
Lindsay 3
P'lnsufi 3
Nesfieldyz
Millard 4
SILVERY STARS ARE SOFTLY GLEAMING. Danks 3i
THE VALLEY OF BLESSING. Craig 2i
FOR SOMEBODY, fiir [men. Franz 3i
JUST TOUCH THE HARP GENTLY. Blamphin 3
LOOKING BACK. Sullivan Vi
^^/// 4| LITTLE MAID OF ARCADEE. • 3i
^3/:caZ7e 3| BIRDS IN THE NIGHT ^
ACROSS THE SEA Eabriel ^ JACKS FAREWELL.
THERE'S A LETTER IN THE CANDLE. 3
LET ME DREAM AGAIN. Sullivan %
PERPLEXITY. )7<7%^re7t(?#,/ Soj). Abt ^
PERPLEXITY.! •• Alio •■ 3J
EMBARRASSMENT. • Sap. , ■• 4
TWO ^^l.Wk^\U<S/]}ieMleTiQTmidifn'ySDhijm3nn 4
DAY IS DONE'. Balfeb
ONCE AGAIN. 5ullivan3i
MallayZz
WAIT TILL THE MOONLIGHT FALLS ON THE WATER 3
SIMON THE CELLARER. ■ Hattan ^
WHEN SPARROWS BUILD. Soji. Gabriel h
ROSE MARIE. MnliayV,.
SPEAK TO ME! Campana 2,
WANDERER'S sm^/WandfrmdJ Schumann 5
VAGABOND,
KILLARNEY.
J
ONCE again:
BALLAD.
Words by L I()\ F. L H . L K Wl.V
Andante espress
Music by AHTHUR S.srLLIVAX.
1. I
2. For,
lin
PI'
ger round the ve _ _ ry spot
er yet my thoiiglits in^clirw,
Where years
And back
^m
m
a _ go we
my memory
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slips'.
And
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warm fin ^gers locked in mine, I
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if yon quite for_get'. And ten _ _ der yearnings rise a_new, For
see tliose quiv ring lips M'hose mur - murs eamelike mti ^sic thro\ M'heii
^^
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ife
s
s
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love
mine
that used to bel —
/i«f/ s(f them freel
ft±=j*
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If you could know that' 1 was
That all the uorld iras vaucjht to
W
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Love once a _ gain,
Meet
me once a
Once A .
Meet nic once a gainl.
Old lovu is wak _
I'lgj
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T^ 1^ U ^
Shsll
wiilce, Shall it wnke in
fin?
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Shall it wake in vain 2 Shall it wake in vainl
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15
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OnitA.
MUSICAL^SPARKS.
A SET OF FIRST PIECES
FOR
PI ^N^O FORTE,
BY
HENRY MAYLATH.
First Success,
Rondo
Little Dnimmer,
-
March
Waitinj; for my Playmate,
Rondo
Little Mayflower,
-
Walts
Fadeless Gem,
Waltz
Heart Secrets, ■
Song
without words
Little Player's Joy, •
Waltz
Maid of the Alps,
•
Styrienne
Happy Ohildhood,
Galop
Spring Daisy, -
•
Waltz
Soldier's Pride,
March
A Dance with my Playmate,
•
Waltz
This U a unique let of Pieces, beginning with the eimpleat
Time, in easy Keys and without octave*. They are carefully
marked with both American and Foreign fingering, and the set
i* progressive ; well calculated to advance and encourage pupils,
•nd supply I want greatly felt by teachers.
Price, 20 cent* each, mailed pout-paid.
FREDERICK BLUME, Publisher,
861 Broadway, New York.
MUSICAL CASKET,
A COLLECTION OF
GEMS FOR THE PIAISTO.
EASILY ARRANGED.
Merry Party, StreaOog^
Letter Song, Grand Duchesse,
Pf.richole's Letter,
Serenadic Waltz,
Genevieve, Tivo Men-at-Arms^
Orpheus, ....
Thousand and One Nights,
Spring, Gentle Spring,
Amaryllis,
Clear the Track,
Heimweh, Homesicky
Qui Vive !.....
Where is the Little Gypsy's Home?
Wedding, Mendelssohn'' s,
Pure as Snow, Lange,
Tannhauser, R. JVagner^
Vienna Bloods, Strauss,
. Waltz
Waltz
. Waltz
Genevieve
. Polka
Galop
, Walt/.
Waltz
Air, Louis XIll
Galop
Melody
Galop
Esmeralda
March
Melody
March
Waltz
Panic, .,...,. Galop
The above are new ftrrangementa of popular and standard
compoBitiona, arranged with ^eat cure nnil certain to please.
Price, 20 Cents Each.
Mailed, post-paid, on receipt of the price. Address,
PEEDEEIOK BLUME, 861 Eroadway, N. Y.
NEW ANB POPULAR SONGS.
A Starry Night for a Rambi^,
Barn Yard Song,
Clochette,
Cackle, Cackle, Cackle, .
Down in a Coal Mine,
Do Not Forget Me,
Good Bye, Charlie,
It's Funny when you Feel that Way,
Killarney, By Killanuv! hits and /tils,
Kitty McGee, .
LoYE, Love, Oh, What is Ixive ?
Maid op the Mill,
Mulligan Guards, . . Ilarrigan & Hart,
Perhaps She's on the Railway, . Hobson,
Sfrinc, Gentle Spring, . . Riviere,
Silvery Stars, Biauiiful Song by Danks,
"Silvery iiars are softly glcAmlnf,
la the peaceful evciiia^ &ky>
And I think my line is drcaininf,
Swe«tly drcaiiiine 1 am oieh.
O'er her eyci. like dewy pansics,
SllkcD laslici gently &weep,
Aai the Angek guud ore kc«pln{
Kouod my duling's peaceful sle*?.**
Bagnall, $0 30
Dave Reed, 30
Molloy. 30
Dave Reed, 80
Geoghegan, 30
. Aide, 30
Hobson, 30
. Hunt,
Balfe,
Tucker,
Hunt,
Aide,
Speak to Me, .
Campanft,
40
Ten Thousand Miles Away,
Wemer,
30
When the Band Begins to Play,
Hunt,
30
Any piece of Mnaio or Music Book, no matUr where published.
Mat by uail, prepaid, upon receipt of the marked price.
AOdresa FBEDERICK BLUME,
861 Broadway, New York.
STRAUSS' WALTZES.
Academic,
Artist's Life,
Carnivals-bilder,
Doctrinen,
Fusionen,
German Hearts, .
High Life, .
Hypotfiesen,
Life let us Cherish, .
New Vienna,
Thousand and One Nights
Vienna Bloods,
Wiener Blut,
$0 CO
50
50
50
60
50
50
50
50
50
50
50
$0 50
75
75
75
75
75
75
75
75
75
75
75
75
Aida Waltz, from Vtrdi's Ntw Optra, MatlATH, 30
Aida Galop, " " Maylath. 30
Amaryllis, . . .Air by Locis XIII. 50
Beechwood Galop, . . Endsley. 30
Clear the Track Galop, . . Stbauss, 30
Circassian March, . . Strauss, 35
Fille de Mme. Angot, Polpaiirri, Lecocij, 1 00
Walli, 75c, Abridged, 40c, Galop, 40c. Ouadrllle, 50c.
E*ch selection has lui eleeant lltliograph of a scene from CmaklSS LbcolQ'S
new Opei., "MADAMB ANGOT's CHILD."
First Ball, Melody, . . ■ LiCHNEIl, 35
Glenarie Waltzes. . . • Putnam, 40
Go Lively Galop, . . ■ BUDIK, 30 ^
Hunyady Laszio, Ovtrturt, • Erkei., 75
Hunyady Laszio, March, . ■ Erkki,, 40
Just Jolly Galop, . . • Stbadss. 30
Jolie Mignon Waltz, . . ■ Putnam, 40
New World Galop, . . Strauss, 30
Postillion Galop, . . Lodke, 35
Panic Galop, . Stuckeniioi,-/,, 35
FBEDERIOK BLUME, 861 Broadway, N. 7.
.0^
v/O.
i-*^
CHICAGO, ILL.
IBS St 190 STATE ST
-. , ' -^ ^ ' _ ^ '-' ^ ^^f ___ fa STON MASS
'^U^iSi^ERS ^^^~^^^]^USJ£.J^mym^^^ s'6 WASHINGTON sr
fHOVIOCHCt,H.
N.DARLING&CO.
sew vonK
SPEAR fc DEHNHOrr
131
ONLY A DREAM OF HOME.
Worh & Music by CA-WHl'IK.
Author of Only a messa^o t'l-oni liomi',A'i
Andante con Es])i'ess
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Soon il will pass i(-way
Moth . . er I dream'd of thee I dream'd that you Mere
Yet Iiow our lii-arls do cliim To lliose we love 10
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Twas. . . . but a dream, a dream. For sure in yon. der home.
All of this life's a dream, Fnim cliildltood to the tomli.
Still dwells a
Still let us
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Mother dear Who waits for you to come
iKif lie sad For tlieres a liright _ ev home.
There still dwells a
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ad lib.
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not be sad,For there's a brighter home.
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A dream of home .
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C. A. WHITE
Still at the Head !
«
TTia Latest £^nd Most Popular Selling Songs.
BIRDS IH DREAMLAND SLEEP.
Sure to Outsell any of his other Waltz Songs.
PRiCB 75 ONTS.
tixe: :o-A.i\riD-
A new QiiartPtte, with Imitation of brass bond.
rRtCE 75 C8NTS.
THE OLD TURNKEY.
For Bass or Baritone. From tbe Opera of " Nora."
tRiCB SC CBHTS.
Come Buy My Flowers.
Sung witb great success by Auuie Pixiey.
PIIICB 75 CfcNVS.
When the Snow begins to Fall.
The latest of tliis popular series.
PMICS 7S CENTS.
MV LOVE 'S A ROVER.
A brilliaut waltz soug, one of the most popular.
PRICE 75 CBNTS.
The Huntsman's Horn.
A stirring and briiliaut waltz song.
PRICE 6s CSNTS.
The Moon is Brightly Beaming.
A Quartette. Mixed voices Ab. Male voices Bb.
PRICB 40 CENTS.
Medley Quartette No. 3.
For Mixed and Male Voices.
PRICE 75 CBNTS.
THE OLD FERRVi AN.
Song lor Alto or Bass. A grand melody.
rniCB 40 CENTS.
When the Leaves begin to Fall,
One of the most beautiful songs of the day. Immensely popular.
PRICE 75 CBNTS,
A Bird from o*er the Sea.
Full of beautiful pathos. Sung everywhere.
PRICE 75 CENTS.
THE RECONCILIATION.
A Duett for Tenor and Bass or Soprano and AJto.
PRICE 50 axTS.
C. D. Blake's Latest Songs
GOING LIKE WILDFIRE!
When the Stars are Shining Bright
BRIU.IANT CONCEKT WALT2 SONG.
nttCB 60 CXNT^.
Hide and Seek.
WORDS BY EARL MARBLE.
Waltz Song. Dedicated to Julia Wilson. Sung by hor with gnat inccci^
riilCB AO CBNTS.
WAITING 'Sffl) THE PM8IE8.
SOSQ AND CHORUS.
PEICB 35 CENTS.
PLANTATION SONG AND CHOBUS.
ntlCE 40 CENTS.
LOVE WILL BOLL THE CLOUDS AWAY.
WORDS ar SABL MABBLE.
nUCX 40 CSNT9,
We Never Speak as We Paas By
Song and chorus. Very tablng air.
rmCE 35 CENTS.
Again We Speak as We Pass By.
Companion to " We Never Speak as W« Pw» By-"
WICB 35 CEMT«.
Flowers of the Springrtimo.
DUETT FOB SOPBANO AND ALTO.
WORDS BY EABI- MABBiB.
r>i<3 }i oM-n.
Song and «frain. WoBPS bt Buss Q».Ba^
ma IS
WHITE, SMITH & CO., Publishers, Boston and Chicago. Spear & Pehnhoff, New York.
On tDc Road to
Mandaia w
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II
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WORDS BY
DOROTHY USNER.
PUBLISHED BY=
JOSEPH FL-ANN.
MILWAUKEE. WIS.
^ '^'"•' Sheird » Co . London. Eng. Whaley. Rorce 4 Co . Toronto Cin
Rudyard Mm
Music Revised and Adapted by
l)enrv Crevannion
o
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3.
^CrUr \JJ-rjVlZ -fXOi- ryK.yC\^^y^^^^ JiJu<UL
1^ o(^ QAjiyyyi^
iPr^lMxsi ji.{rtxdi ^r^^^--^^ oMi^ -jjt
-c
On the Road to Mandalay.
Wordsbj El DVAKD KIPLING.
Moderato: femjm lOinoilo.
A BarracK-Room Ballad.
Music Revised and Adapted by HENRY TRETANNION.
To le sung " parlando," as if telUiuj a storij.
i
:^
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^
1. By the old Moulmciii Pa- go - da, look-in' east -ward to the sea. There's a
2. 'Er pet - ti - coat was yal - ler an' 'er lit - tie cap was green, An' 'er
l^X I am sick o' wast - in' leath-er on these grit - ty pay - in'-stones. An' the
[y% Ship me somewheres east of Sii - ez where the best is like the worst, AVhere there
I
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Ar
^
— U
4—
— —
— P- « —
-.—
— h
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1
I' >
B\ir -
nia
girl
a -
— ^
set - tin'.
and
I know
•—
she
— 0-i—
thinks
0'
— • —
me;
•
For
the
name
was
Sh
- pi -
yaw - lat—
jes'
the same
as
Thee -
baw's
Queen,
An'
I
blast -
ed
Heng
- lish
driz - zle
wakes
the fe -
ver
in
my
bones;
Tlio'
I
f\
aren't
no
Ton
Com -
mand-ments
an'
a man
can
raise
a
thirst;
For
the
iB —
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— 1 1
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m-
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•
4
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— •
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VopyriaM, lUUVCC.VeVill, by .
rOSEFMi Fi'A
A'
XEB.
■0
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BNl. «
uiie T
.nxM'Xfil. -il-Wilt.
On the Road to Mandalay. — 3-1
i
wind is in the palm - trees, and
seed her first a smok • in' of
walks with flf - ty 'ouse - maids out
pie • bells are call - in', an'
±
the teni ■ pie bells thej
a whack - in' white che t/:oot: An' a-
er Chel • sea to the Straud, lii^ they
it's there that I would bo— By the
<mpn
P=jc:
5
PP
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back, you Brit - ish sol - dier; come you back
wast - iu' Christ - ian kiss - es on an 'eath
talks a lot o' lov - in', but wot do
old Moul - mein Pa - go - da, look - in' la
to Man - da - lay!" Come yon
en i . dol's foot: Bloom -in'
they un - der - stand ? Beef - y
zy at the sea— On the
a tempo.
1 ^
-^— r
y~
--A -^
=T
1
V-
;>
p
— #i « —
back to
i - dol
face an'
road to
— ^ — ,">_
—
Man - da -
made o'
grub - by
Man - da •
■#■• •
lay. Where the
mud— Wot they
'and— Law! wot
lay. Where the
1 t
—0. 0~
Old Flo
called the
do they
old Flo
. til
Great
nn -
til -
T"
^ 1
— ti
■ la lay:
Gawd Budd—
der - stand?
la lay.
Can't
Pluck
I've
With
\-
#
you
- y
a
our
0—\-^—^ —
Pr*JLe,j(j
1
S
■ J —
ierissimo.
S s
^ — a
— i —
U
■jr •
— * —
— •
k -^ —
*, ^
^
—zi. m:
1^ — ^
' —
1 —
— • —
T
— i
On tlio Koa.l to Mamlnlav. 3-
m
'ear their pad - dies eliuiik - in' from Ran -soon to Man - da - lay? On the
lot she cared for i - dels when I kissed 'er where she stud! On the
neaU- er. sweet • er maid - en iu a dean - er, green - er land ! On the
sick be - neath the awn - ings when we went to Man - da - lay ! On the
a tempo.
:^-
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road to Man - da - lay. Where the fly - in' - fish - es play,
An' the
1^
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dawn conies up like thun - der out - er Chi - na 'crost the Bay!
3: rail.
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Ou the Road to Mamlalay. — 3-3
FRfO'K POLLWORIH A f
TRY THESE ON YOUR PIANO.
"1 can forgive, but not forget!'
Wn,H. (., OSCAK » MUELLER «"■< " PRED SIMONSON
AQdaotlDo coo espreeslone
corn Nof fcl' Ihr pain which I ha»f born
DC AdO id b dr«am oiy lace maj >ee
Your oedH wa^
Rr mem DFi
CALVE WALTZES.
By ALICE COLLINOBODRNK SBVBKANCS.
Ctpyrigkl 1809 */ Jeutk FUai
SO*
C^PfrigM 1gp4 bf J»l»ph /'land.
^ HEARTS.^
irr.br J08. CLiUDEIL
Trmpo di Valse
Wuidiiuiil >lii.icb>CH*9. K. HARRIS.
CHORUS.
Oopjrnebu 1883, b, J«,pb PUj.a*r.
ftmEKis^n gftVAkRY
eRAHD mflRSH
B> EOUi'D HOLSI
Tempo d' iiwrna
m ^mm^Mk^M
i^^m
FOR SALE AT ALL MUSIC STORES.
/
WITH
no Accompaniment
by
F.EA^EATHERLf.
/v\USlC
b/
SopranoqrTenqrin D. Mezzo Soprano IN C. Alto or Barttdne in B."
Pr. 50?
NEW-YORK
G.SCHIRMER, 35 UNION SQUARE.
CopYr'gTt /89l b/ Socfi/tmer
"Past and FutureV
(Alio or Baritone.)
F. E. WEATHERLEY.
Voice.
Piano.
te
Valse Lento .
REGINALD de KOVEN, Op.72.
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speak-est of the past, dear heart, The story ol the time gone bye, When
III men til in iiieindin
10087 r
Copyright ISHI hy G. Schirnier.
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vp were still a -lone, a - part, When we were strangers, thou and I. How
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can I tell thee of those days? They are so dim, so long a - go,
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We knew not then the prim-rose ways,The love that now we know.
#
Tempo dj Valse. Moderalo.
f^/« SC/lf ///If ////>.
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122
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I nev - er lived
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maif/iti) Id iiielddin.
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be, When thou and I, in diff rent climes, Are parted bythemipht
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Love, let it be, thou need'st not care. Such days will ncv - er
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I00R7
NEW MUSIC FOR PIANO SOLO.
PUBLISHED BY G. SCHIRMER, )<; UNION SQUARE, NEW YORK.
BARTI^TT, H. N., Op. 96.
No. I. Medllatioo. .
9. A Ixtvc Sonj-
■4 Songs without Words :
107. Two Album L<«v«s:
No. I The ZtphfT
" a. HarteqtiiD,
BADSANIV, PRBD. C, Op. 5- ^t^de mfclodique
ta D. - . . . .
BBBTHOTBK, L. v., > BagAi«lU« from Op. 3$ «&d-
gtTtrli : No. I in Et> No. a in C, each, .
IBIUC, FRC., Gipsy Sercoadc. (ZigeuD«r-Stftnd<dieiL)
— MeiD Iicbet Schwcixeriand. (My deaj- Switserlaad.)
Fingered,
MinoDDct __ , - t
Zftpfayrs df Mai. (May Breetet.) FiDgered,
MinoDDctte. (Darling.) Fingered,
Z#pki] -----
BBBTOFT. FR., La Dudieue. Gavotte. (Fmgaed), . 60
— — MooDUgbtOD the Rigl. (Mondnacbt am KigC) laf\.
(Fingered) 60
BIXBT, GEORGES. Two Minuets from the Suite
"L'Arlisiennc' (Fingered) No. i in CmJBor ; No. a In
Ebmajnr. each • • 50
_Iy CARL, DanciniC Spinu. (Tans-Gaiatarahn.)
Fhtgcred.
^^FarewfU to the Alps. (Der Sennerin Abschtcd von det
Aim ) Fingered
~*»tD Switxerland. (Vor der Sennhlitte.) Mountain
Idyl. (Fingered)
-'— LJnle Sweetheart. (Enfant ch6ri) Fingered,
-^— The MAiden % Dream. (Traum einer Jungfrau.) Fan-
Uile. (Fingered)
-^— Maturka-ImproiDptu. ( Uebes orakel.) Fingered, «
BBI8TOW, GEO. F., Op 51. M arch e- Caprice, Afy. .
BiyROEI>, CONST., Cradle Song. New Ed. (Ffngerwl),
CHII«DREN*S DANCE ALBUU (THE). 6 Very
easy Dances. (Xizidarfartan SerlM Ko. 2.) act,
DATIDOFF, CARL, At the Fountain; for CoUo and
Ptano. Tranicr. by Max Vogricb
DSIilBBS, Ll^O, Pu dec Fleurs, Waltc from the BaUtt
' Satla r (Ftngercdl,
•^— Paaaeplad. hom the Opera " Lt Jioi s ammt' (Fiog.]
^— Vaba Uotc, from (he Ballet ■ Ccf^ha.' (Finsend]
— 'VaUe 49 ta Poup*e. from the Ballet " Copfiliar (Flag.
BHRLICH, GUSTAT. Barcarole, G. (Fiag«r«l).
FATARGER. RENI^, Fatat. dc Gounod. FaotalM.
(Fingered)
FRANKO, SAM, Album Leaf (FeuiUe d'Album.) Flog.
GADE, NIBLS, W., A Chriitmat Tree. March,
(Without Octav«j), .....
GIBSE, TH., 0|> 160. No. 6. Marche id F.,
OILLBT, BRNBST, Entr acte-Gavotte, D. (Ffagwad),
— — Sdrtnade-linpromptu. (Fingered).
Sour I Ombrage. (In the Shadow ) Fingered, .
GODARD, BENJ.,Op 74. sme Maaurka. E(>. (FtagO
Op. 85. At) kouci (At the Spinning Wlie^.) Vfaig.
-— Bn Courant (Fingered). ....
— Valte chromatique. G. (sme Valse.) Fiagvrad,
OOBTSCHIU8, PERCY, A Series of Coadic Finger
Exercises, ........
OBBGH, LOLIS, Op 13. Pastoralla. (Flnffved),
^— Capncc t;a\.i!tc. Ho (Fingered),
——The Mocking Bird. A Creole Souvenir,
BACKH, OTTO, Op. 43. Oreolc. ValM briO, .
HANT>ROCK, JUL., Sonatina in D. .
WWUBIiT. ADOLFHE, Rhapsodic, Fia. (Ptafwed),
B1T&, PRANZ, loveux Moulin. (The Hrely MUl.
Souvenir champetrc (Fingered),
■OFHANN. HEINRICU, Op. 46. Lcavei from my
Dtary. (Aus meinem Tagebucfa.) is Compositions:
Book I. Over the Waters TheUtMFarewvU Alonf
the Brook Under the Vmage UndM-tree,
" ». Discourse. HunUnr-Soaae. TbeNlgkdi
gale ii^gs. Rustic Daaoe,
3. Parung Snowftakas. In ike Foreat Ian,
Rovin{ Birds
■OLLABNDRR.TICTOR, FalMa. OaveMa. (Ffec-)
JAJ>AMOHN,a.,0p. 93. 6 Charaei«%»ilt PteeM
No. 1. Maiurka. B>
" a, Cansonettc. Ai>
' " ]. Spnag Song. B
" 4. SWUaaa. E
•• 5 S»ar Leaf. K
6. Noelvraa, P»
•-^■^>f ntc Sereaade, e«ie4 Hr Man Ye^lih :
Ne. 1. lairata
a. 9Mttano,
•■ 3. Notfemo
" 4. Blsgle. .....
naaee and RoaAs ^baAe,
JABU| AU^RBD, > TrmaaenpiMM
tta. I Tbe last k >«« ol 8«MMar.
*" a. Casta ibro the Rya.
Z 00
35
»5
35
35
95
%
75
75
50
50
50
z 00
75
*>
35
JUNGMANN, A., In the Forge. (In der Schmiede.)
Fingered. . - . .
KLBIlf , B. CECIL, La Graciosa. Morceau de Salon
-^Marietta. Romance.
A Nosegay for yoang Pianists. SU Pieces
No. 1. Violet, in F
" a. Caraatlon Pink. In G, .
" 3. Daisy, in G
" 4. Mignonette (Mazurka), in Am.
*• 5. Pansy (Valse). in B7, .
" 6 Forget-me-not, in D. .
ABmm mtiodique. 6 Characteristic Keoes
No. I. The Orphan, in Dm., .
*• 2. Good Humor, in F,
" 3. A jolly Sailor Boy. in C.
" 4. FYom the black Forest, In C,
" 5. The little Drummer, in G. .
" 6. In the silent Forest, in Bb.
.^•—Twelve Pieces for little Hands:
No. I. Child s Dream, in F, .
" a. Skating, in G, ...
" 3. Sans-souci (a la Gavotte), in F,
" 4. Tyrolian Serenade, in C,
■■: I:
Huoffari.in. in Dm.,
The Tittle Beggar, in Am.,
7. Morning Walk, in F,
(. The little Coquette, in G,
9. Far from Home, in F, .
10. Greeting from Spain, in C.
11. The Ballet Danixr, In F,
l«. Oood*b]re, in D. .
KONT8KI, ANT.
(Fingvrcd).
de, Drcara of Lot«. MMltation
LACK, THEODORE, Pendant la Valae.
(Fingered)
Vala.'Ajabetque, Et>. (Fingered),
The Wateraymph. Barcarolle. (Fingand),
Caprice.
LAMBERT, AI.EX., Op. 4, No. 3.
Gourrte, C. (Flngertd),
Btnde, Q. (Flng.
»o js
6S
50
3S
as
35
35
3S
3S
40
40
40
S5
SS
H
t
SS
•s
«s
«
3S
H
3S
LARGE, GUSTAT, Oj
asunder. (Wenn sicl
Op. 379. On the Flowery Alp
ago. A Dar in Switxerland
Schweii) Idyl (Fingered), .
Up. tiff. When two Hearta dliil
ich cwei Herren schdden.) (Flng.),
(Auf der Blflodi-Alp.)
(Ein Tag In der
LICHNBR, H., Op \ Little Leaves and Utile Flow-
en. A Set of easy Piec«s. (A short Story. On the
Playground. Recreation at Home. The Dancing-
L«uoR. The merry Rider. The Parade.) Fhlg.,
LISST, PRANZ, Die Loreley. (Fingered), .
LOE8CHHORN, A., Op. i^. Modem Schoolof Veloc-
ity. 33 Studies for attaining Strength. Independence
anoDeaterity of Fingers. Annoutea and revised by
A. R. Parsons. 3 Boolts, each,
LdW, JOS., Op. isa, No 6 Bndal Chorus, from Wag-
ner's " ^aMtprlH.' (Fingered),
LUBBBRT, eUSTAT H.,Op i3. ReeoUedtons of the
Ball Waits Rondo, . ' .
Op 38. Maiden Meditation. Idyl, . . . .
Op. 40. By the Sea. Nocturne,
Op 40 Bt
Op. 45- Kfelodious Surges. Maaurka.
HAX80N, FREDERICK, Op. 7. Innoonca, . 40
MAYER, CHARLES, A Froli 50
MENDELSSOHN, F., A Fragmant, Ao. Arr. by C. A.
Caspar. (Fingered), 50
MORLEY,FRBD.,BluaBells. (OiodaotilamaD.) IdyL 30
Echoes from Home. (Aus der HdnuUli.) TyroUsDlia. 90
NICODE, J. L.,Op. 13, No. t. TarantaUa, Gtm. (Flng.) 7s
NORTHRUP, THEO. H., Op. 109. From Fonign
Putt Su Sketches :
No. 1. Spanish Danxa in Eo, .
*' a. Habanera in f^min.. ,
" 3 Romansaio Flfaun.,
** 4. Danza Mexicans in B^,
*' 5. Spanish Dan^ in Cnun.,
Dansa Monteatuniana In O,
OB8TBN, TH., Op 38a No a. BrMal Chonia, frtm
Wagner's "/^A#vrM.' (Fingcnd) 55
PADBRBWSKI, J. J., Op. 8, No. 3. Malodie, B, air. 30
PARSONS, E. A., MandoliDe Serenade. Musette, to
Rhythmical Exercises for Shoulder, Foreann, WrMt aad
Fingers. Introductory to the Mattnmlt »f BUmnmiat^
PiancfrrU Initmttiim of Th. KnBak, . . . 1 ae
PIERNi, GABRIEL, Sarasada, A|>. (Vlagan^, ^
RAFF, JOACHIM, Op. tsi. No. s. La graade Scioa da
Mancemlher de /'y^iisa * i/,de fcriyeebaeir. flkiiliiiiaa
(Fingered) 1 jg
RITTBR, THEO., Le Towbttloa. (WkMwi^.) Is-
pcxxuMu {Fing«r«4 :
a) E<M>oii da Coocat,
Sakia,
RO«ENBAIN, J., Aadaale aad ASagra (RmmI<4, E».
(Fingered),
ROVBIER, H., Marche des Troubadours. (Tiagata4,
SAINT-SAENI, C, s Tranieriptions sur: " Fmmit" in
Gounod. (Fingered):
No I. Kennesse ; No. 3. Valse, each, , . 1 co
SALOM^, TU., CantiMse for Organ. TraaaatptioB by
1 Wnbdm Melalar, 31
SCHARWENKA, PH., Op. jj. "DIverliaiaad. " la
Short melodious Pieces :
Book I. Allegretto graiioso (Gm ). TempodlMte»
etto (D ). Rlsoloto (F) . Tempo dl Vake
" a. AUegretlo grasioso (A) AndiuiUno coi "
molo (C:) Mod«ra»o(F). Laato (D«n 11
" 3. Andantino eon moto (Aj). Viiace (E), "
■CHARWENKA, X., Op. it. Menuat, tb (Flag.),
SCHILLING, FRED., The Wilhalmlna-Sdiottisoh,
SOBCBERT, FRANZ, Op j
Pieces. Revised with Engd
Parsons
—impromptus and Moments muliaals, «3ilad by Fli'
Uart (Cotu Edition) :
lUPROMPTUt ;
Op. 9(3^ No. I. Allegro molto aodvalo, C,
" a. Allegro. &,
*' 3. Andante, G
" 4. Allegretto, A^, . . . .
Op.i4a,No. I. Allegro moderalo, Fm..
Traaiiatlon by A R.
Allegrello. AS,
Andante con Varlasiotu, &(>,
Allegro scherxando, Fm.,
MOMBNTS MUilCAU .
ISO
1%
I
71
Op. 04, No. X. Moderate, C u
a. Andantino, Ab,
1
4.
i
Allegro moderalo, Fm a|
Moaerato, Otm^ 50
Allegro virace, Fm. u
Allegretto, A)) ^
SCRCLTZB, CLBMEN8, Am Spinnr«dehen. (At the
Spinning Wh«l.) Fingered, jo
SCHUMANN, ROB., Wiegenlied. (CradleSong.) Flng.
8CHTTTE, LUDWIG,Op. S9. Rhapsodic norv4giesne i >|
Berceuse, G, . . af
}1
4°
SHBLLEY, H. R., Evening Prayer. Romaace, Iransor.
March of the Centuries,
8HBPPEHD, FRANK N., "Anita.- Oarotle. . to
SILAS, E., Op. 103, No. I. Gavotte, Am. (Fingered), So
8IL8BT, 8., Valsebrillante, Bt>, 9°
SMITH, GERRIT, Aquarelles. 8 Piano Sketches aad 8
Songs, net, I >|
SMITH, SYDNEY, Op. 187. " Ri^tui." de R. Wagner.
Or. Fanlaisle ' ">
SPINDLER, FRITZ, Op. 349. Hedge Roses. (H.okm-
lOsehen ) 3 Tone-pictures, fingered; No. I, l« r;
No a, m G No. 3, m C, each,
8TREABB06, L., ■■ Famt" de Ch. Gounod. FanlaJ-
sie facile- (Fingered)
TAUSIG, CARL, LEsp«rance
TEMPEST, ROB., Polka de Saloo, Gti. (Flngerad), .
THIERE, CH. LE, Andahicia. Spanish Walts,
THOMI^, FRANCIS, Op. 83. Impromptu-PoUu, A.
Op"irChanson de Mai. (Finwed), •
Op. 80. Menuel de U Marifc. (Ftogarad),
BabilUige (Fingered)
Sdr«nai dArieqoU. (FingaradJ,
TOURS, B., A UttleStory, A. (Pngeted),
TSCHAJSOWSKT, P., Op. a, No. 3 Chant sans
Paroles, F. (Fingerwl),
TCRPIN, HENRY B., T«inical Exercises, ^ nst.
Transcription, -
J Masurkas : So. t In r,
No 3 in Dm.,
" 3 in A, . .• • f,
Minuatto deUa Reglns, In c.
Pasaepledin G. • . p
—Sarabande et Fugue m f .
Transcnpdons of Sonn "fs^^J"^*!?,, ,
__Alb«n'of «d«Tand m°odem Dance, (easyl
No. I Gavotte, in F, ...
•■ '• f^S^"l'.miao,;«lEm.^,,
Olgue. in G, .
Sarabande in Dm.,
Courante, b C
Pavane, "f 9' ... '
AUAiand& ia ^
Miouetto, In F.
" «4.
■'t.
•• 17.
■• I».
" 19.
Rl'gadooii, In A. •
PcJonaise, in E?>, • •
Gavotte roodcraa. m C,
Polka, in Eb, ■
Cachncha, in D, .
LXndler, la D. . .
Scotch Reel, Is Efr,
Csirdis. In F,
Tsranl.Ua, In G, . .
Masurka,li> D,
Deutsche Walaar, In F,
50
50
JO
7S
y
to
£
75
50
55
t 90
75
H
«
JO
40
9>
WALTER, CARL, Mamrka, In Of,
VaJse, in «>, -
WATSON, MICHAEL, Th. ChikJren s Albom ofNs.
DoiJal'DMCCs. 10 A««. (Ktodarsarton Ssrta.
Ho. 8.) °*
ZICHT, COMTE eaZA, VaU. dAdtte. loc the le«
Hand alone ' *
»5
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1
f
f
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*>
at
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JO
n
J 00
on YOUR
5fR|>iLtYAi)RpnY
^^^
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o^
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OP
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i
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^^ Edward
M
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'"' Madden ^
V-*
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Percy <
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VENRFCH 1
t^
^v^ « .^
U
4
■
■^fef^'^*'
■ t
ASK YoURs •
DEALER. FORs
A
Songs
I'm On My Way to Reno
Wbal*ithe Mailer wilh Father
Put On Your Old Grey
Bonnet
By the Light of the Silvery
Moon
I'll Make a Ring Around
Roiie
That Lovin' Two-Step Man
Chanticleer Song
That Loving Melody Rubin-
stein Wrote
I Won't be Back till Augu.t
Honolulu Rag
Curly Head
Heigh-Ho
Oh you Spearmint Kiddo with
the Wrigley Eyei
Baby Blue
The Dream of the Dreamer
What !■ the World Without
You
In My Garden
Sugar Mood
Moving Day in Jungletown
Sunbeam
The Baltimore Bombaihay
Lovelight
'AintYou Coming Out To-
Night?
Mary, you're a Big Girl Novr
When the Daiuet Bloom
Elxultation
The Moonlight, the Roie and
You
Wake Love
Daisy Time
I'm Afraid of you
I Wonder What's the Matter
with the Moon
Instrumental
Prairie Echoei
Happy Night*
Funny Bones
Garden of Dreams Waltz
Honey Rag
Indian Summer
Black and White
Barcarolle
Chung Lo
Maxinc Waltzei
Pearls
Razzle Dazzle
Cotton Babe
Guiding Stat
Franco- American Rag
Lily of ihe Nile
Sunbeam
Shuffles and Taps
That Spoony Daoce
Happy Nights
Chanticleer. Rag
My Lady Greensleevei
Elaine Waltzes
The Wave Waltzc*
The Two Dill.
Glad Rag
The Dance of the Whip-
poorwill
Harlequin Intermezzo
Namtah
Moonlight in Venice Waltz
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PROPRIETORS ■ or ■ THE
WHITNEX- WARMER- PUB : <s vDET-ROIT-Mich
Pat on yoar old grey Bonnet
Words by
STANLEY MURPHY
Moderato.
Music by
PERCY WENRICH
m
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40
OoDOOd, C'baa., Romeo e GluUetta. Arietta. " Non deatarml," {I would
linger.) Sop. ti. 66
Do.. Sletio Sop.. Eb, 65
Jesus of N«»areih. Italian and Eogllsb, 76
Faust, "Cera on re dl Thule," (Relied a King In Thule.) Ital.,
Fr.,andEng., *0 80
Kausi, ■' When lo thy Vision,'" (Quando a te Ueta,) ItaL, Fr., and Eru, 80
Faust, (Ah I e atrano poier.) Aria e reclt, 76
Faust, "Parlat* d'amore," (Lovely flower. I pray.) It, Pr. and Eng., 35
Sloir, Smile. Slumber ! Serenade. Fr. and Engl., or Ital. and Eng., 40
"Tell me. gentle Maiden," (Ou u>iulex-vous alter?) Barcan.Ue,
S-ip, or Ten., or Mezso Sop., or Al o, each, 50
Grabeii-HoO'tnan. Ihe brightest Anvel. (Der «cfion«tt Engel,) 36
Guercla. A., Tbou ilost not know li (Nnl sal ) Melodla per Contralto 86
Think of me, (Pensa a me.) Mi^lodla per Contralto, 36
Were I an Angel, (S'lofossi uo Ang'-lo.) 6U
He never loved nie I (Non m'amava.) Rom. 50
Gasllelino, .My Angel (Angelo mlo.) ItaJ. and Engl.,
1 love thee I (T'amo,)
Oh ! if 1 were a Swallow, (0 fossl un rondlne.) Contr
Thou art too lovely, (Sel tantabelU,) Rom. Contr.,
I live for thee only, (Nel dlr mlo bt;oe.) Serenade,
Ever faithful. (Semprc fedete.)
C*nlon, Prosper, La Fillett« aux Chansons. (There is in our Hamlet.)
Kom., Ft. and Eng!.,. . ... ...
Gnmbert. F., Ye merry Birds, (OfilV €ucK, iU-itt VigeUiTu) Sop. In P., ,
do. do. Tenor In Gb.,
do. do. Alto In E''.,.,
Dear home of my father. (Das the'tere Vater/iaift.) Sop. and
Alto, each,
Heart, whence thy joy and sorrow? ( Witf pocM so iaut im i/erze-'..!
2d Waltz, Rondo, Soprano Ab,
do. Mezzo Sop. in E,
3d and 4th Waltz, Kondo, Soprano, and Alto, each,
Smile again, my Dearest, (tic/ieiden otijte LHtletl,)
Little Mendicant, (Diu betlemde Kind.) Sop. or Cont,, each,
Ye merry Bircis, (Oiseau l6nere.) Kng and French, In F,
Hall Columbia' National ^k)ng, Arranged by S. Jackson.
Haendel, F., Verdant Meadows. (Verdi prati.) lUilian and English,., . 86
Halevy. F.. Ijijuivt, ll va venlr, (He will be here.j lial. Fr. and Eng, Sop. 40
Mall, F., Kverol Tt.ec, 30
Huttou, John li.. Rainy Day. Words by Longfellow. 6o
Good by, Sweetheart. Ital. and Engl., in C and D, each, 60
Hel«er. W., The Grave on the Heath. (Itas Orod auf der Haide.) Sop
or Alto, each, sy
How can I leave thee, (JcA, U7i^ i*r* f/idg-^iiA,) 86
K* E* H., Awake, Love, awake ! Serenade 30
Hodges, F. H., Dreams. A Reverie. New arrangement by the Author, 75
The dreary Day. Words by Longfellow 30
Farewell to Nurth-Maveu, Song,. ,. m
The Rose-Bush Song. For S"p Do. for Alto, ejich, 5fl
Cloister Memories of sacred Son^ :
No. I, Blessed are the poor In spirit, ulezzo Sop., . . 25
No, 2. Blessed are they that mourn. Contralto, . . 26
No. 3. Blessed are the meek. Duel, 2 Sop 25
No. 4. Blessed are they that do hunger and thirst. Con.,.. 25
No. 6. Blessed are the merciful. Sop., 25
( Will be corittnaed.)
Hoelzel, «,, The Forsjiken one. (Alperikidge,). ao
The Tear, (/^ Thidne,)
• The Village Blacksmith's Bride. (Jfrtn Liebtter ist im horf der
Sc/imiut,i 50
llua«, G. J,, A NaUonal Lyric. Words by H. S. WllUs, 80
Cradle Sonn, 86
Jacknoil, S., Lights and Shades. Words by Mrs. Norton, 80
JobnMon, waller Kuamell. Abu- beyond the Sea, 86
Kaley's Letter. Irish Song, 40
Kllie, IV. A,, Ave Maria, Latin ftnd English,, [ .[ . 85
KotKt-hoiibey, L., Oh! tell hlm all, (Uh I dites-lul.) Romance, 80
Kreutzer, C, This Is the Lord'a own day. (D(us ijit der Tag des Herrn.)
Sup. or Ten., and Alto, each, 86
"What noble joys a hunter's, (Ein Schittz bin ick^ liochxager
in Oranada, 50
Kiivkeu, F., " No more In sadness on me ga.-m,''^ {Seh'miclljUdU vuikr
voU Wemuth an.) Song, 6ii
Good night, farewell (GuONacfit fahr'wohl.) Sop. and Alto, each, 40
Jewish Maiden. (J/aJcA*/( TO« ./«t/uA,> 36
Thou soft and balmy evening breeze, (^h-uldingsreigen,) 40
Last Rose of Summer. Ital., Fr., and Eng., In E,, ,
Lecocq, Chas., Fleur de Th6, No. l. " Vlvandiere, Cantlul^re." (Vlvan-
dler, now draw near,) 85
No. 2. " J'al couru grossir." (I have roam'd where crowds,) 85
No. 8. " Je suls u& dans le Japon." (I was born In old
Japan,) 85
No. 4. " En lous pays." (In every Land,) 85
No. 6. " Cfisarine a mea voeux." (C^sarioe to my ev'ry,). 85
No. 6. " Quaod k Cham])ague." (When the Champagne,)
Lluley, G., The Swiss Girl,
Long, long weary day, (Z/£/t/t«^» langen Tag.) Fr., Qer., and Engl.,
Lord, Cbaiw. W.j Vesper Hymn,
Lucantonl, G., La Danta d'Amore, (Gay dance of love.) Valse. Meiso
Siipr Ital. and English,
Sunimi-r Evening, (La Sera,)
Lather, Gustav, in night's sllll calm. (In duiikler Nacht.) Tenor or
^iipraiiii in Bb
In night's still calm. (In duriher Sacht.) Alto or Baritone in Al>,.,
LuKwitz, niax., Love's Plaint. (Du hast mir vlel gegebeu.) Sop. or
Luzzi, Ei., Ave Maria. Italian and English,
Iflailzoc«;hl, ITI., La BellaStella di Trinidad. Barcarolle, (ItaL and Eng.,)
iTIallbrail, {Tliue., Chagrin d'amour, Engl, and Fr.,
Mamcbuer, H., Heaven in the Valley, {Z>er Z/tm»(«/im ThaU.) Eng.
Ger. Sop. or Ten,, and Alio or Baritone, each,
Yes, thou art mine, (.In, du bist mein.) Alio,
ITIaMlnt, Une fleur pour reponse. (Fl')wer pledge ) Romance, Fr. and Eng,,
inaBBe, v., Relne Topaze. As roams the Bee, (Chanaim de I'Abellle,) Sop.,
" Bright as hue of opening roaes," (Couplet de la Coupe.) Galathie.
In A
ITIattel, Tltto, Non d ver. ('Tis not true.) Romanza, Sop. In F, Meszo
Si)p, Eb , each. . . . »™
La Caprlcclosa. (Song of the Coquette.) Canzone. Sop. In Eb, 75
do. do. do. MezKo Sop, In C 75
.TlendelBliob D, Here under the Trees, (Pn lieg ichunter den B&umen.) Alto. 85
Longing. (Seiru'Uth.t.) Sop. and Alio, each, . , . , , 35
First Violet. (Pfu e->sU IViM«'(.) Soprano and Alto, each, 40
Cradle 8i)ng, (Wie.ei.iud ) Sojirano and Alto, each, 60
On wings of Song, (/l'(/' >(i2 .ei/i ti-* fywf/<is»B.) Sop. and Alto, each, 60
fnercadante, S., Salve MnrU llal. and Engl., 76
Leoiu-ra. " Son gin v in glullva," (Youth's joys are now,) 60
La Rosa. (The ttnse.i Lanzone, 86
inerz, K., The Stranger's Love, (Z>M Art7ld<7i Z.UA*,)
.fleyerbeer, G.« FIslier Mal<l>^n, (Guide au bord ta nacelle.) Fr. and Eugl.,
L'Atricana, " Aildlo terra natlva." Soprano, ItaL and Engl.,. . .
Propheie, Arioso, " Ab I moL flia," (Ab I my son.) Fr., ItaL, and
EngL Orig,, ,..
Prophete, Mi^ndlante, " Donnes, doonei," (Give alms, give alms.)
Fr., Ital,, and Engl. Ortg,.
May Song. (Chant de Mai) Ital , Pr-.and EngL,
do. (^J/ .'fte'/.) (ierman and Engllah, .., ,
Mill In the Valley, {/««/'«/! X«/i^fi (r/unt/e.) Popular Song,.
lUlJIard, H., With all my heart I lo»'e you. (In tl vogllo bene assal,),. .
Ave Maria. Latin and En^'llsh. MeZio Soprano,
Faith and Hope, (Old Man's Song to bis Wife,)
After, Song,
Before. (Companion to " After,") ,
Millet, E., Diana, (Maiden's Warning,) Valie. (ItAl. and EngL) Mei» Sop.
Oianeita. Allegro,
Song of our Country's IMughters,
A Sailor's Song, (O for a whiff of the salt sea breeze.)
' npatlon u> Sleep (lnv<ication,j ItaL, Fr., and Engl
'Muzio, E., L'Ustgnuol
Aia
Canzone dt BraTiira. Sonr.,,. „
and sung by Carlotu Paul.) »«P'»no. lOom,
_ . -1:
No, a. U Ve<iova, ,The Widow,) luL and fagl ""^ ^
Le Stelle d'luilla. (Sura of i'«ly.. Mdodle per 6anto h'i
No. 1. Siornello To..ano. (1 u..ii Evil i
La Nanna, (Cradle Song )
No. 4. II S-spiro, (The 81t;h.)
No. 6, L'AHezlonc. (AOectloB,)
^ ^ ^ No. e. All'aura, (To the breeze )
Nadaud, G., U Valse des Adlcux, (Waltt of Uwf t lf-»i
^e«m,.iier;j. F., W„.ne'er 1 Ug rorN^'e iLd fiS^'
INorton, Hon. I»Ir«,
KA tt^ie\
i^"^« Spani'hSong. "Sop, or Alio; ^h-
ie. No. I. "U mnn i-h..!- ''*^''..,
on-eubacU, J., i..l-e.kh„l.,N„.ir..o„„;o1.-„X.".
lovt;,) let ter Song B''.,
No, 2. " Et ii malnlenanL"
(Lea femines,)
couptnioim
No. 8. LEap«gn-de%lu/euneVndlenne '(AwMrrW
aald.) Duet,.. \A»"rloroti(,
Chanson de Fortunlo, "Si vous ct^iyez." (if ynu believed *st,» ■•
Les Kavards. ;• C-e.t l'E.pa«ne," .(Tls In ,>in ) JlSson "*' '
e Ibal li BO
{AsipaM-dnodtt
Genevieve de Brabant, No, 1. Couplet de I'at^ ('fla »"
shame.) ^
No. 2. " En passant sous la feii^trc!,
your wlmlnw.) Serenade,
No. 3. Une Poule sur le mur. (Once a hennear bv»w»lh
No. 4. G. Ice t vnus mes demoiselles. (Thanks to.
y 'ung ladies.) "" •"
Omnde Duchesse, No 1, " Due* luL" (Say tohlra,) ""
Le Sabre tie mot. I'aie, (My lather'i swoni j
til que J 'aJ me leS niUllaires," (Ah t 'l iw«'tb«
No,
No.
No,
8^
50
85
60
80
35
80
No. 8.
railiUiry,)
4. Legende du Verre. (Legend of thegohici)
6. Alletjeunes ttllcs. (Come now our <Urlliig (rirlV)
6. Pour 6|.ou8erune Pilnccsse, (A princess beautiful m
marry,)
La Belle Ilgliiie, No. 1, Amours divins. (0! love's .livlii.))
No, 2, Au cabaret du l.,blriiilhe. (Tims at Hie wliie'jUop j'
No. 3 All .iixni Ma. i \t mount Muihree Goildes. )
No. 4, On me iiomme H^lene la blonde. (They call me Udene
the blonde,) ,
No. 5. I'n marl sage. (A husband wise will,), ...
No. (). Venus au lou-l de noa dines. (Venus bestows,) !!!['
No. 7. Ces lols reuiplls, (These Kings so shock.)
No. S. La vral I Je ne suls pas, (In truth I'm not so muc'b to
blame,) ,..
Barbe Bleue, No. 1. " Y'a dea Bevgers." (There sheplierds sre,)
No, 2. " Via z'encore de drol's." (Tliere people arir,) !.....
No, 8, " Pierre un beau n.ur." (OiKe on a time my lover,)!]
No. 4. " HnurqUiil qu'ils 'font'' (U by do ihey look.l
Pease, Allied H., Tender anu true. Ballad,
A Year's Spliuitng. Sijng,. , \[[
Stars of the Summer Night. Serena ,
Blow, bugle, blow. Song '_
Good NighL Tenor or Soprano, and Alt r Baritone, each,.... !!
Petrella, E., Brlndlsl, (Italian and English, Urom Opera loue
" Ahandunata e orfiina." (Orphaned, abandoned.) Rom, par Meimi
Sop. from Opera lone, ....
- — " Vaone e serba geloso." (Go, preserve this Important.) Duetto
par Basso and Mezzo Sop, Opera lone, j
" L'amo, I'amo." (Love him, love him.) CavatlDa par Bopraao,
Opera lone, ,
"Dell' lllBso sulle sponde," (O'er the banks of cool Illaius,) Duello
Sop. and Ten. Opera lone, 4
"0 lone, dl quest' amina," (0 lone, for thy light of love,) Ro-
manza, Teimr. :*
Freyer, G., V/iii ain cnmv,(0/iste wofU kommsn wird,).... i
Ihe Bird, tliePlower, tne Heart, (Jedern das Heine.) Song. ISngL
andOerman,, (I
Procb, II., Tyioiese ^ou^, (Tyroi^tud,) '"O
Ave .Maria, Stella. Latin and Engl,, I*
At Home again, ( H iederi/e/ien .) Sop, or Alto, each, ^
Iteden, Karl, My Heart la like aSlniilng-Blrd. Balla<l U
Uande{£^er, A., Amlamo la Vila. (Life let us Um-.) Ital, and Engl.,, tl
Uelcliardt. Alex., Tbou art ao near and yet so tar. (Oa but mir iitih
uiid dock «0 fern.) New ed, t flat, Fr, Engl,, and German, ■*
There slnKa a wild bird. (Es stvgt ein I'og'etf,) ^
Kelssl^er, C G., The two Urenadlern, (Die Orenadiere,)
Ulccl, AlHn brlllur, (My heart with joy,) B flat,
Orispino e la Comare, Opera.
No, 8. I've sfirlea rich, (Istorle belle a leggere,) Sop..
No, 6. I'm no longer poor, (lo non sono plu I'Annetla.) Bop.,
No, 8, I'lero darling, (Plero mlogo qua.)
No, 9. Bliss all rapt ureti pasi, (Non ha >HoJa,)
Klvarde, P. A., The H<irvt-3l Moon la teaming, (Guide au bord ta u
celle.) Barcarolle,
When love is kind I Song
Mandolina. (Stars of tlie Summer NIghL) Fr, and EngL. '
Kondlnella, P.. Il Giubllo, (Valae 6l£gaote.) ItaL and Engl. In 0,
iMczioSprano In C,
KotliMClilld, Uaroiine, Ah. wbereforeT (S) vous n'avei rlen & me
dire.) Fr--ncb and Kng,,
SabbHib, E., The Minstrel's wUh. ('di-g'TS W'lrfc/l,)
Naluiliaii, I'b.. L arise Irom dreams of thee. Serenade,
Sarin lento, Tbla kisa 1 oiler, (Lu Vaslllo,) Oanzonetta,
Scllltllon* <) sneel Mother of sorrow I (Mater dolorosa,)
.Ncli4>eiidorf, When the quiet moon Is beaming, ( VI Wm «>«ar^ undmild,)
Sriiliberl, Cam., Le Gondolier de Venlse. Barcarolle,
ScbUbert* Franz. Last (»retllng, (/^ifU'oW.) French and Engllsb,. ..
— M.ililen'!) Lament. ( J/tl/tV/i's lilage,) French and English, . ,.
My Abode, (Aufeni/uiif.) French anti English,
Shepherd's Soiik of Complami, (i'c/.d/w'ii Ktagelied.) 1ft. and Eng..
Serenade, (AVd/it/cA^H.) Hal,, Fr . EngLp
Cradle Son^i \ VWje'i^wti.) fr., Ger , and EngL,
Ave Maria. Vt , En^rl,, and Iwl.
Wanderer, (//fr iVandtrrr.) Sop. and Alto, each
Schumann, Uob., The Loiua Flower, (DU Lotmbiume^.
Ltiil itjuu art like a fl'iwer, (Z^u 6ijf wit eiiie Biatiu,)
.SlU-lier, Loreley. Popular Song. Kngl. and Oerio. words,
SimiLb/, S. D., Nj rime like the old Time. Soug,
NoMure ■■■ ■
Speranzu, D., The Hour of Prayer. BacredSong
A Hvmn of Tiiaiikaiflvlng.
NiMiizlcrl. G./l'wlM'iovelbeei (lo t'amero ) Soprano or Tenor,
stir ' MiuKi Baouer. .National Somr, (Chorus ad lib,) Arr. by 8. JacUon...
VllKelll, G., Isollna Arletla. KngL and Ital word! O.anlA eacd.
^'i^"Vi7,Vst Eyes.(Zrt« Hchd.tsUn Augen.) E flat. Germ., Engl ,, an J
gr, words.
._. - - . , . . , ,. . - .... ao
in»llqae. It., Could I Ihrough elter dy. (hSnnt'ichdurcflBaame/luh'n,) 86
, The Merry Lark. Song,.
Song for Soprano, or Messo Soprano, each,.
.fiolleiib'aiie'r, Fred.,
nouUun, 4'h., Beware.
ConfcssloQ, .
Love In thine eye*,
The Brook„
*Itiller, A., Te soft blue eyes, good alght, (ZAr Uouen Augen, guU
Xacht.) Serenade,
The Message Bird, ( i'5gJein, mtin BoU f)
nazlo, E., BrlndUi— Wajtx. (En,£llsh and luUao.) Aj aung by Ulle.
CarloiLi Prtlti and Mme. Straki^ch...
Sre llfe'a de^hntng *aD has lel, (Dl lanio ecceso o'perfldL) Aria In-
Iroduced In lae opera " Bohemian Girl,"
Floeolomloi Walta,
• L'AraoQT. Clar» Loulaa P-^lka. Soprino.
85
Ntradella, P1et« Slvnure, (0 Lord, have mercy.) lUL «od Engl mh,.,r,
Mippe, F.. O man. be not proud, (^/er J/«7MicA doa wtcAf *W« «<in,J..
^-<»iii«>li>iivi. K.* Med'ira, -
-r/i iflnJle., Mvi.eart la breaking. Ballad.
Tbcvenel, 1>U Ipb-.n-e, Femme du Pecbeur,
'riioinaK J. K., In the. ;lcar mirror of her eyes Canzonel..
TkomS. Ansb., Mignnne.0p6r^ MorCeaux d^L Fr lUiL and Engl.
■ ' fjo 1, ••Oounals lu le pays," Roma/ice. Contralto, D",. . - ■■
No, 1^, '■''>■ '^°- ftlezzo Sop, &,
No 2 " Lagers hlrondelles," Duel, Contralto and Baril-jne.
No.2*W, 'lo. . Volx seul,
No. 8. " Jesuls TiUnla." Polonaise In B^,
No 8Afc», tlo. 'lo. In G,
No. 4. Elle ne croyalt pas." Romance.
No ."j "0 VIergc Marie." Prlire. Mezzo Sop.
« 'Thnnder, H. G., The Sanda o'Dee. Lyric BalUd \- ^.LL„
TorreSie, G.?*"""""" ^^^ «»>"• L«f*" ^^^^ ioprano, and Me«» ^
Sin* each ,..,.,.....,-,..... ..,,,,,-,,.-
TruhU H., PartloK'andS'irrow. (ifcA«td«ltiftdirt<terO Song. Sop. or ^
IVnor In F minor, '.■ " n U
Parting nnd 8.irrr.w. (6cft^%deu wfui IMdtf..) Song. Alto or B*n ^
and hTchEd. ''(IMTTyTOl^w^dUi'n'kind.)''VoUult^. Gena.
jind English,.
Vnn Oekelln. Graduate's FarewelL Comic Song,
Tyrolei
Mona.- Original Oopv, Soprano ...... ■■^■
•Dlte alia giovlne," (T«" me, fair Maldea)
. Valse. " A chc aMorta."
G., U Travlata:
Cn BaBo° o Wchera i ■*■' i Wh«» i)d' i ■foUla,"(U^
lying.) Aria,
iJtor i>u«t«, IWo*, and tK^^ XuMic. *** Cat^iiogue No^
r'
Music ]3y
IL
LUHIHiL.
NEW York.
Wm.A.POND & CO. 54-7 BROADWAY.
■^
ChicaqD,
ROOT 4 LEWIS.
Prttsbunqh.
H,KLEBER& BRD.
i, 39 UNION SPUARE.
SanFrancfsni.
MATTHIAS GRAY.
MiiWduKee.
H.N.HEMP5TED.
ST. Paul.
WEIDE&RDSS,
THE SAILOR BOYS FAREWELL .
Music hif
JJCQiES BLUMENTHAL
ffovd.1 by
ALICE MORTON.
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A NIGHT IN VENICE. (S.&T.;
HEAR ME, NORMA. (S.i(;.)
DEAR ITALY. ( S. ,\ T. )
DO YOU REMEMBER? (S.XB.)
I LIVE AND LOVE THEE. l. i Biir.)
THE RETURN. 'S.\ lliir.i
SAY THAT YOU LOVE ME.
SEE THE PALE MOON. (S.>U'.)
ON TO THE FIELD OF GLORY. <T.\ B.)
SAY ONCE AGAIN I LOVE THEE. iS.AT.)
THROUGH THE WORLD A PILGRIM. 'T.iB,)
THE FISHERMAN. (TA D. >
IF THINE EYES SMILE UPON ME. (S.Mi.)
THE DESIRE OF PARTING FRIENDS.
THOU ART MY ONLY LOVE.
HERE DO WE COME. (S.&C;
LOOK ON THE SHINING SEA. (S.iC)
THE SURPRISE. (S.&B.)
HEAVEN BE GRACIOUS. (T.&S.)
NAY, BID ME NOT RESIGN, LOVE. <S.i I),)
SWEET TEARS. 'S.m;.
THE ECHO, 'f-.kl.)
SERENADE; OR,THRO' THE LEAVES. (T.&B.)
CHARLES. I DIE. 'S.&n.)
HOME TO OUR MOUNTAINS. (S. & T.)
WHAT JOY AND HOPE. iS.&T.)
WHEN FIRST I MET THEE. (SJtT,)
MUTUAL VOWS. (T. & S.)
SPRING RETURNING. (S. & t)
THE PARTING. (S. ^lB.)
SWEET ZEPHYR. (S. k. M, S.)
BRIGHT DESTINY ATTENDING THEE. (S.iC.)
DARK DAY OF HORROR. iS, \ A,,i
Una notte In Venezia Arditi.
Mira Norma. Jloima Bellini.
Cara Italia Campana.
Te'l rammenti Campana.
10 vivo e t'amo Campana.
11 Ritorno '■ Campana.
Dimnii che m'ami Campana.
Guarda cho blanca liina Campana.
Sul campo riella gioria. gltlisatio Donizetti.
Torna mia dir. Don llasqunlt Donizetti.
Solo profugo rejetfo. Pavtjja Flotow.
I Pescatori Gabussi.
Se cara soiridl Gabussi.
II rivedere Gabussi.
Oh cara Immagine Gabussi.
Tra la la Gazzani.
Ve' com' 6 bello Guglielmo.
La sorpresa Lucantoni.
CielO dl grazia. |l Jlrabo Mercadante.
La Ci darem. pon ,;lii.in Mozart.
Di qua! soavl lagrime. Supiibo Pacini.
L'eCO Schimon.
Fllle mia s'e ver che m'ami Schubert.
Carlo io muojo ed ahi! | piasnabun Verdi.
Si; la stanchczza ( willi rcfil, ) |i STrobntorc Verdi.
E dolce air anima. llcspti Siciliaiii Verdi.
Un di felice Verdi.
Giura amor Campana.
Aprile Concone.
L'Addio Donizetti.
Sull'aria. #iciaro. Mozart.
Al bel destin. finta Donizetti.
Giorno d'orroro. Stmitamiiic Rossim
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I
WASHINOTOir. D.C. :
W. G. METZEROTT i. CO.
PHILADELPHIA:
PUBLISHED BY
F'A*N<>KTH&^(0. 1026 CHESTNUT ST.
ST. LOUIS:
BALMER & WEBER.
SAN FRANCISCO!
M. GRAY.
CHICAQO:
MOLTER i WURLITZER
DETHOIT:
J. p. WEISS.
MAOKELLAR, SMITHS & JOftOAl
ClS^fc^
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DUETT, SOPKAJNO AJSDTKNOR.
DON PASQUALi;.
DONIZETTI.
Lar^fhetto.
NORIISA.
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na mia dir che lu'a - mi,
once ti — g-aiu I love 1hee,
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Life is fad - iiig fast a - way.
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Shine up - on my brow to - day ;
Life is fad • iug fast a - way.
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Love can never more grow old,
Locks may lose their brown and gold ;
Cheeks may fade and hollow grow,
But the hearts that love will know
Never, never winter's frost and chill:
Summer wai-mth is in them still —
Never winter's frost and chUl,
Summer warmth is in them stiU. — Cho.
4.
Love is always young and fair, —
What to us is silver hair,
Faded cheeks, or steps grown slow,
To the heart that beats below?
Since I kissed you mine alone, alone
Yo\i have never older grown —
Since 1 kissed you mine alone,
You have never older grown. — Cho.
"OH! HAPPY EYES, LOOK UP IN MINE." Song and Chorus, H, P, DANKS.
Price. 35 CVnls
I
NKW^ A^^I) C)1.7)
POPULAR STANDARD BALLADS
Caiefuilj Selected tVoiu the numerous works of the dislin-iiished Coniposei-s,
H. P. DANKS, and VT. C. BAKER.
Silver Threads among the Gold.-'SoNG and Choki'
5^ t=2" ^'- -^-^-^pi-
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• Dar-liiig, I am ginwiuy old, Sil-ver tUveads nmoug the gold ;
Don't be angry with me, Darling.- Song aud Chobus. 35.
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Don't be augry with mc. davling, Smil'-yimr brightest, sweetest smile;
ji "Why BO sad, my Precious Darling ? - Song and Chorus. 35.
Why 80 sad, my precious darling, Smile up-on me once a - gain.
Let the Ang'ls in —Song with Chorus ad lib. 35.
5£^
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O - pen wide the door, mother. And let the an-gels i i ;
J Angels bore Her Home.
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Replv to '■
Let the Angels in. "
They
30.
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We K-t the au-gels in our home. To bear her far a - way.
Don't you think so, Kitty. - Song and Chords. 35.
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So, you will not tell me, Kit - ty, What I long so much to know!
0. Crystal Tears. 35.
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£3=^
-JK-
j:=d.:
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c-rvs - tal tear.s, so fast and free
Moonbeams on the Snow. - Song and Chorus.
ye fall,
Aud
30.
vev
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Sd - vev jnoon-lieams soft
Beautiful Form of my Dreams.
l.v
fall
35.
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Bring me a pretty Bouquet.
fid form of mv dreams.
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Do you want me to
'Tis sweet to think of Heaven.
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love you? Then bring a bou-quet.
-Sacred. 30.
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When sor- row's dark tu - mul-tudus waves.
LoTod Ones at Home.— Qdiktet.
A -
35.
mm
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::fe _>, — N— -N - "^ r I— i
God keep them, 'ti-i our fer-veut wish, Our pray'rat moru and night.
Come to the Window, Love. —Serenade. Song aud Chorus. 30.
if^i
:ti
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Thou come to the window, .lid list - en to me, While I
Sleep, my Deaj One. -Roxo and Chorus. 30.
< — - N— ^ —^■'—'~t'^ - - ., 1 1 J«— >'
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Again I meet theo as of old,
gam
ji The Bonnie Brown Cottage. —.Song and Cho.
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of old.
LiTH. 40.
=t
Oh! the bon-nie brown cot-tage that stands on the hill.
_Come to my spirit, sweet Angel of love. — Song and Cho., ad lib. 30.
Come to ray
tLet us be true to eaoh other. — Song and Cho.
g=g4- - - * — *-
Let us be true to each oth - er
My Home on the Hill.— Song and Cho.
Si
My home on the hill. Oh ! my dear
Do you miss my coming, Darling ? —Song and Cho.
while here.
LiTH. 40.
- tive home.
30.
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When the pear-ly stars of evening, Thro' the lat-tice of theakies.
n I oan never forget thee.- Song and Cho. 35.
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get thee, my dar-liug, For thy
Feu are going away, Lillie!— Sono and Cho. 35.
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You are go - iug a - way, Lil-he! go-ing
When the Spring-time comes again. — Sono and Cho.
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When the spring-time comes
Eissme, if you dare!— Come.
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When the
35.
Kiss me, if you dare, and I
Draw me, Saviour, near to Thee!— Saobed
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won't say no.
aw me,Savio«r,uear to Thee, Teach my err-iug feet the way.
Draw me,Savio«r,uear to Thee, Teach my err-iug feet the
Lake of the Glen, or Mary and Me.— Song and Chorus.
35.
Sleep, my dear one, soft-ly sleep, An-gels vi-gils o'er thee keep.
Those marked " Lith," have handsome illustrated Titles.
For Sale at all lar2;e Music Houses, or mailed, post-paid, on receipt of nuirked price by
CHARLES "VST. HAPIPMS,
Music Publisher and Dealer, 13 East 14th Street, New York.
ni-Tcs", A, D. 1^71, by C. W. Harris, in the Office of the Librarian of Tonsre^
TAYL'irt ii BARWOOD. Music FlectrotrKn inil Pnnten. ■:: Rnui tl.. New Vi/r'.
Til SPIiEi AJNi Til FIY»
A POPULAR SONG
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mass mWE 5", 53IS©33S3ij:
THE WORIKS BY
JESSE HUTCSINSOir. Jf
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Q/tiirM/e ,'iSef.f. /uff.
THK MUSTC iHRANGED AND ADAPTED,
BY
.sirasi.
S'o//y x'J <r.f //eff.
— ^<--.r?;,Ci.<js?K!v''i^ ".s^^
PUBLISHED BY CH HOLT J" 156 FULTON ST. NEW YORK.
rill nit E I) I Ti o s.
SPIDKK AND THE FLY
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'Will yog walk in . (o my paplourjsaidtlie Spider to (hp Fly,"Tis the prettiestlittle parlour that
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in inylit_l!e Fl>, and 1 11 treatyoulike a Queen. Willyoii, will yon, will jon, willyou,
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walk in) Mister Fly ? Will>ou,will3oii,willjou,wilL you, walk in,MisterFIy?
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in my palace you can find a shel.ter snug'and Warm f Full ma-nya Fly Ivewelcomdheref'roni
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I love to cazeupon you now, you charmine;' little Fly,
Your golden wings and modest brow, your liriicht and flashing eye;
And then you sing y«ur dulcet songs, so merrily and free,
I only wish you d jnst hop in, and sing your son^s to me.
"Will you, will you, will you, will yon , walk in, Mister Fly . &c.
The silly Fly, with vanntine: pride flew near the palace door,
So charmed was he with flattering words he ne'er had heard before,
Tiie Spider bade him welcome in, with wide extended arms.
And gently patting on his back he lavished him with charms.
Will you, will you, will you, will you, walkin, Mister Fly? &c.
And now the silken cords of love were gently wove around.
Till close within the Spider's grasp the little Fly was bound.
Too late he sought to fly away, but the Spider held him fast.
And then he laughed h«'. halmy boy, I've caught you sir at last I
Will you, will you, will you, will you, walk in. Mister Fly. &c.
It
The moral here is very clear, and warns us to beware,
The lying and the flattering tongue, which charm but to ensnare;
And when temptation falsely says"Thou shalt not surely die.
First call to mind this little song of the Spider and the Fly.
Will you, will you, will you, will yon, wttlkoUT Mister Fly
Will you, will you, will you, will you, keep out Mister Fly.
\H SPANGLED BANNER. A^ RED WHITE AND BLUE.
NKEE DOODLE. ^^ HAIL COLUMBIA.
\s Verf ari/ied by t/u> .
mmn ^TMSi "MMi^ SMiLD.
NEW YORK
M//5/ie(f /^ S . T G C R D N 5.?S gruBi/tvj^
^!ly /<^6/ ^-ru I'^r^n ./? '/*^ r/ffy^ I'f-^-. ' i>/ '■f^e OfSt I r.
THE STAR SPANGLED BANNER
K£D WHITE AxM) BLUE AND YANKEE DOODLE.
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An: by E.Maik
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AJM/IMs/mUM FIRTH. POND t^Z-i^/^nw./ai/i:
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land of the free and the home of the brave.
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On the shore dimly-aeen thro' the mists of the deep,
Wliere the foes haughty liost in dead silence reposes
What is- that which th« breeie,oer the towering steep
As it fitfully blows half conceals half discloses;
Now it catches the gleam, of the morning''s first beam.
In full glory reflected now shines in the stream,
And the star spangled banner o! long may it wave,
Oer the land of the free, and the home of th* brave.
3
And wheFe is that band who so vauntingly swore,'
That the havoc of war and the battles confusion,
A home and a country shall leave us no more.
Their blood has wash'<l out their foul footsteps pollution
No refuge could s«ve, the hireling and slave.
From the terror of flight or the gloom of the grave
And the star apangld banner in triumph doth wave
Oer the land of the free, and the home of the brave.
4
Othus be it ever when freemen shall stand.
Between their lovd home, and the wars desolation,
Blest with victry and peace, may the heavn rescued land.
Praise the powV that iiath made and jireservd us a nation.
Then comiuer wa. must, when our cause it is just,
And this be our motto — In Gad is our trust;
And the star spangled banner in triumph shall wave,
Oep^tlic land of the free, and the home of the brave.
i+2« *
SOPRANO OR TENOR.
PHILADELPHIA;
PUBLISHED BY Wlll.f LROllPF &CO.,II02CHESTNUT SI
"still as the night"
("still wie dfe nacht")
ALTDEUTSCHER LIEBESREIM.
Englhh version by Mrs. John P.Morgun of .Yew. York.
.'Hcs..Wocgf«/i's truusUitioi) itt the only translation authorised by the Composer.
Sliigstiiiiiiie
Quietly.
Riiliig-.
CARL BOHM, Op. 326. No. 27.
CLAVIER.
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Still as the night .
Still Hie die Naclit
deep
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as the sea .
Hie das Meer
Should
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love, tliy
del -' ue
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starker werdend.
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love e'er be . . .
Lie - - - he seiu! .
zogernd_, ii n Temp o.
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Still. . . as the night .
Still. . . Hie die Xaclit.
ru hig anfai igend.
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Test, wit; dfr Steiii
Should love, thy love,slioultl love, thy
>>oII dei _ ue Lie - be, del . iie
America. .35
American H ym n , (Speed Our Republic) M , Keller .35
Banner OF theSea, H.G.Ganss .50
Battle Hymn OF THE Republic. .35
Columbia THE Gem OFTHE Ocean. DavidTShaw .40
Dixie's Land. DanD.Emmett .40
Flag OF Our Union. W, Vincent Wallace .35
Hail Columbia.
Our Flag is there.
Rally Round the Flag.
Prof. Phyla .40
.40
Wm. B.Bradbury ,35
Star Spangled Banner. inbRSamuel Arnold .35
Star Spangled Banner. inC. Samuel Arnold .35
Tentiwg on the old Camp Ground. Walter Kittredge .40
Yankee Doodle. .40
Yankee Doodle GuARuyouRCoAST/A/yEff^^mJ .40
J-//7 M y/£itff/if CO I If*' Bos ■!"/
BOSTON.
Ouvo? DiTSON Company,
NEW VOSK
C.H.DfTSON SCO.
CHICAGO.
LYON & HEALY.
OCCCKCVItl BV (
Tenting on the Old Camp Ground
Arranged by F.
Tempo di Marria
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Words and Music by
WALTER KITTREDGE
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1. We're tent.ing- to-night on the old Camp ground, Give us a song' to cheer
2. We've been tent.ing' to-night on the old Camp ground, Thmking of days gone by,
Oiu-
Of the
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wea _ ry hearts, a song of home, Ahd ' friends we love so dear,
lov'd ones at home that gave us the hand, And the tear that said "Good bye!
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Copyri-ht MDCCCLXIV by Oliver Ditson S" Company. Copyright MDCCCXCII by Walter Kitfred-e.
Use in Public Pernritfed Copyright MDCCCXCVIII by Oliver Ditson Company.
4-31-61040-4
CHORUS.
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Ma_ny are the heai-ts that are wea.ry to-nig:ht, A\'ish_ing' for the war to cease,
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Ma-ny are the hearts that are look_ing' for the rig'ht To see the dawn of peace.
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Tent.ins' to-nig-ht. Tent.mg- on the old (^ainp groiuid.
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3. We are tired of war on the old Camp ground,
^.WeTC been fig-htung; to-day on the old Camp ground,
Ma.ny are dead and gone,
Ma_ny are ly _ uig- near;
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brave and true whoVe left theh" homes.
Some are dead, and some are dy-ing-,
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Ma.nv are the hearts that are wea.ry to nig'ht.
Wsh-ing for the war to
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Ma_ny are the hearts that are looking' for the rig'ht To see the dawn of
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TentJng: to nig^ht, Tent.ing' to nig^ht, TenLing- on the old Camp
Last oeme Dy.lng to nig^ht, Dy.ing to night,
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THE THREE BELLS.
Poem b.y JOHN G.WHITTIER.
Miisio by ALBERT J.HOLDKN.
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Sent
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darkness, Tlie lights of God draw iiijiih , The
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Eminent Composers'
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• iT-^^THE BRIDGE LINDSAY \ PLODDING THROUGH THE RAIN..5TEIRLY. 4;'^' ;
'~ . GLOVER. 'COME BACK TO ERIN. _ .CLARIBEL. jfej ''
CLARIBEL MORN ON THE MEADOW... WRIGHTON. >r
^ ,. jANNIEO THE BANKS DEE.
-J TAKE BACK THE HEART. . .
'*"" OUR BLESSINGSONTHE DAISIES . ABT 0GIVEME8ACK BUTYESTERDAY.ROWrR. ^^h
'''^- THE GOOD BYE ATTHE DOOR. GLOVER., THE THREE FISHERS. NULLAH. S
CASTLES INTHEAIR. ADAMS.
■■i
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HARDING'S
MUSIC FORTHE MILLION.
Office 288 Bowery. N.Y.
THREE l-ISHERS WENT SAILING.
Words by REV. C- KINGSLEY
Andantiiio.
Music by JOHN HULLAH.
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1. Three fishers went sail- ing out in- to the west, Out
ii . Tlin'i' wives Mil ii|) ill llir li;;lil - . Iioum' lowr. An.lll].-\
3. Three coi'iises lay out on tlie slii-. - nini; sands. In the
in- to the west as tlie sun went down; Each thought on the wo- man who
trimd, iho lamps as llir sun wcni down, Tln-y lookd al llu- Mpiall, >ii(l ilie)
morn - - inic gleam as the fide went down, Andtlie wo-men are weeji -infi and
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lovd him the best, And the children stood watih - ing them out of the tosvn: For
lookd al llip sliowV.And llif ni'^lil -rack laiin' roll - mj; ii|i ran-fred and Iprown! Bm
wring -ing their hands For those wlio Mill nev - er come back to the town. For
i
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men luust work, and wo- men must weej). And there's lit-tle to earn and
mpii 11111,1 work. aiirt wo - nipii miisl w.-pji, The' storms (..■ MLMni and
men must work. and wo _ men must weep, \nd the sooner its o-ver. the
l ^ r^^-J J'';^MrJ'J,JMf
dim.
^
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nfclny, to keep.Tho' the har - hor bar be moan
w» - - liTs ili'H|i, Anil till- liHr - lior liar In' moan
sooner to sleep, Vnd good bye to theliarandits moan
SECOND SERIES.
PEACEfULLY SLUMBER. RandGqqEr.50
OLD SEXTON. RusbbILBG
ROLL CALL Pinsuti.50
LOST CHORD.dnG.) Sullivan. 50
MY OWN. MY GUIDING STAR.MdciarrBn. 30
OUR CREW Campana.40
JACK TO THE FORE DiEhl.35
THE THREE SINGERS. Tnurs.SO
THE OLD SAILOR'S WIFE. Mallng.SS
BANBURY CROSS. WElling5.35
BEND OF THE RIVER. BlumEnthal.40
DANCE ON FOREVERdindenWaltzJ AidE.30
OVER THE GARDEN WALL. G.D.Fox 30
HEAVENS CHORISTER. Pin5uti.40
ANGELS EVER BRIGHT &c. HandEl.30
LITTLE MATCH GIRL MnllDy.35
OLD STREET LAMP " .35
AT THE FERRY WBlling5.40
TORPEDO ANDTHE WHALE
.. (frnmDIivettE,) Audran.30
FAR ABOVE THE STARS. Abt.30
THY SENTINEL AMI . Watsnn.40
ACROSS THE SEA. GabrJEl.SO
I'm WEARING AWA' JEAN. Bishop, 30
BROWN EYES OR BLUE EYES. Aide. 30
ILIVEAND LOVE THEE. Campana. 40
♦ ymL-
I^HILADEUPHIA.
■ BV W. H. BO.Ntiv ^ (^•. 1102 CHESTNUTS
2
"THY SEIVTINEL AM iV'
M^riften by EDWARD OXENFORD.
Morterato.
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Composed by MICHAEL WATSON.
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Thy sen - ti-nel am I !
I giTard thee night and day;
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I guard thee night and day;
Nor
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friend nor foe jiiay come or gOjWhilist I command the -way!
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fHeud nor foe may come or go,"H'hLlst I coiiuiiand the way!
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love JheT^Titeh I keep!
'Tis all in life fo me;
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wind and ram both rage in\7iin, My thots are all of thee.
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wind and rain both rage in vain, My tho'tsare all of thee!
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So sleep, so sleep, my la - dy.
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Sensibile.
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Sleep, my la - dy, sleep !
Sleep, my la - dy sleep, myla-dy, sleep,.
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77
GOSPEI. MEI.ODIESS,
BY
fiMiLAR in style
and character to
"GOSPEL HYMNS,"
so long used in Gos-
pel Meetings, both
in this country and
abroad, but is all new
and fresh. The
music in "Gospel
Melodies" is of a
high order, although
not difficult.
It will be found
both pleasing and
useful, and in every
respect worthy of
Mr. Millard's reputa-
tion as the most
popular song writer
of the day
H. MILLARD, the Popular Composer.
J r\(~\ ENTIRELY
^ ^^NEW, (and
28 standard Hymns).
Every one is written
with special regard
to the requirements
of Evangelical meet-
ings, services of song
&c., and well adapted
to awaken interest in
Gospel Singing.
The words are full
of Gospel Truth,
which will lose none
of its potency in
these soul-stirring
soncrs.
Gospel Meetings, Sunday Schools and Social Gatherings.
Paper Covers, ----... 25 cents each, $20.00 per 100 Copies.
Board " 30 " " 25.00 " 100
Cloth Flexible Covers, - . . . 50 " " 45.00 " 100 "
Sent, Post-paid, on. receipt of Retail Price.
!)
II
tl
II
M
II
oOooOooOooOooOooOooOooCooOocsOooOooOooOooOooOooOooOooOooOooOooOooOooOooOooOo
c30ociOocX>ooOooOooOooOooOooOoc>Ooc>OocK>ooOooOo<>>ooOooOoooooOooOoc>OoooooO^
■ BY
HAEEY PONTET.
PRICE, 50 Cents.
NEW YORK:
Published by
41 UNION SQUARE,
S. W. Cor. 17th Street
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TIT FOR TAT.
SONG.
^
f/ords by NEMO.
Moderate.
Music by HENRY PONTET.
mm
If you
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a tempo.
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cross the hill, by my fa - ther's mill, And walk a - long the fields a - bout a mil«. By the
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wil - low copse, where the path - way stops, You'll find a ve - ry high and awkward stile ;
It has
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four high steps, so wide - ly set, To cross it by my self I am a - fraid ;
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nev - er dare that way re - pair, Un - less at hand I've strong and friendly aid.
'Twas
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there, one day, in the month of May,
I met a lev - ing lad,
|1
And
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in my sweet-est tones, I asked him would he, mind, would he be so ver-y kind. As to
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help me o'er those four most awk-ward stones ?
He helped me "one," he
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helped me " two," And then to my sur - prise,
he paused and said:
i
" Rose, I
colla voce.
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colla voce,
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love you I I on - ly laughed ; "Rose, do you love me? I said, "not I,"
Then
it
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/? a tempo grazioso.
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stay where you are, sweetheart," said he, And turned a - way * with - out an - oth - er word 1 i
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•"oiild not get up or down in my fright, What was I to do in such
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sad and sor - ry plight ? What was I to do in such a sad and sor - ry plight ?
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a tempo.
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"Come
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backl come back!" I wild - ly cried, "Come back! come back!
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want to go to town, If you help me o'er the stile, You'll gain my sweet-est smile, And
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p'raps I'll tell you more when I am down."
He helped me "three,"
he
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=^='^
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aci Z^6.
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helped me "four," Then, with a laugh, I bound - ed light - ly o'er.
" Rose, what
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it
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say you!" I on - ly laughed ; "Rose, you prom- ised!" I aaid, "not I,"
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f^ colta voce, j
t
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-Si?
..-^ ' ^ . ■ . !■■ ' <3 — -
Tit for tat 1,378-4,
s
p a tempo grazioso.
:i=±
E^
5=^=j:S;jEt;E3
told him to Btay ■where he was just then, And tripped a • way with - out an - oth -er word ! He
|Efe^^^
3E^=?zl==d^
i:
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±
3=
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3=
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li=i^
>— ^-
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zit
did not get up, he did not go down, But sat up • on the style, look - ing
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i
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IS — ^-
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^ — ^-
(
at me with a frown. And if you cross the hill, and walk a - bout a mile,
ziz
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m
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i
¥
i
ad lib.
— ft
'^
^
n
^
— I-
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--9
^
thir.k you'll find him sit - ting on that self
^
same stile !
-f-
I
S
colla voce.
-■^t
a
t-
Stiatl^ l,37S-«,
zt
1^
-^— •-
THE S.A..A.I-.EIELI> 8EIMES,
POPULAE ALBUMS OF MUSIC.
PRICE, 25 CKNTS.
ALBVIHS OF VOCAL inVSIC.
BONO ALBUM, Vol. 1. Tbls bcrt)k contains songs tnat are weUrknown and
popular only, ^o trash or etiUtimeral stuff, lai Pages.
SONO ALBUM, Vol. 8. A companlou to above, containing such songs aa
"Dream Faces," "Dreaming," "Jsanon Vv alu bong," "tiome Day," etc
124 Pages.
SONG ALBUM, Vol. 3. Containing later Bongs than those la Vols. 1 and S,
such OS ToBtls "Uhe Mamma," Coweu'a "Juota Flowor," Welllug'o O
Look," etc. 96 Pages.
SACRBD ALBUM. Containing a selection of sacred solos, duetts and quar-
tetia, for eitlior choir or home use. A very taking collection. 86 Pages.
ALBUM OF SACKED SOLOS. Containing some of the newest and most
popular songs for both choir and home circle. 6-' Pages.
COMIC ALBUM, The great book of comic songs, songs and dances, Negro
euugfi, cUuruuus. etc. 96 Pages.
SULLIVAN ALBUM. Embracing Sir Arthur Sullivan's best and moat pop-
uiiir bungs, such as "Let Ale Dream Again," "unce Again," "Lost Chord,"
eic. 36 Page-*.
CHILUKKN'S SONGS. A book of Bongs (varied and assorted) apectally
arrauged and adapted for children. 40 Pages.
VOCAL DUETT ALBUM, Vol, 1, Replete with good, well-known and
popular duetts, arranged for all voices. 72 Pages.
VOCAL DUETT ALBUM, Vol. ». A continuation of Vol. 1. 118 pages.
QUARTETTE ALBUM. A collection of standard and popular quartettes.
4d Pageb.
The iatest and best of this writer's songs and
A few of the gems of tliese
J. L. MOLLOr*S ALBUM.
ballads. 64 Pages.
CONTRALTO ALBUM. Songs specially adapted for alto and mezzo
soprano voices. A very neat little book. 81 Pages.
TENOR ALBUM. A selection of songs specially adapted for a teuor TOlce.
6A Pages.
SOPRANO ALBUM. All sougs In this coUectlou are In a key to suit a high
voice. 64 lages. .
BAltlTONE OU BASS ALBUM. A collection of songs, none of Which
gotjs above ''ii;" natural. 61 Pages.
GOUNOD & ABT'S ALBUM. "Oh That We Two Were Maying," "There's
a Ureeu Ilill Par Away," ai-e alone worth the price of the book. 48 Pages
TOSTI» WELLING AND BLUMENTHAL'S ALBUM. A OOUectlon of
songs uuUed from these author's best compositions. Specimen contents:
"Good-bye," "Forever and Forever," *'Some Day," "Forget, Forgivei"
"My Queen," "Weaving," etc. 64 Pages.
CLARIBEL AND GABRIEL'S ALBUM.
two lady composers. 36 Pages.
CIRO PINSUTI'S ALBUM. A beautiful selection of this moa'B songsand
ballade. Ills best ones only. 66 Pages.
SONGS OF THE SEA. Popular and well-known sea songs. 64 Pages.
WALTZ SONGS. A collection of popular and lively walu songs. 66 Pages.
SONG AND CHORUS ALBUM. Well-known and popular songs, With
taking ohoruites and refrains. 73 Pages.
MOORE'S IRISH MELODIES. A selection of the best and moat popular
Irifih songs. Keprlnted from the £oo«ey£(ittt<m. 40 Pages.
SONGS OF SCOTLAlf D. Like Moore's melodies, a selection of the most
taking Scotch eUrs. Keprluted from the famous Bootey Edition^ and like
that, sold at half the price of the English copy. 45 Pages.
GERMAN 80N0 ALBUM, VoL 1. A choice selection of standard German
songs. 62 Pages.
GERMAN SONG ALBUM, Vol. X. Containing leading songs of Sttcb
oomposoi« aa Helmund, Lassen, Ejerulf and others. 40 Fag«s.
FRENCH SONGS. A "Bljcu" colleotlon of gooA songs with Frenoh aiul
English words. _^ .,. •
MILLARD'S SUNDAY SCHOOL HYMNS AJfD GABOltt. A book ot
new muslo specially adapted for the Sunday SohooL 128 FasM.
ALBUinS OF INSXFtUMENXAI, MUSIC.
PIANO ALBUM, Vol, 1. A splendid book. Worth many times Its price.
"The Shepherd Boy," "My (^ueen," and "Nearer, My God, to Thee," are
alone worth the cost of the book. 12i Pages,
PIANO ALBUM, Vol. 2. Companion to Vol. 1. Specimen contents: "Lily
of the Valley," "Thine Own" and hosts of other pieces retailing ordinarily
for4U and 50 cents each. 124 Pagers.
PIANO ALBUM, Vol. 3. A continuation of Vols. 1 and 2, containing slste-
pleces. 96 Pages.
DANCE ALBUM, Vol, X. Specimen contents: "Barcarolle," "First Klsa,''
"Modjeska," etc. 120 Pages.
DANCE AXBUM, Vol. )8. Specimen contents: "See Saw," "Nonon," Rac-
quet," "Langtry," etc. 96 Pagert.
DANCE ALBUM, Vol. 3. Specimen contents: "Myosotls," "Beggar 3tu-
, dent," Langtry," eW. 96 Pages.
CHILDREN'S ALBUM, Vol 1. ParM of "The Children's Folio," wblch
retails for 60c. Wheu we say this coUoclIou la without doubt the best of
its kind ever compiled, the publisher calls special atteutlon to thr careful
arrangement of each place. Every one a gem, 96 Pages.
CHILDREN'S ALBUM, Vol. 2, Like Port 1, every piece has beon tried
and found pretty and taking. The pieces are so easily arranged as to
fall right under the fingers of beglnuers and yet appear brUliaut and
more dlfflcult than they really are. 7^ Pages.
CHILDREN'S ALBUM, Vol. 3, Containing selections from "The Mikado"
and other late operas. Also pieces somewhat more dlfflcult than those
found in Vols. 1 and 2, Vi Pages.
CHILDREN'S ALBUM, Vol. 4. Another gem added to this series of pop-
ular albums, containing a showy set of easy pieces, 80 Pages.
CLASSIC ALBUM, Vol 1.
" " Vol. 2
« " Vol. 3.
Being parts of Vol. 1, of our famous "Folio
of Classic Music,"
OPERATIC AXBUM, Vol. 1. The first part of "Operatic Folio," retailing
for 50 cents. Containing selections from standard and popular operas as
well OS arrangements from late opera bouSes. 9(i Pages.
OPERATIC ALBUM, Vol. 2. Continuation of "Operatic FoUo," from
page 97. Conialuing among others: "Martha," "William Tell," "Trovo-
tore," "Zampa," "Fra Oiavolo," etc. 96 Pages.
OPERATIC ALBUM, Vol. J, Containing potpourris on "The Mikado,"
"Ermluie," "Uou c:ffiBar,""Nauou," "lilack ilussai," etc. 64 Pages.
OPERATIC ALBUM, Vol. 4. Selections from Xaci]y, Oolah, Yeoman of
the Guard, and other comic eperiis are found in this as well as gems from
some of the favorites in a classic line, 93 Pages.
LEYBACH'S COMPOSITIONS. Containing among others,-'3onnambula,"
"Norma," "Purltaul,"5th Noctui-ne, etc. 56 Pages,
GCSTAV LANGE'S ALBUM. Replete with this author's choicest mualc.
S6 Pages,
CLASSIC GEMS. A book to which th'^ compiler points with pride. A veri-
table gem of collections. The player will here find his money's worth
teu times over and again. 72 Pages.
MARCH ALBUM, Vol. 1. A book containing marches and quicksteps for
school use or parlor entertainments. Embracing all the best known and
most popular ones published In years. HO Pagos.
MABO H ALBUM, Vol. 2. A companion to Vol. 1, Specimen content:
"Volunteers'" by Metro, "British Patrol," "Trip to Africa," etc.
&4 Pages.
LANCIERS AND QUADRILLE ALBUM. A book of popular landers
and quadrilles. &4 Pages.
GALOP ALBUM. In addition to "Dance Galops," containing a number of
brilliant ones, such ae "Wavee of the Ocean," etc, 48 Pages.
POLKA ALBUM. A ooUocUcn of polkoa. 48 Pages.
ALBUM DB VA1.SES. A few of the latest and most popular waltzes. 98
Pages.
PIANO DCBTT ALBUM, Vol, 1. ^Toimhauser March," "Irresistible
Oalojs" aalde fi«m u>e other pleoM found lii Ulla coUectlOD are aloue
worttx double Iho i«ri«e. gs Pogeo.
PIANO DUETT AXBUM, VoL 2. Part 1 of '*The JouT Hand FoUo," con-
taining "Hon)*, Bw»et Home," "8eor«t Love," "Mattel's Valflo," "Gavolto
S|«phanle," "PolUh Danc«," "Lohvncrlu March." M Pacoa.
^
'Olercl aojO'.Jiaj U .Vol of Ciriicm, \ D. Mii, b/ Rtir & CviJr, la tli.1 Clerk'j OSoe of the District Court for tho Northera District of Illiaoi
t
€S
[OSORATULATE vn oa tlio iotrndurtion of n if
sicsl iiintriiiiietit. long wanted. amJ stir« I» riiiiJ i
iiilo evprj liwuBfdoM of tanto nnd rffluonn-iit.
L. M. (ICTTSCKALK.
VGUV efficient church orgun, Itrovight \vU)iiii n hdiaI!
(oiii|ia.ii, Dot etisy to got out of order, and eoltl at a
N£w York £x&miner.
,• pn
KST of tll^i^ class nf wblrh we hnvo any knowledpe.
Murk thas Two Uukdbed Emi>e.vt OwaANiHie.
ivry rcBpoct ftir Biiporlor to CTerythlng of tfao Idnd I
aveV<un, u'hetbcr Id Europe or Aniurica,
Geo. ■WASHuoffRXB Morgan.
liVEH bare seeu asytblog of tbo kind which intcrcetod
me lo mach. Qeokox F. Root.
Xl'KEDS In my estimalioD every other Inntrnmeot of
thin goDLiral cbifd. 'fHoUAti UiSTiNQS.
HE fftTorabla teathnony of nearly erery organist or pia-
nJKt of noto iu this country, together with that of cer-
tain diatlnciiifibed foreign authoritioa, baa fores tailed our
approciativfl comments upon the axtelleure and value »f
tbi'sti caiofullyinudiiiithtruiueuu. Nkw York World.
^'
N'CK benrliig them will nathfr thw most skoptfciU that they
nri) Juttt wlut the churdi hua heen wailing for.
New Yokk Obsbuvrr.
KALLY' very «ffectiTo and bnautiful lustnimenta.
Lo^KLL Mason.
R.\ND accompairiiHeut wbou tijo coagregatlon (ring.
IBE^f OS.
S coiDparpd with ]UqIo<1»odn, narmonluina, Ac, tha
Cabinet Organ U corlaiuly Bupttrior lu quality and
Yolniue of tone, whilu ltd power of expression can
hardly bo too highly praised. WiLLiiu Mason.
EXT to a church organ, and that a good sized one. the
lieet Juatrumcut witli which wo are acguaintod to
accompany church eong.
New YoRMftlDeiCAL Retiiw.
^ave seen, whether
JOH« Zundel.
SURPASSES •vorything in thiwlinoi
(\ Freuih or Amwrican. "
Mniic only by MASON MimiN.Bosta
e
X
LATE
OTMUlTiLL M¥gl€.
SOl'IIIA POLKA, Wimmerstedt. 25
WARBLING OF- THE BIRDS,
LONGING FOR THE SHORE,
EVENING BELLS,
SHARP-SHOOTERS' M^
SHABONA SCHOTTISCB
DESMOINES CITY WALT.
inkier.
50
50
60
25
25
50
SO
ST. I'AUL WALTZ, Vsas. 30
GRAND MARCH, Faust.
LITTLE DRUMMER BOY'S MARCH,
Merz.
CZAAR & ZIMiMERMANN, ...Baumbacli.
POT POURRI, Fanst.
COQUETTE POLKA D'Albert.
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( THE PRISONER'S HOPE.)
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Jioath the star - ry flag We shall breatlie the air a - gain. Of the frt-ebnd in our own be-loT-ed home.
neath tho star - ry flag We shall breathe the air » - gain. Of the freeland in our own be-lov-ed home.
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New Edition. Fifty-Eight Thousand Copies Sold.
• • •
"^ . ^HOME OF THE^FREE.'^. ^
^ if -k M ^ ^ ^
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EDITION IN
KEY OF G.
EDITION IN
KEY OF B FLAT.
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§[fjw-f orb :
POBUSHED BY FIRTH, POND & CO., b47 BROADWAY.
BOSTON
O. DITSON & CO.
CHICAGO:
ROOT fL CADT.
MILWAUKEE ,
H. N. HEMPSTED.
It^m».■,. „c«rJl„g to Act „t Co„gr«. in .h, ve.r WV.. br H.T.. P.,o t Co.. In the Clerk'. Offlc of the District C»rt ot the Unit. I 3ia.o. for tl,e 9ootl,em Ul.lrict of Me. ..^
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HOME OF THE FREE.
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Entered, according to Act of Congress, A. D. 1SS3, by Fibth, Pond & Co., In Uic Clerk's Office of the District Court of the United States for tlio Southern District of N. York.
DECLAMATO.
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1. No-ble Re - pub - lie! hap-piest of lands ! Fore-most of na - tions, Co-lum-bia stands;
2. Should ev - er trai - tor rise in the land, Cursed he his home - stead, with - er'd his hand;
3. To all her he - roes, jus - tice and fame ; To all her foes, a trai - tor's foul name ;
Ritard col canto.
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Freedom's proud ban - ner floats in the skies, Where shouts of Lib - er- ty dai - ly a- rise. " U -
Shame be his mem - cry, scorn be his lot — Ex - ile his her - it - age, his name a blot ! " U -
Our Stripes and Stars still proud - ly shall wave, Em - blem of Lib - er - ty— Flag of the brave. " U -
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nit - ed we stand,
nit • ed we stand,
nit - ed we stand,
di - vid - ed we fall,"
di - vid - ed we fall,"
di - vid - ed we fall,"
U - nion for ev - er, free - dom to all.
Grant-ing a homo and free - dom to all.
Glad - ly we'll die at our coun - try's call.
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1. Throughout the ■woiid our mot -to shall be,
2. Through - out the world our mot - to shall be,
3. Through - out the world our mot - to shall bo,
Vl - VA l'A - MER - I - CA,
\i - \\ l'A - MEK - I - CA,
Vl - VA l'A - MER - I - CA,
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Homo of the free !
Home of the free !
Home of the free !
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I'D CHOOSE TO BE A DAISY,
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I'd choose to
My pe - tala cloa-ing soft • ]y
At twi-hght's qui - et hmir
No. 5. POPULAR VOCAL MUSIC, 1862.
PUBLISHED BV
FIRTH, POND & CO.,
No. 547 BROADWAY, (between the St. Nicholas and Metropolitan Hotels,) NEW- YORK
ASD rOB SALE BT ALL RBSPKCTABLB DEALKR3 HJ SDEET-MUSIO THBOUGHOlTr THE imiTKQ STATES AND OAHADIS.
Music PubliBhed Daily. All New Music received as soon as Published. Music sent by Mail, and prepaid when the marked price is remitted.
Please notice that such of the following marked thus * have an elegantly Illustrated Title-Page.
25
25
50
Angbt words ark lightly spoken. F. Buck-
ley, 25
• Ansik of the Valk. J. R. Thomas, 80
American Standard. A. Bagioli, 25
Anthem of Liberty. Quartet. R. S. Willis, 30
Answer to Dixies Land. I). D. Emmett, . . 26
Bright-eyed little Nell. Wurzel, 25
Billy Patterson. D. D. Emmett, 25
Brightly o'er Lake and Shore. "SantaLucia," 25
Bring THY shattered Heart TO ME. Buckley, 25
Bonny Jean. C. Osborne, 25
Brightest Eyes. G. Stigelli,
Beating of my own Heart. Macfanen, . .
Children's Hour. Words by Longfellow.
J. G. Maeder,
Come into the Garden, Matd. JI- W. Balfe, 35
CouE WHERE THE CowsLip BLOWETH. Quar-
tet, r. Bucltley 60
•Chant des Bateliers. H. Drayton, 40
Come where my Love lies dreaming. Quar-
tet. S. C. Foster, 40
Come where my Love l'es dreaming. Ar-
ranged as a Song. W . Dressier, 35
♦Cottage by the S.ea. J. K. Thomas 30
Dab's a Darkey in de Tent. D. D. Emmett, 25
Don't bjt your Money on de Shanghai. S.
C. T'oster, 25
Dixie's Land. Only genuine copy. D. D.
Emmett, 26
Down by the Riter-side I stray, j. R.
Thomas, 35
Down by the Riter-side. J. G. Maeder,. . 25
* Dixie for the Union. S. Lasar, 25
Dearest spot on Earth to me is Home. W.
T. Wrighton, 25
Do they think of me at Home? S. Glover, 25
Dream of Home. G. SLigelli, 35
Ella Leene. F. Buckley, 25
Ever op Thee. Foley Hall, 25
Ever thds in Childhood's Hour. G. Geary, 30
EvKR OF Thee. Arranged as a Quartet. H.
Tucker, 25
Fairy Belle. S. C. Foster, 25
Forest FLOwfeR. F. Buckley, 25
Flag of our Union. W. B. Bradbury, 25
Farewell, sweet Mother. S.C.Foster,.. 25
Fair Enchantress. J. G. Maeder, 35
Forget thee. M. W. Balfe, 25
Fort Donelson is ours. C. G. Degenhard, 25
Furnace Blast. Words by Whittier. Music
by Hutchinson Family, 25
Glory Hallelujah. Army Hymn, 25
Glendy Bdrk. S. C. Foster, ' ,' ' 25
God save our Fatherland. C. J. Hopkins, 25
God SATE'OUR Native Land. Quartet. Curtis, 26
Good Night, Beloved. M. W. Balfe, 40
Good Night, my only Love. Abt, ... 25
How dear to me the Hour. Duet. Kleber, 35
Hush, sweet Lute. Pattison, 26
Hark I I HEAR THE Organ's peal. Duet. S.
Glover, 25
HoDE FOR Prayer. Song and Quartet.
Dempster, 25
I'd CHOOSE TO be a Daisy. F. Buckley *] . 25
Id rather be a Violet. F. Buckley,..'... 26
If I had some one to love. F. BuckleV* .* 25
I cannot mind my wheel. Mother. Schalk, 25
I KNOW A PAIR OF HAZEL Eyes. G. Stigelli,. . 35
I SEE HER STILL IN MY DREAMS. S. C. FoSter 25
I'm a jolly Bachelor. F. B. Holmes, * 25
V)A A MKRRY ZisGARA. M. W. Balfe,.. . . 40
Fm going Home to Dixie. D. D. Emmett. 26
IvT Green. H. Russell, 60
JcANiTA, " Wanita." Mrs. Norton ' 25
Let him know. "ODitesLui." Kotschiiubey 25
• Linger in blissful repose. S. C. Foster . 35
Long has been the Winter. Quartet. LaV-
60
COTTAGE BY THE SEA.
Long Years have passed. F. B. Holmes,. . 25
Marguerite. Annie Fricker, 25
Marching along. Army Song. Bradbury,. 25
May God PROTECT Columbia. Quartet. j!r.
Thomas, 25
My Heart now speaks Good-bte. MoUen-
hauer, 25
Maggie THE PRIDE OF the Vale. F.Buckley, 25
Mollis dear, good Night. S. C. Foster,.'. 25
MoN Ami. W. Allen 25
* My Home. W. H. Dutton, 25
My Baby's little Shoe. R. Storrs Willis,.. 26
My Lady. J. G. Maeder, 30
My Mother, Mother dear. F. Buckley, . . 25
Mary May. E. L. Hime, 25
Nannerl. Tyrolean Song. R. S. Willis, ... 25
Nation's trust in God. S. Lasar, 25
None shall weep a tear for me. Foster,. . 25
Old Black Joe. S. C. Foster, 25
Old Ky — ey. D. D. Emmett, 25
Our Country right or wrong, Muzio, . ... 25
* Our GOOD Ship sails TO-NiuHT. Masse tt, . . 25
' Onward MARCH TO VICTORY. J.R.Thomas,. 25
Our Willie dear is dying. S. C. Foster,. 25
Other SIDE of Dixie. Willieson, 25
Over the waters Fll wander with thee.
J. R. Thomas, so
Parthenia to Ingomar. S. C. Foster, 30
*Raw Recruits, or Abraham's Dauouter.
Hobbs, 25
Rememdkr (O.) McNaugbton, 35
* Robin Redbreast. Hubbard, 60
Shades op the Heroes. Glee for five voices.
T. Cooke, 25
Sighing for thee. F. Buckley, 25
* Slumber Song. A. H. Wood', 50
Snow-white Blossoms. Barker 25 I
*Song for my Countrymen. H. Drayton,.. 40 |
Star-gemmed Flag. J. G. Maeder, 35
Standard of Freedom. J. R. Thomas, 35
Sweetheart. M. W. Balfe, 25
Sweet is the Dream. Duet. Campana,... 36
Sweet Love, good night TO thee. J. L.Hatton, 25
Sweet evening hour. Quartet. S. Lawrence, 25
Sleighing Glee. Quartet. T.J.Cook, 25
Tender Blossoms. Duet. BeUini 25
Think of me sometimes. J.R.Thomas,... 25
Tiioo ART so near AND YET so far. Reic'liardt, 36
'Tis BUT A LITTLE Faded Flower. Thomas, 35
There's beauty everywhere. Quartet. S.
Lawrence, 35
TniNE, forever thine. Duet. S. Glover,.. 25
The Wife. S. C. Foster, 25
Under the Willow she's SLEEPING. Foster, 25
* Union forever. Cromwell, 25
Virginia Belle. S. C. Foster, 25
•Viva l' America. Key of G. H. Millard,. ! 30
* " " *' Bb, " 30
" " Quartet. " 25
Were I a Soldier. G. Stigelli 35
Wanderer's Evening Uym.v. Mrs. Kleber,. 35
We are growing old together. Buckley, 25
We'll meet in Heaven, Father. Wurzel,.' 25
Whack Row-de-dow. Hobbs, .' . 25
When I SAW sweet Nelly HOME. J.Fletcher, 25
Wild Rose. J. R. Thomas, 30
We Love thee, sweet Night. Duet. Bellini, 35
Wander with me. J. G Maeder, .'35
ZiNGARiNA. Linley, 25
Anthems, Set Pieces, Hymns, etc., for
the Church op the Home-Circle.
Funeral Anthem. "I heard a voice from
Heaven." As sung at Grace Church New-
York. Geo. W. Morgan, ;
Ciiapple's Anthems. All numbers., \'.\
Gloria in Excelsis. Kaoski, '
Morning Service in Bb, for the Episcopal
Church. A. W. Berg.
No. 1. " Te Deum," gg
" 2. " Jubilate Deo," 30
" 3. "Venite," "Kyrie Eleison," and
*' Glorias," 35
Morning Service in Eb ."Te Deum/"'
"Jubilate," and "Kyrie Eleison." Geo.
F. Bristow, ^J^
Jubilate Deo. J. R.Thomas,
Blessed be the Lord God of Israel. Bene-
dictus. J. R. Thomas,
It is A good thing to give thanks. J. R.
Thomas,
When I can read my title clear. With
Duet for Soprano and Base. J. R. Thomas, .
As PANTS the Hart. With Duet for Soprauo
and Tenor. J. R. Thomas,
Come, thou Fount of every blessing. With
Solo for Baritone and Soprano. J. R.
Thomas,
Praise the Lord, "Benedic Anima Me'a"''
J. K. Thomas,
Sacred Song, for Church Service and
Sunday Evenings at Home, by Geo.
Wm. Warren.
No. 1. As pants the Hart. Psalm, 30
" 2. God my Kino. Psalm, 30
" 3. praise ye the Lord. Psalm, 30
" 4. The Lord my pasture shall pre-
pare. Psalm, 30
" 6. Ye faithful Souls. Hymn, 30
" 6. He's come, let every knee be bent.
Hymn, 30
7. Hark I the herald Angels sing.
Christmas Hymn, 30
" 8. Christ the Lord is risen to-day.
Easter Hymn, 30
Rock of Ages. Hymn. Quartet, 35
Christmas Carol, \\\ 25
Two Christmas Carols. R. s'torra "wil'lis*.
No. 1. While Shepherds watched their
FLOCKS, 25
2. The Race that long in darkness
pined, 25
Songs and Ballads from the " Lily of
Killarney," or the "Colleen Bawn,"
new Opera by J. Benedict.
ElLY ilAVOURNEEN, 35
I'm alone, 25
In my wild Mountain Valley, 25
It is a charming Girl I Lovf, 25
Songs and Ballads from the Opera of
the " Puritan's Daughter," by M. W.
Balfe, '
A loving Daughter's Heart. Soprano,... 25
Paradise of Love. Soprano, 20
Let others sing the praise or Wine.
Drinking Song. Tenor, 25
Bliss forever past. Baritone, 20
Pretty, lowly, modest Flower. Soprano, SO
Hail, gentle Sleep. Tenor, 25
Father, pity. Duet for .Soprano and Tenor, 25
Songs and Ballads from the Opera of
" Les Vespres Siciliennes," by Verdi.
1. Dear Friends of Youth. Sicilicone, .. 50
2. Farewell forever. Soprano, 25
3. Calm me to Rest. Tenor, 25
4. Day of Sorrow,. ; 26
5. O'er the calm and sparkling Waters.
Barcarolle, 25
6. Breeze is faint. Tenor, 25
7. He comes, he smiles. Soprano, 50
8. Sweet bay of Hope. Duet. Tenor and
Soprano, 40
J- R. Thomas.
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Published by '^iT-^'p'lin^^S!? 547 Broadway.
'TON, PITTHBUROH SAW FRAWCISfn, STPAtit, MII.^V.
RCOrLIJVun. n.KI.EBV:RABKO. Mr.WAY, WCinF.AnOSS. H N.HKl
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WAITING!
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RECENT COJVIPOSITIONS.
SONGS AND BALLADS. ^
Longing, 5
J/ter, 4
(Don't you Cry so^ JVorah (Darling, 3
The Fairest of Flowers, 34
fRoman Maiden, 3a
Why? 4
Grand Old Ocean, 4
Faith and Hope, .' 4
Thou art far away, 3
'Be thou forever mine, 3J
Under the (Daisies, 4
Viva L'America, 3
Flag of the Free, 3
Grand Army Song, 5
Wt.,iting, 74
My dearest dear little heart, 31
Jeannie's (Reply, 34
The Wolf at the moor, 2
Teddy McGlynn, 4
Johnny McSwattigan, 4
J^ot yet! 6
0, let me (Dream my Life, 4
My Heart I'll keep for you, 4
The (Rose at the Window, 3
The (Return, 5
It might have been, 4
The Tear, 5
Far above the (Daisies, 31
Smile once again, 34
Why should I Love thee? 34
The 'Patter of Little Feet, 4
Queen of the Sea, 5
My Love ! My Own! 3j
Three Voice Service {complete), jq
CONCERTED MUSIC.
Venite {o come, let ds) in (Bb, YJ
Te (Deum (wk pexise thee) in 0, F and (Bb, each 1\
Jubilate (o, be jotfcl) in F and Eb, eacu £
(Do. from (Rossini's Stabat Mater,... 6
(Benedictus {BixaasD Bs) in A , 4
(Bonum Est (it is x ooob ihino) in G, 5
^enedic (peaise the lord) in (Bb 5
(Deus Miser eatur (ood be heecifdl) in (D, 5
Funeral Anthem d heaed i
VOICE),.
Christmas do. (i»D these weee sBKimsEDs), 74
Easter do. (oheist, una pissotbh), 74
Millard's Selections (m book toem) 25
Mass in G (complete), 10
Vespers (complete).
(Domine, (Dixit, Laudate and Glorias,.
.20
Magnificat, 124
Salve (Regina, 6
Ave Maria (solos i.s r ahd a) ea<.h 4
Ave Verum {aaio m Di) 4
Salutaris (ddo) 4
Tantum Ergo 6
0, (Rest in the Lord, 4
Again, as Evening, 34
Come, Holy Spirit 34
/ will arise, 34
Fading, Still Fading, 34
Vieni al mio sen (come to kt hexbt) Duett 5
Toby Waltz, 4
Vocalists Text (Book {complete) with portrait, 374
ADIEU. "Last Greotiiig," Schub.rt
AH I I HAVE SIGHED TO BEST ME. "Ah 1 oho la morto." 2V«a<or«...v.rdi.
AH I SO P0EE, "Ach bo fromm." Martha Flotow.
AHl MT CHILD. "Ah I mon fils." PropheU Mevarbeer.
ALPINE HOEir p,ooh.
ANQEL3 WHISPER Lover.
ANNIE O'THE BANKS OF DEE Glov.r.
ANNIE LAUEIE Scotch.
AEE THEY MEANT BUT TO DECEIVE Rich.rdt.
AS I'D NOTHINO ELSE TO DO H.tion.
ASK ME NOT WHY. " Fillo dn Eegiment." Ooni.otti.
AVE MAEIA Schub.ri.
BILLET DODX. "Letter Song." La PtridioU Olforbach.
HIED OF BEADTT Scott
BLOOM IS ON THE EYE Bishop.
BEEAK, BEEAK. TWrayion Peaio.
BRIDOE. l^ttg/dlow Lindsay.
BRIGHTEST EYES, "Die Sohonsten Angen." Stieaili.
BROOK. Tcm,nr,n Dolofos.
BY THE SAD SEA WAVES. Brufe o/ Fmict Benedict.
OASTLES IN THE AIR Scotch.
CHILD OF THE REGIMENT. "Aak me not why." Donizetti.
COME BACK TO ERIN Claribel.
COME INTO THE GARDEN, MAUD BaKe.
COME, SING TO ME AGAIN '. Hob.on
COMING THEC THE BYE Scotch.
CDOKOO'S NOTES Bl.mphin.
DANUBE EIVEE *Id<.
DUES LUI. "Tell Him." Duchtsu Offenbach.
DO YOUE BEST FOE ONE ANOTHER Clifton.
DO THEY THINK OF ME AT HOME Glover.
DEAREST SPOT OF EARTH TO ME IS HOME Wrlghton.
DREAMS Hodies.
EILY MAVOURNEEN Benedict.
EVENING. "Abend ist's." Abt.
EVER OF THEE Hall.
EYE THAT BRIGHTENS WHEN I COME Godfrey.
riSHEEMAN'S DAUGHTEE Bafnall.
FIERCE FLAMES AEE RAGING, " Stride la yampi." Tntatm. v.rdi.
FIVE O'CLOCK IN THE MORNING ci.ribei.
FLOWEE SONG. "In the kngnage of love." liLuit Gounod.
FLOATING ON THE WIND Glover.
FORSAKEN. "She sat beaide the moantaln spring." Gabriel.
FRANCE, I ADOBE THEE. "Salut a la France." Ooniiettl.
FEOM THE ALPS THE HOBN EEBOUNDING "Alpea Horn." Proch.
GAILY THBOnOH LIFE I WANDER. "Brindini," Traviala Verdi.
QIPSEY COUNTJSS. Dnet Glover.
GOOD BYE SWBETHEABT H.tton.
GOOD NIGHT FAEEWELL. "Gate Naoht." Kiicker..
HAEP THAT ONCE THEC TABA'S HALLS Stevenson.
HAUNTING THOUGHT. "Die Verlegonheit." Reichardt.
HAUNTED SPRING Lover
HAUNTED STREAM Sarl<er
HEART BOWED DOWN. Bohemian Oirt Balfe.
HEAE ME NOEHA. Dnet Bellini
HEE BEIGHT SMILE HAUNTS ME STILL Wriehton.
HOME, SWEET HOME Bishop
HOME FEOM OUE MOUNTAINS. Gipsy Dart Verdi.
HOW CAN I LEAVE THEE. "Aohl wis Ist'a moglioi." Cramer.
HOW SO FAIE, "AchI so fromm." Uartha Flotow
I CANNOT SING THE OLD SONGS Claribel.
I DBBAMT THAT I DWELT IN MAEBLE HALLS. Boitmim <KrI.....BaHe.
1 KNOW A FLOW'EET, "Das Blnmlein." *bt
FLL PEAY FOE THEE. Lucia Doniiatt,
IN HAPPY MOMENTS. Maritam V»allace
IN TEARS I PINE. Lomharili Verdi
IN THE EYE THEEE LIES THE HEAET. "In den Angen." *bt,
IN THE STARLIGHT. Dnet Glover
IT IS BBTTEE TO LAUGH THAN BE SIOHIUO. l««ret<a Oonis.ttl.
IT WAS MY MOTHER'S VOICE Blume
IT WAS MY MOTHER'S VOICE. Gnllar Rupp.
rVE NO MOTHER NOW Smith.
rVE WANDEBED IN DBEAMS. Dnet W.de.
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I WOULD THAT MY LOVE. Dnet Mendelssohn.
JDANITA. "Wanita." Norton.
KATHLEEN MAVOUBNEN Crouch.
KATY'S LETTEB Oufferin
KITTY McGEE Tucker
KITTY TYEELL Glove,
LAEBOAED WATCH. Dnet Williams
LA3TGEEETINQ Schubert
LAST BOSE OF SUMMEE. "Die Letrte Rose." Martha Flotow.
LEAF BY LEAF THE EOSES FALL Blume.
LETTEB SONG. "Couplets dn Lettres." Grandt Duehaie Offenbach.
LIFE BOAT... Claribel
LIGHT IN THE WINDOW Gabriel
LITTLE MAGGIE MAY Blamphin.
LIVE IN MY HEAET AND PAY NO KENT Lover.
LONGWEABY DAY. "Den lieben langen Tag." Volkslied
LOVEE AND THE BIED Z Gugli.lmo
LOVE'S BEQUEST. "Liebcs Bitte." Reichardt.
MAESEILLAISE HYMN De Lisle
MAGGIE'S SEOEET, "My heart U over tho sea." Clanbel.
MEET ME IN THE LANE Salmphin
MY DESIEE Pope
MY LATEST CAPTIVATION Newcomb
NELLIES GONE FOEEVEE Bl.mphin.
NOONTIDE DEEAM. "She sleeps tho' not a star." B.lf..
HAPOLITAINE. "I am dreaming of thee." Lee.
NOONTIDE DBEAM. Guitar Rupp.
TAKE ME TO THY HEAET AGAIN Balfe.
ON THE BEACH Lingard
WHISPEE WHAT THOU FEELEST Richards.
OYE TEABS Abt.
PEBICHOLE'S LETTEB Offenbach.
PULLING HABD AGAINST THE STBEAM Clifton.
BOBEBT, IDOL OF MY HEAET. "Bobert, toi one j'aime." Meyerbeer,
EOCKED IN THE CBADLE OF THE DEEP Knight.
SAY TO HIM. "Ditoa Lni." Dvchtsst Offenbach.
SCENES THAT ABE BEIGHTEST. 3hrita«a Wallace.
8EEENADE. "Thro' the leaves." Schubert.
SING, BIBDIE, SING Ganj.
SLEEP WELL, THOU SWEET ANGEL. "Schlaf wohl." Abt.
SPANIAED AND CAPTIVE INDIAN MAID. Dnet. Perichok Offenbach.
STAY WITH ME "Bleib bei mir." Abt.
STILL SO GENTLY. SomnnmliuUi Bellini
SUNLIGHT WITHIN MY HEAET Groschell.
SWEET LOVE GOOD NIGHT TO THEE Hatton.
SWORD OF MY FATHER. Grand Duchat Offenbach. 3
TAKE BACK THE HEAET Claribel. 3
TEAB. (The) "Die Thrane." Gumbart, 3
THEE ONLY, I LOVE. "Gute Nachl, dn mein." Abt. 3>.^
THEN YOU'LL EEMEMBEB ME. Bo*™,.„i, Ctrl Balfe. 3
THEBE IS A FLOWEB TEAT BLOOMETH. Marilana Wallace. 3
THREE FISHERS Hullah. 3'^
THOU ART SO NEAR AND YET SO FAE Reichardt. 4
TOO LATE. Lovg/dlma Lrndsay. 3
TYEOLESE AND HIS CHILD Volkslied. 3
WEAEING OF THE GEEEN Arr.h na Pogue. 3J5
WE MAY BE HAPPY YET. Daughtir of si. Mark. Balfe. 3
WE MET BY CHANCE. "Lanf dor Welt" Kiicken. 3
WE NOW MUST PAET. FilU da RvritntM Ooniletti. 3
WHAT ARE THE WILD WAVES SAYING? Dnet Glover. 4
WHAT DOES LITTLE BIEDIE SAY? Balfe. 3)<
WHAT NEED HAVE I THE TEDTH TO TELL Clar.bel. 3
WHAT WILL YOU DO, LOVE Lover, 3
WHEN THE COEN IS WAVING, ANNIE Blamphin. 3
WHEN THE SWALLOWS HOMEWABD FLY Abt. 3
WHEBE AEE THE FEIENDS OF MY YOUTH Barker. 3
WHO'S THAT TAPPING AT THE QABDEN GATE New. 3
WHY DO SUMMEE EOSES FADE? Barker 3
WHY WAS I LOOKING OUT? Claribel. 3
WITHIN A MILE OF EDINBOBO' Scotch. 3
WON'T YOU TELL ME WHY. BOBIH? Claribel. g
TE MEBBY BIRDS. "0 bltt' each, liebe Vogeleln," Gumbert. 4
YOU'LL SOMETIMES THINK OF ME Coote. 3
4
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3
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4
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--nnnrwonriry--
NEW YORkPREDERICK Blume, 825 BROADWAY
PITTSBURGH: CHARLOTTE Blume, 43 fifth avenue.
£nl,T,J, aa„£nf u Act t/Omrr'ti, ■« Ik, ,,ar WO, by F. BL VME, in Ikt Offic, ,>/lh, Litrarian o/CngTe,,, «r Wa.klnttm. D. C.
^f^
piAii.
Break, Break, Break A. H. Pbasb. 35
Words by Tennyson.
Break, Bi-eak, Break, on thy cold gray stone*. O »e» !
And I would that my tongue couJtl utter
Tho thoughts that arise in m«.
Sunlight within my Heart, Guoschel. 35
Nightfall o'er enrdi iind sky.
The deep'niun shndows lie,
Like slumlwr on the eye of weary day ;
The sun's lust kiss has pi-ess'd
The clouds' soft snowy breiist,
Whodo rosy blush hus fuded into gray.
The FiBherman's Daughter. Baon all. 30
I've been caught in a net by ii dear little pet.
And her eyefl nre hi blue aa the deep rolling sea ;
Bhe's n fjsherrattn's daughter, she lives o'er the Wiit«r,
She's g^in^ to be miurisd, next Sunday, to me.
My Desire J. Wm. Popk.
New soiif^ by the composer of " Come to
my nest, Binlie," "Flow ye Tears,"
etc., witli flue lithograph 40
The Eye that Brightens when I Come.
Writteu by H. B. Faknie.
Music by Dan. Godfrey. 80
Arraugcment for Violiu 15
One gentle voice breaka into •ony,
"Whenever I draw near;
Oh, never yet vraa melody
To humnn heart so dear !
Not all the storms of earth can mar
The music of my home.
Where smileth still the quiet ey»
That brightens when I come.
You'll Sometimes Think of Me.
Ballad Chas. Coote, Jr. 80
Pulling Hard Against the Stream.
"Written and sung by Harry Clifton. 80
Aj-rangeraeut for Violin 15
Do your best for one another,
Slaking lifo a pleasant dream,
Help a worn and weary brother,
Fulling hard against the stream.
Live in my Heart and Pay No Bent.
A characteristic Irish Song, written
and composed by Samuel Lover. . . 30
Arrangement for Violin 15
Kitty McGee. New Song and Chorus
by the Popular American Song writer,
IIenry Tucker 35
Arraugemcnt for Violin 15
O, fare you well darling, I leave you to-morroTr,
I'm going to take aail for the land of the free ;
Our parting is sad, but dear, dry up your sorrow,
Oh I why do you grieve me thus, Kitty McGe* I
Leaf by Leaf the Boses Fall 30
hont by leaf the rosea foil,
Drop by drop the springs run dry ;
One by one beyond recall,
Summer dowers droop and die.
Come Back to Erin Claribel. 85
Arrangement for Violin ' 15
Come back to Erin, Mavoumeen, Mavoumeen,
Come back, Aroon, to the land ol thy birth ; [neen,
Come back with the shamrock and spi-ing time, Mavour-
And its kiUamey shall ring mth our mirth.
Little Maggie May Blamphin. 35
ArruDgcment for Violin 15
Beautiful Song and Chorus by composer
of " Cuckoo's Notes," *' Nellie's Gone
Forever," etc.
Haunting Thought Reichardt. 40
New Song, by composer of "Thou art
so Near and yet so Far," with Ger-
man and English words.
Advice to Persons about to Marry.
Comic Song by Haiuiy Clifton 85
Jersey Sam Gus. Willlams. 85
AVith character likeness of the popular
singer.
My Latest Captivation Newcomb. 36
Perichole's Letter Offenbach. 35
With French and English words.
Spaniard and Captive Indian Maid.
Beautiful duet from the Opera P6ri-
chole. French and English words . 35
Ferichole Valse 40
Introducing the favorite melodica, "Peri-
chole's Letter," " Three Cousins,"
" Merry Dames," etc.
The Sleeping dueen Baj>fe.
The Noontide Dream.
Serenade for Guitar, 30c. PIauo 36
Sh sleeps I tho' not a star
Telia of the waning day,
Upon her fair young foes
Tha happy sunbeanu play.
Dream lady thou art loved,—
Dream that thy lover's ni; h, —
Dream that his hand's in thine,—
Dream thou canst hoar him si^h I
▲nd when thou wnk'st, perchance beneath the stury
gleam,
Enow by thy beating heart, sweet lore, it wa« not all a
dream I
Grande DuchoMe do Gerolstein.
With French and English words.
Song of the Letters (Billets Doui).. . 60
Sword of my Father (Sabre da Mon Pare) 40
Say to Him (Dites Lui) 40
Grande Duchesse Galop.
Introducing '* How I Love the Military,"
"Sword of my Father," and "My
Grandfather's Goblet." 85
Arrangement for Violin 16
Grande Duchesse Valse Strauss. 40
Introducing " Couplets des Lettres,"
" Complalute do Fritz," " Dites Lui,"
" Say to Him," etc.
Arrangement for Violin 15
Barbe-Bleue. Potpouri Lijdke. 60
Selection des Melodies LUdke. 85
No. 1 containing " Chorus of Palanquin
Bearers," " Why do they thus Gaze
at Me," " Ran Plan Plan," "My First
Wife Is Dead, Tis Blue Beard at
the Ford."
Arrangement for Violin 15
Selection des Melodies Lddkb 35
No. 2 containing "Andante," "AUons
Partons," "Waltz," "The Kiss," "Let
Us, from the Vale Ascending."
Arrangement for Violin 16
ue Beard Galop Li7Diu. 40
Elegant dance music.
Any piece of Music or Music Book, no matter
where published, sent by Mail, Post-paid,
upon receipt of marked price.
a COHTLITX ASBOBTHXITT Of
SaSET UUSIC, FIANOS, atTZTABS. UUSIC
BOOZS, O&aANS, VIOLINS,
And all InmU of iftmcaj JfercAandue aiv^yi on Aan4.
Up and Away Qalop.
"AUF UND Davon," Fadst. 35
Our Fritz — Galop Uilitaire.
lutroduciiig the National Melody " Ich
biucin Preussc." F. Ludke 86
Belter Galop, Op. 21 Zikoff. 36
Very brilliant.
Jolly Brothers Galop.
"Bhuder Lustio " BuDiK. 86
Consortien Waltzes.
Already very popular Strauss. 60
Wedding Festival Waltzes.
"H0CUZKIT3KLANaE" StBAUSS. 40
Harmony of the Spheres.
" SrHAss}<KLANOE "— Waltzes.
STaAOss. 40
Wine, Wife and Song Waltzes.
" Wfim, Weib und Gesanq." SxRAcas. 40
Dream of the Ball Godkrei. 40
A new Waltz, by the composer of
" Mabel," " Guards," " Hilda," etc.
Arrangement for Violin 15
The Golden Secret— Waltz Sibdle. 80
Maud Waltz Guqlieluo. 40
Performed at all his concerts with un-
bounded success, by the great cor-
netlst, J. Levy.
Les Boses Waltz Metra. 40
Performed by Theodor£ Thomas' Or-
chestra.
Bovie Polka M. B. Ebach. 30
Of moderate dilHculty. Becoming very
popular.
Axion Carnival Uarch.
The Military Festival C. Faust. 86
Flying Bird.
CbaracLeristlc piece by jAsmNSKi. 60
Elegant composition.
A collection of Gems for the Piano, easily
arranged, by Frederick Blume.
Price of each number, 20c.
Silver Ripples Waltz.
Wlldfang Galop.
Meet Me In the Lane.
Barney O'Hea Waltz.
Paddy's the Boy.
Constantina Brown.
Up and Down Galop.
Kiss Waltz.
Guard's Waltz.
Mabel Waltz.
Hilda Waltz.
Java March.
Home, Sweet Home.
Pretty Little Sarah.
Golden Waves Waltz.
Dandy Pat.
Lovely as a Rose.
Tassels on the Boots.
Spanish March.
Russian March.
Buy a Broom Waltz.
Champagne Charlie.
Duchesse Galop.
On the Beach— Galop
Captaln^Jinks-Galop
Not for Joe— Galop.
Crown Diamond!.
Faust.
Lucrezla Borglit-
Norma.
Martha.
Trovatore.
Somnambula.
Ernaui. [moor.
Lucia di Lammer-
Fille du Regiment.
L'Africaine.
Oh, Whisper.
Mafflo Orsinl.
Bell goes Ringing for
Sarah.
Maud Waltz.
Les Roses Waltz.
Blue Beard. [Me.
Why do they Gaze at
My First Wife li
Dead.
Let's March Away.
The Kiss Waltz, from
Blue Beard.
Catalogues of Music and Music Books, and Price List of Musical Instruments furnished on application.
FREDERICK BLUME, PubUsher,
825 Broadway, Ne-w York.
WHAT NEED HAVE I THE TRUTH TO TELL.
ANSWER TO
WONT YOU TELL ME WHY ROBIN.
Words khd INusic by CLARIBEL.
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You've play'd upon my- hopes and feais,
My love that grew with fleetinj^ years;
At times you've wiled away my pain,
Too soon you'd frown it hack again-
The while, you gaily smiled alike
On Alan Leonard and on Mike,
Till I, but there's no need to tell
The cause of all you know so well-
Till I, etc. _
3.
Im w^iser now, I know tis vain
To live in that fond dream again;
To sigh, to hope, to rue the pow'r
Of moods that change with ev'ry hour.
Yet if youli show good cause, that I
Should answer to your Tell me why,"
I wont refuse the truth to tell,
Although you know it all to well.
I wont refuse, eto.
ATTACK zikoH.
BEiJDEB LUSTI8 Budik.
BAEBE BLEUE Ludk.,
BOUTE EN TEAIN Kstt.ror.
BEIGHTE3T EYES stie»ili.
BEAVOTIRA Ketterer.
CHAMPAGNE OHAELIE aiumo.
OONOEET Kottarer.
COLUMBANUS P«'iow.
ETUDE, Mazeppa Quidnnt.
EEATHEE BALL F'""'.
niCK AND FLOCK Kett.rer.
EIRE AND FLAME - F.uit.
FODE IN HAND P.rlow.
QEANDE DUOHESSE aiume.
HAND IN HAND Oougt.is.
HILLSIDE Bayer.
IDA F'ust.
JOLLY BEOTHEES Budik.
MAZEPPA Quid.nt.
CUE FRITZ LOdke.
gniVITE G.nz.
EEITER ZikoH.
SABRE. DnchoBso Blum«.
SANS SOUCI A>=h»'.
BTDRM MARCH Bili«.
THREE O'CLOCK H.g.moyer.
TEAB, TEAS Kucken.
UP AND DOWN, "Berg asf, Berg eb." F.usl.
UP AND AWAYI "Auf nod diyonl" Fjujt.
VELOCIPEDE Gud.ra.
WHIRLPOOL Fau.t.
WHITE E08B Siedia.
WILDFANa Fault.
DELIOIOBA. "LwEora." Men.
DO VIE Beach.
FIFER3 OF THE QUARD Aieher.
HOHNSTOOK. Concert HohniWck,
IMPROMPTU Schulhofl.
JENNY LIND Waller.te.n.
LEONORA Men.
OPERA Panorma.
SANS SOUCI Straui..
SECOND MILITARY Atcher.
SILVER BELL Moody.
SLUMBER Beyer.
SULTANS D'Albe.t.
VAILXiIANOE Aicher.
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AMALIA Slodle.
AMELIA Lumbye.
AFFECTION Fry.
BANKS OF THE DANUBE Strag...
BIRD - Panormo.
BOEDS DU EHINE Hunlen.
BEILLUNTE, First Orando Schulhoff.
CHATILAINE L-oduc.
OONSORTLEN Strau...
CORNFLOWER Coote.
DAWN Louel.
DESIRE Beethoven.
DREAM Beethoven,
DEEAM OF THE BAIL Godfrey.
ELFIN Kfug, 3!j Lebitiky.
EMPRESS HENRIETTA'S Hen.
FLOWERS OF SPRING Reiaaijer.
GEETEUDE'S DEEAM Beethoven.
GOLDEN SEOEET Sledle.
GEANDE DUCHESSE Strausi.
GUARDS Godfrey.
HARMONY OF THE SPHERES strauii.
HILDA Godfrey.
IMMOETELLEN 3, With Coda Gune'l.
INVITATION TO THE DANCE Weber.
KELLOGG 4, Willi Coda Arditi.
KISS. HBaoio Arditi,
LINDEN Corny.
LISCHEN ET FEITZCHEN Strouaa.
MAUD, Uyj Gujlielmo.
MABEL Godfrey.
MANLACi or, Angol Peatal.
MOLLIE'S DEEAM Reiniger.
NATALI Labitiky.
PERIOHOLE. otmbMk Blomo.
PERI D'Albert.
ROMANTIC Lanner.
ROMEO AND JFLIET Gounod.
ROSES, Ut Metre,
SILVER LAKE Tyrolien.
SOUNDS FEOM HOME Gung'l.
SPHAEENKLANOE. Harmony, etc Strau...
8TYRIENNE.- Wollenhaupt.
TELEGEAM SIraua..
TWILIGHT DEEAMS D'Albert.
WEBEE'S LAST Von Weber.
WEDDING FESTIVAL S'A. WithCoda-Strau...
WIENEE BON-BONS Strau...
WINE, WIFE AND SOHG Strau...
nc /k £( c s.
AGAWAM. Q. S Stech.
AEION OAENIVAL F.u.t, 3
AEEAH KA POGUE Biume. 3"^
BOHEMIAN Kuh.. 4
CECELIA. ythRegimont Biiie. 3
OEOCIATO Burgmuller. . ^
DEFIL£ Ketterer. 6H
FAUST Lenner. 8
FILLE DU REGIMENT Beyer. 2
OEAND RUSSIAN Fr.nci.. 3
HAIL COLUMBIA National. 2
HERCULEAN, Q, S Zaloucui, 3
MARSEILLAISE Hen. 2
MAESEILLAI3E B./er. s
MILITAIEE Wollenhaupt. 6
MILITAEY FESTIVAL Fao.t. 3
NORMA ■ Burgmuller. 3
PARADE OF 22d REGIMENT Gung'l. SH
SILVER TRUMPETS Viviani. 31,^
STAE SPANGLED BANNEB Oe.ten. 3
WOOD UP. Q, S Holloway. 2
WEDDING Mendel.aohn. 4
ARGENTINE Ketterer. 6
BLACK KEY Henog. 3
DANISH DANCE Lotf i.t Todt. 3
ETUDE Taleay. 4
FIRST LOVE EEDOWA Waller.tein. 3
LILY OF THE VALLEY Srpith. in
MUSIDOEA Talexy. 3^
E00HE8TEE SOHOTTISCH Ruli.on. 3
SILVERY THISTLE. Argontlno Ketterer. 6
SOLDIER'S HAPPY RETCEN Blume. 3
TRAINEUX A.Cher, fi
Q ^r /k Bt ^ ix. x. B.
BARBE BLEUE Loi.e, 6
BARBE BLEUE. Lanoloni D.via. g
BELLE HELENS Lo..e. g
GENEVIEVE DE BEABANT Lc.e, 6
OEAND DUCHESSE Losse 6, Landere,- Arban. 5
INFERNAL. Bollman. 4
LANOIEES, "Dodworti's" Original. 31^
MAEDI ORAS Schubert. 4
MARTHA strau... 4
NINE PINS Blume. 4
ORPHEE AUS ENFEE8 Lo.ae. 6
PALERMO D'Albert. 6
PRINCE IMPEEUL Lo.ae. 6
ROYAL lEIBH Jullien. 4
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SELECT LIST OF NEW AND POPULAR VOCAL MUSIC,
Weeping Sml and Lonely/; or, IFJien this Cruel
War is Over, H. Tucker, 25
Since the days of " Old Folks at Home," no PoTig hae been ieaued in this Coun-
trj' which has attained such an immense popularity aa this ; it bids fair to be the
most popular flouf ever issued in j^Unorica.
When this War is Over^ I will Come bade to Tliee,
Song and Chorus, Mayer, 25
Decidedly the beat reply to the most popular song of the day, "'Wlienthia
Cruel War ia Over; " over twenty edltiona having been printed.
He^s Watching o*er thy Mother, Song and Chorus,
Mayer, 25
A beautiful and touching ballad written in reply to the popular Bong, " Who
will care for Mother now ? "
Rock me to Sleep, Mother, Song and Chorus,
Mayer, 25
A pathetic appeal from a daughter to her mother, who has passed from the
cold world to the happy home beyond. The sentiment is very beautiful, and the
melody is exquisite. It has attained a sale of several thousands.
Angels, tny Darling, will Rock thee to Sleep, Song
and Chorus, Mayer. 30
Written in reply to the popular ballad " Rock mo to Sleep, Mother." It is the
beat and most appropriate ruply that haa yet appeared, and ia certainly the moat
successful ; over thirty thousand copiea having been sold.
Js that Mother Rending o'er me ? Song and Chorus.
Mayer, 30
Seldom do we find a popular song of so refined a character as this ; the senti-
ment is positively beautiful, the melody is easy and graceful, and the chorus ia
very cffoctive. The ballad was founded on the following inciaent.
"Among the many brave and uucomplalning aolditrd who were brought up
from the battle of Fredenckaburg, was a bright eyed, intelligent young n^m, or
boy, rather, of sixteen years, who belonged to a northern regiment. He ap-
S eared more affectionate and tender than hia comradt-s, and attracted a good
cal of attention from the attcndiinla and visitors. Manifestly the pet of some
household, he longed for nothing so much ae the arrival of his mother, who was
expected, for ho knew he was mortally wounded, and failinrj fast. Ere she
arrived, however, he died. But he thought she had come, for while a kind lady
visitor was wipinc the death sweat from hia brow, as his Mght was failing, he
rallied a little, like an expiring taper In its socket, looked up longingly, and joy-
fully, and in the tenderest pathoa, whispered quite audibly. " la that Mother ? "
in ta.'ies that drew tears from every eye. Then drawiTig her towards him with
all his feeble power, he nestled his head in her arms like a sleeping infant, and
thus died with the sweet word of " Mother " on his quivering lipa."
Rreak it Gently to m,y Mother, Song and Chorus.
Buckley, 30
This ballad was suggested by the following incident. — On the battle-field of
Gettysburg, among many of our wounded soldiers, was a young man, the only
son of an aged mother. Hearing the surgeon tell his companions that ho could
not survive the ensuing night, ho placed hia hand upon hisT'orehcad, talked con-
tinually of his mother and sister, and Jiia last words to his comrades assembled
around him were, '^ Brcxik it f/cjttly to mi/ Mother.^' This beautiful song is
nightly e.icoreil at the concerts of Buckley's Serenaders in this city.
It ia one of those deeply touching strains, which brings tears to the eyes and
touches the atrungest hearts. It is quite eft'ective, not dilficult, and cornea within
the compass of ordinary voices.
The Stars and Stripes of Old, Song and Chorus,
3Iai/er. 25
A Houl-stirring patriotic song ; the music is an adaptation of the " Boimie Blue
Flag."
Ode to the Rrave, Quartette. Mayer, 25
Very appropriate for Military Funerals.
Tis Growing very Dark, Mother, Song and Chorus.
Buckley, 30
A ballad suggested by the dying words of one of our noble young volunteers ;
the sentiment, which is sweet and beautiful, appeals directly to the sympathies
of those who have lost a friend or a relative, in defending the rights of their
country.
Tell ine, is my Father coming Home? Song and
Chorus, Buckley, 30
This charming balhid is founded on a touching incident connected with the
war. It is one of the most aui-ceffsful songM of tue season, several editions hav-
ing been printed in a short space of timo.
Kiss inc Mother ere I Die, Song and Chorus,
Buckley, 30
The dying words of a youthful soldier are touchingly portrayed both by words
and music.
T7ie War is nearly Over, Song and Chorus,
Buckley. 25
Companion to," When this Cruel War ia over." The words are of a cheerful
character, the melody is eaay and flowing.
WJien Johnny Comes Marching Home, Song and
Chorus- Lambert. 30
A song for liome, the camp, and the concert room. It ia sung and performed
with unbounded success nighllv. at the entertainments of all the Minstrel
Troupes, Old FoUts Troupea, and the Hutehinsou Family, GiUnore's Band, &;.
Read me a Letter from Home, Song and Chorus,
Barton. 30
An easy and pleasing song, the words of an invalid soldier, who requests hie
attendant to read him tidings from the loved ones at liomc.
Can I go. Dearest Mother? Ballad, Covert, 30
This is, unquestionably, the best production of Ita favorite author. The senti-
ment cannot fail to suit those wiio admire the patriotism of our noble youth who
have risked their lives in defence of our common country.
" I have written to you, mother with a consciouaneaa of right
I am thinking of you fondly, with a loyal heart to-night :
When I have your noble bidding, which shall tell me to presa on,
I will come and klaa you mother, come and kiss you, and be gone.
In the sacred name of Freedom, arnl my country as her due,
In the name of T,.av/ and Justice. I have written this to you.
I am eager, anxious. longing to resist my country's foe ;
Shall I go, my dearest mother } tell me, mother, Shall I go ? "
Mother is the Battle over? Ballad, Roefs, 25
An affecting ballad suitable for tenor or soprano.
O, Kiss me ere I Sleep, Sister, Song and Chorus.
Ballard. 30
This most beautiful and affecting song, was founded on the following incident.
On a train, recently, which left Chicago, on the Pittsburg R. R., was a young
lady from Albany, N. Y., the only sister of a pale and emaciated invali<l, who
lay on a couch in the sleeping car. About four years since, he left Iiis home for
Kan;!aa, and toiled there till he fell aick with the ennsuraption. He sent at last
for hia sister, (his only living relative,) a girl of about twenty years. Khe visited
him; soon he determined to return home. They atiirted, but it waa too mucli for
his wasted energies, and at Chicago he was carried into the car, as if he were an
uncons?ious Infant. Aa he lay there, pale and coughing, it was beautiful to see
with what sisterly devotion she watched beside him ; she gently amoothed back
his damp hair, and softly kissed him as she bent over him. About one o'clock,
he asked her the hour. She told him. A few moments later, he reached out hia
skeleton hand to place within her own, and whispered, " Kiss me slater, before
I sleep ; " a id clnsi'd his eyes. Soon his head fidl gently on one side, as if sleep-
ing ; but be slept the " sleep, from which none ever wakes to weep."
30
30
I
I am Dreaming, Fondly Dreaming. Buckley.
In Dreams thou 'rt Ever Near. "
Two cscellcnt ballads by this favorite song writer.
miere I met my Korah Dear, Song and Chorus.
Thompson, 30
Mr. TJiiiiipaoo'H b.illads, " Lilly Dale," " -Vimie LUle," &c., have hecorae
" liiiust-holl worda." The above song, his latest effort, bids fair to rival its
predecessors.
Laura Haunts my Faticy Still. Gilmore. 30
The most sueeessful song of the author since hia " Good news from Home."
Several editions have been sold.
Just Twenty Years Ago, Song and Chorus
Lambert.
Smg by the popular baliadist, \Vm. ITayward.
adapted tor p;irlor or concert use.
I Walched the Sunlight Dying.
Time's Changes.
O! Rosy Morn.
Lihe a If'ell-Spring in the Desert.
The Dear old Songs of Home.
Birds that in yon Bine Tree Sing.
Six ballads, by Franz Abt, author of " When the Swallows."
Sweet Dreams are Flitting Softly o'er me.
Lamonte. 25
An ff'ctivc song with chorus .id lib. suitable for tenor or soprano voice.
A graceful melody, one of those easily remembered when once heard.
30
One of the best melodies
30
SO
30
30
30
30
y. B. EZTBEJe OF TBE ABOVK PIECES WIZZ BE MAIZED POST PAID, Olf RECEIPT OF TBE PJtICE.
THE BOSTO.TSr 3VCTXSIC^^L TI3VCES.
A review of >Iusic, Art and Literature, issued monthly, nt only Fifty c]?:nts per annum. Each number eontains eight pages of interesting
reading matter, and Irom t wo to four pieces of the ehoieest and most popular music, both vocal and instrumental, thus giving to the subscriber in the
course of the year, about thirty-six pieces of music ; which, if purchased separately, would cost twen/i/ lima he amount of the subscription. If
you want to be informed reg-tlatly of what is taking place in the musical world, don't fail to subscribe for the Times. We will send specimen
copies, prepaid, for seven cents per copy.
C^'The above arc only a few of our recent publications. We have selected those which have attained a popularity, and we are therefore justified
in recommending them, as the best of their class. Those who desire a different style of music, or who wish a more extensive list from which
to make a selection of vocal or instrumental music, can obtain the Musician's Guide, for six cents in stamps to defray postage.
WHEN JOHNNY COMES MARCHING HOME.
'W^llh •pirll.
"Words and Music by LOUIS LAMBERT.
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2. The old church bell will peal with joy, Hur-
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rah, hur - rah !
rah, hur - rah !
We'll give him a hearty wel - come then, Hur - rah,
To wel - come home our dar - ling boy, Hur - rah.
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The meu will cheer, the boys will shout. The la - dies, they will
The vil - lage lads and las - sies say, With ro - ses they will
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all turn out, And we'll all feel gay, Wlien Johnny comes march - ing home.
strew the way, And we'll all feel gay. When Johnny comes march - ing home.
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lau - rel wreath is rea - dy now, To place up - on his loy - al brow. And we'll
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all feel gay. When Johnny comes march - ing home,
all feel gay, When Johnny comes march - ing home.
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NEW AMD POPULAR SONGS, JUST PUBLISHED ;
Lanra haunts my fancy still,
She gave me a rose,
What is home without a bahy?
Spirit of the North,
My village home, .
30 cts,
30 "
30 "
30 "
30 "
The voice of a departing soul, . . .50 cts.
(Bass Soug, composed for Cakl Fokmes.)
God save the Uuion .... 20 "
(National Anthem.)
Once a Slave, but now a Soldier, . . 35 "
(Lithograph Title-page.)
Any of the above pieces will be sent free by Mail on receipt of the marked price.
THE WELCOME GUEST,
J^ 00XjLECTI03>T of f'l-A.lsrO-FOI^TE nS^TJSIC (224 LAKGE PAGES,)
Comprising the most fashionable and popular music of the day, which has been selected particularly to meet the wants of the
majority of Piano players, as a book of Home Amusements. The music in this volume is in character what its name indicates —
a Repertoire of the choicest and most attractive pieces, which will always be considered a *' Welcome Guest " in every family who
possess a Piano-forte. The following is the Table of Contents : —
Bondos, Variations, Transcriptions, Noc-
tumes, 6uc.
Maiden's Prayer Badarzewska
IV'arbliDgs at Eve Kichardfi
Juauita (Spaoinh Melody) "
LisieD to me (Song without words) Fonke
llnme, eweet liome Baumbach
Monastery Bulls Lefebure-Wely
Ifeimweh (Uume Desire) Jungmann
Trust in tne (Croyez moi) Ascher
Wedding L'elis Lefebure-Wely
Marseill lise Iljnin Bejpr
Uepattel Di)3 (Nncturnp) Louis
Chant du Btrger (Nocturne) Galos
Itaijo(Thel An original imitation Batchelder
B ittle of Waterloo. Anderson
Two Nocturnes
Harches and Quicksteps.
Sultan's Band March Browne
Weddinit March, ... Mendelssohn
Grand March in Norma Bellini
Grand Russian March Paul
Wrecker's Daughter Quickstep Von Rieff
Suldier'.i Dream March Browne
United States Marina March Lady
Vienna March Czerny
En Avatit March Gung'l
Congress Orr^nd March -Hesser
Webster'^ Funeral March ..Beethoven
Dead March in Saul Handel
l^qui^ptrlan Quickstep Fries
\\on.i Up QuiLk.-lep Uolloway
Wnshinii'on's Grmd March.
i^Iidnight Il^ur Quickstep Amateur
Cordniilion March (from the Prophet). ...Meyerbeer
Spanish Retreat Quickstep
Waltzes.
Flowers of Spring Waltzes Reiseiger
Kn-ll'i! Ball Klange Waltzes Lumbye
Clara Waltz Beethoven
Empre-s Henrietta's Waltz Herz
Itet^iati Waltz Lumbye
Oft in the Still v Night Waltz Curtias
Golden Drop Waltz Hopkins
Prusnian ^Valtz Lumbye
Dreams on the Ocean Waltzes Gung'l
Sounds from Home Waltz "
Saxon Waltz Lumbye
Gf-rtru'les Dream Waltz Beethoven
Merry Sleigh JUde Waltz Pendergrass
Boheitdan Waltz Lumbye
Morning St-ir \V'altz Lanner
Evi'ning '* " "
iA) Desir WmUz Beethoven
Indiana Walrz Marcailhou
l.a«t Waltzes of a Lunatic Baumbach
Tookwotton Wiiliz
Von Weber's Last Waltz Weber
Peetal Waltz Beyer
Duke of Reichetadt'a Waltz Strauss
Spirit Waltz. Beethoven
Bird Waltz Panorma
Drum Wal'z Hardway
A£.\liior Almack'a Walts Beethoven
Sontng'a Waltz Uerz
AfTection Waltz Fry
Swiss Wi.ltz Moran
Silver Lake Waltz.?..,
Bavarian Waltz
Hop Wultz
Polkas and Schottlsclies.
Fairy Polka Spiodler
Cuckoo Polka , Herzog
King Pippin Polka D'Albert
Sul tin's Polka "
Bride's Polka "
Vaillance Polka Militaire Ascher
LeoDore, or Deliciosa Polka Baumbach
Pepita Polka ..Ascher
Fairy Bell, or Princess Maude Polka Wallerstein
La Favorite Polka, Strauss
Concert Polka Uohnstock
Wecker Polka Zerrahn
Emprefs Anne's Polka Strauss
Serious Family Polka
Baden Baden Polka Musard
Zingara Polka LeuCner
Bohemian Polka OSenbach
Little Jcannetfe Polka
Silver Wreath Polka Lyon
Gipfey Polka Leutner
May field Polka Baumbach
Mont Blanc Polka Jullien
Jenny Lind Polka Wallerstein
Diamond Schottische Sebache
Rosalie Schottische Winner
Rochester Schottische. Rullsou
National Schottische D'Albert
Mazurkas and Folka Mazurkas.
Douce Peno^e Polka Mazurka D'Albert
Suavita Mazurka Roubier
Wanda Polka Mazurka Talejty
Les Soiipirs Polka Mazurka D'Albert
Sweetest Mazurka Roubier
Reverie Mazurka Badarzewska
Galops, Eedowas, Folka Bedowas, Varso-
viennea.
Brlelitea^ Eyes Galop Baumbach
Ypsilanti Galop Regestein
Storm Gallopade Bilse
Lottie Polka Kedowa Bergmann
J,a Redowii Burgmuller
Uno Premier Amour Redowa Wallerstein
Rippling Hill Varsovienne Montgomery
Souvenir de Barcelona Varsovienne Carbon
Quadrilles and Cotillons.
Mardi Grns Quadrilles Scbuhert
Agnea Sorcl Quadrilles Leduo
Lancers' Quadrilles Schubert
Caledonia Quadrilles Arlington
Tntroducing
My lovp, shp'n but a HR«io yet.
There's nae luck nhnut the house.
Campbells ore comin'.
Farewell, bonnie Scotland.
The Highland lassie.
Operatic Quadrilles, Introducing
Martha.
n Trovatore.
La Soonnmbula.
I Purilani.
Lucrezia Borgia.
Columbian Quadrilles, introducing
Star-pplang(ed Banner.
Red, White and Blue.
Adams and Liberty.
Hail Columbia.
Yankee Doodle.
Silver I^ke Waltz Quadrilles, introdnclng
Afteciion Waltz.
Swiss Waltz.
Silver Lake Waltz.
Bavarian Waltz.
Hop Waltz.
Opera Waltz Quadrilles, introducing
La Traviata.
Tl Trovatore.
Elisire d'Amore.
Bohemian Polka Quadrille^, introducing
Serious Family Polka.
Baden Baden Polka.
Zingam Polka.
Little Jeannette Polka.
Bohemian Polka.
Mayfleld Polka Qundrlllea. introducing
Silver Wreath Polka,
Gip»ey Polka.
Mayfield Polka.
Moot Blanc Polka.
Jenny Lind Polka.
Polka Redowa Quadrilles, introducing
La Reveuse Polka Redowa.
Matilda Polka Kedona.
Une Dame Patrouespe Polka Redowa.
La Parquette Rnse Polka Redowa.
La Viilageoise Polka Redowa
Basket Cotillon, introducing
Girl I left behind me.
Comin' thro' the rye.
Rosa Lee.
Malbrook.
Land of sweet Eiin.
Medley Cotillon, introducing
Paddy O'Rafferty.
St. Patrick's Day.
White Cockade.
Wait for the Wagon.
Rory OMore.
Camptown Hornpipe.
The Verdi Quadrille, introducing
Di Oelosa Amor, from II TroTfttont.
Di Provenzail Mar, from Traviat*.
Libsmo ( We'll laugh and sing) "
II bnlen del suo sorrisn.
Dih ! rallentdte, e barbari.
Dances, Hornpipes, Reels, &o.
Highland Red.
Original Banjo Dance.
Celebrated Danish D<ince.
La Manola
The Shadow Dance, (Dinorah).
Cdlege Hornpipe.
DuruDg's Hornpipe.
Fisher's Hornpipe.
dear, whiit can the matter be
Herr CHne's Daoce.
Spanish Dance.
The Waterman.
Come, haste to the wedding.
Soldier's Joy.
Money Musk.
Virginia Reel.
Irish Washerwoman.
Daose E^pagoole.
Speed the Plough.
Chorus Jig.
Lord McDonald's ReeL
The Rout.
The Tempest.
The Devil's Dream.
The Cheat.
Miss McLeod's Reel.
Fairy Dance.
Kendall's Hornpipe.
Garry Owen.
Paddy Carey.
Arkansas Traveller.
Lame Gosling,
Banjo Dance.
Highland Fling.
Roy's Wife.
KInlockof Kinlock.
The Power of Mupic.
Original Plantation Dance
Scotlish Hornpipe.
Hull's Victory.
Larry O'Gaff.
Price, bound in boards, $2,00 ; in cloth, $2,25 ; cloth, fnU gilt, $3,00.
Sent per mail, postage paid, on receipt of the price.
HENRY TOLMAN & CO., Publishers, 291 "Washington St., Boston.
LOVe
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A MOTHERS
IVIY PET
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^•^^TiDt::" PACE.
'^°«ES IN,
'■HI' SOPRANO IN £5
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WORDS BY v_0;
H.ASHLAND KEAN.
.it
H^^ Mezzo-Soprano or Baritone.
■^ )'^-^ MUSIC BY
HARRISON MILLARD.
.) "1
-^<=^
Tfnnstfittif intofUrtnftn hy
.TVLirS CERSOS.
llodcralo.
^
dcciso c con jiitna.
de=
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He sail (1 a - way at
^m
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a pinctrc.
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hreaK ol' day. The sWe.*! were blue and lair,
ra^i - flic Bool, Dcr Him- met klar iind rein,
)k ^
lie klss'd liis hoii-iiie hand to
Er k'lisst jUe— tlun r lzHtn Ak ^ncris
/r.
^
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^-
-ai
:mr'-
me.
fm
With heart as liiiht
Iin llrr - zcn f^n
as air!
lun - ^rAdti.
^^
joz.
^t ^.VfVih
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K^.^iWa.tainLi'i
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ffad lib.
Y
pumposo.
--Jz
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yjl w^^
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"Hark ye!" he cried:
"Ilab' Avhl!"cr riift.
■go watch the tide As it com-eth uj) to
" iicnnhchrt die Flnllr Xacli Lijnn-.ic/i sk//' iniih
S
3r
^5«^
^«
f ctilln voce.
J-^ —
w5e
-fiT
4=::=.
/
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ac
pesaiilc.
-^
3=
fl^
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izi:
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cresc. c con fs/irrss.
4
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32
LjVnii; For foul or fair,
cm, Ob licit - res Blati,
I
„b
wiU..
Stiir
be there. When the flow-iiig tide comes
mes ^raii, iVenn die h<i - he Flnth kuinmt
i
k
k K S
^
i9-
^
=7-==^
i
1 watch'dthe clouds that came in crowds,
DicWid - licn f/ie/iH so tichirarz da - Mil
■ V- -! [
Like flocks of e - vil
Wic Vn - f/liicks vii - gel
zEz
m:
T^
~9 9 — jn r
sempre c resc.
--i^
^m
mpp
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»
m
^
^^s
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birds..
fritb;
3I.V heart sank low with bit - ter woe, Re - mem - b'ring Don- aid's
Mir sank das Iltrz in bitt - rem Sr/imerz Wo bleibt mein Do - nald
— , , ?^ 1 , — I ~i L
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somrncsso.
suddnihiffad lib.
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Mords. Re - meiu-bryig Don - ahl's words.
/j(A:? Wo blribf mcin Do - nald Lich'i
'■O God!"
O, h'or'
S
3^
f?T
ii 5 5,^
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^
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t re III
I cru'd. and
//«VA Gott'. iinrt
u
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t
iiuillo affrd'!
' -^
ajiitato.
^
implurauAo c con affi tto.
^
^
S
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• ■♦ */
none be- side. Knew the grief ni,v heart with - iii;
hleith uic Tod In
w
ih - res Her - zens Pcin;
r^
\S~~J
oil! give me hack iii.v
(iib mir zn~ ritvk mcin
*
WT'm
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ai/i/alo.
W
S "^ J ^
^
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"BZI
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boil - nie
cin - ziji
lad
Gliick
None else
Ihn licb'
Illy
ivn
love
iniir
eaii
win!
Ifin!
Oh!
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iiiolto {sprisa.
^
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give
mir
iiie back my bou-nie
zii - riick incin iin~ zig
lad, Whentlie flow
Gliick, M'ctiH die ho -
1"8
lie
tide comes
fliith kommt
^^^^:
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^^
^
ii
ro/i fnp?Tss>
■all.
In) ,
hftm!
When the f low - ing tide comes In."
Wcnn die ho - he Flnth kommt htiml _ h
?^
V
m
con espanztonc.
'F=^
*
S^
^
A - oross tli.e . slraml. I'ar
Der Sfnr/n - nutd aaiixt, dig
m
fc^^-^
con csprfSK,
S
^^
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ir
32=
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ii
lip the laud. The fierce,wil<l wa - ters swept!
Wo - ije braust Wcit ii - bcr fgran - dcs Saiim!
Laid at my feet, a, bin* - den
^Ff^
f^^=^
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conaffi I to.
4
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sweet, With smile as if he
hin Xoch Inch - elnd iiic iin
-0
slept! ,
Tratinv.
• r-^
I odiiTd not weep, so suit his
Sein Hclilaf so siins, niclit T/iraciir
^
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Prf
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rxn
r'trr , ' i
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21
IgJI
fe
dcHcatii.
^^^pf^^^^f^^ ^ f^
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y^ guard iiailando.
^
3rE-fe
§
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sjccp For fear 'twoiUdwak - en him!
/<ic.s.|^^ Ihn ar/iir- men Erit/ c - Icin!
^3E
1 eoiild not weep.so sid't his
Scin Schtaf .s« .s/Vss, uiclitTliracnv
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ii
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j MWg eon express.
I ranqidllo.
f
— ~f^ — ' 0- * ^ ' • """SS —
For lear 'twoiihlwak - en him'
Ihn scMr - /ncn En - ye - leijii^
\i
sleep.
ajlUsS
s
^
s
^
^
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^
colla wee.
i>-
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Peace,
Fr ied'
3" -^T
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let hiui rest,
scJ mif dir,
a stent?
i
^ r/ fem^KK
^
S
God
KiioM- etli Ijest!
n«lA in dich viirl
And the flow
tJnd die hit
iiig tide
he Flitth
comes
kommt
reace,_ let him rest.
In Frie-den riihu
God ^Juiw-eth best! And the flow
Gott^i::^ H'onj^:Si^ ^so! JJnd die ho
ing tide comes
he fJ^liilhf^komint
H, MILLARD^S COMPOSITIONS.
Airain as Eyoning 40
All Praise be Thine 40
And the Pnbllcan 60
And There were Shepherds. (ChrisimM
Anihems.) (El> & G) 76
Bcnedlc. (B & G) 40
Benedictns. (A) 40
Bonuni Est. (G) 60
Christ our Pnssoyer. (Easter Anthem) 76
Come Uoly Spirit. (G) 40
Come Holy Spirit. (E) 50
Deus Misereatnr. (D) 60
Fndine, Still Fading 85
Father to Thee 40
He is not Here 50
How Pear Is the Thought 36
I Heard a Voice. (Funeral Anthem)... 85
In the Morning 85
I will Arise. (Solo.) New 40
Jubilate. (F,l.&C) 60
Jubilate. (Stabat Mater) 76
Lord whom Winds and Wares 50
Lord, Remember David 60
Magniflcat 1.25
Mass in G. (Complete) 1.00
Millard's Selections. (Book) 2.50
0, Come, Everj One 40
0, Rest in the Lord 40
0, Salutaris. (Duett) 40
0, where shall Wisdom 40
S.ilve Regiua 60
Shont the «lad Tidings 50
Tnntum Eraro 60
Te Deums. (Bl., C&F) 75
The Chaplct. (Sundaj School Book) 50
To Thee. (Baptismal Anthem) 40
Three-Voice Service 1,00
Venite. (Bl.) l.OO
Vespers. (Complete) 2.00
Veni Creator. (F & G) 40
M&M&S, <6e,
*A Turn'd Down Page 40
*Allor ti Credero 50
Across the Sands. (E & C) 60
*Alas! 60
Alone 40
All Alone 85
•Amalia. iTA k C) 60
*America and Franco 60
♦A Mother's Dream. (With Cello ob.) 60
Ask me Again 40
Ave Maria. (Gl 40
Are Marin. (With Viniin ob.) so
Ave Maria. (Contrallo) 40
Ave Maria. (Duo) gO
Aye Venim 40
Baby Mine 40
Be Thou ever Faithfol 85
Bless your Little Heart 50
•Blue and the Gray 40
*Chanson du Solr. (Evening Song) 40
•Caddie's Plalddie. (Scotch) 40
Club Waltzes. (For Pinno Forte) 60
•Darling 50
Dear, Conlldlne; Heart 60
•Dear Little Heart 40
Don't you Cry so 30
"Dreaming 50
•Evening Song. (French ouJ English) 40
Every Heart hath Its Secret 60
♦Ebbing Tide. (EI.&F) 50
♦Eyes of Blue 40
Fairest of Flowers 86
Far above the Daisies 40
Far Away 35
Flag of the Free 36
Forget Not 50
•For Yon 60
God Bless our Native Land. (Ln Libert^) 50
Grand Old Ocean 40
Good-bye 40
•Garden Gate 50
Home and Friends 85
♦Hope On 50
•In the Valley 40
•If you Love me, tell me so 50
•I Love Thee 85
It Might Have Been 85
•I Love and am Beloved 36
'I am thinking of Vou 40
•If I were a Knight 40
Jeannie 85
King Fun 60
•Kathleen of Kilkenny 40
•Love hnt Me alone 50
Life 35
Light of Life 85
Little Red Riding Hood. (Operetta)... 25
"Lodge of Sorrow" Music 1.00
Longing 50
Love's Harp 60
•Loving 60
Lone 60
Meeting 60
•Jleeting at the Brookside 75
•Men of " '76 " 40
Milkmaid's Song 40
My Charmer. (Ma Charmante) 50
•My Galloping Steed. (B & A) 4o
My Heart is Lone and Sad 35
•My Love I My Own I ,50
•My Pet 40
♦Mountain Reverie, (For Pi«no Forte: 40
♦My Loved One 50
•My Ship Comes in. (.''oprano or Contrnlto.)
(English nnd German.) 60
♦'Neath the Grass and Daisies White 40
♦Norah Acushia SO
♦Nothing 50
Not Yet 60
+0ne Summer Eve. (Un Soir d'El«) 50
0, Let Me Dream 85
•One Little Kiss 50
Our Nation's Song 85
♦Outward Tide 50
♦Only Mine 35
*P'»>^ng 50
•Patter of Little Feet 50
♦Pretty Swallows, Fare yon weU go
'(Jni Tollis ^o
'(jneen of the Sea 50
Remember or Forget. (Eiig. nnj French). 60
♦Reverie de la Vallee. ( For Piano Forte) 60
Roman Maiden 35
Rose at the Window go
Silver Threads of Song. (School Book) 50
^•'fep'iig 60
•Say not Farewell. (Fr. *Eng.) (EI>&F) 60
•Ship Ahoy I (Duett) go
Smile Once Again 35
♦So Old. and yet so New 60
'Sweetheart go
♦Sumethiug of Paradise 50
•Speak, oh I Speak to me again 60
"The Summer Birds have Flown 40
♦The Bell's Song so
The By and By 30
♦The Flower's Decision SO
The Love-Bird 40
The Mountain Miiid 50
•The Pilot, (Duett) 50
The Return so
The Snow gg
The Song Vou used to Sing 86
The Tear 50
The Tear. 1 Piano Transcription) 50
The Wolf at the Door 35
'Then I will Thee Believe SO
♦Three Roses 40
•Those Haunting Eyes 40
♦Thy Name 60
♦Trusting 60
Two Can Play at that Game. Parlor
Operetta.) Complete or Separate 1.26
•Two Pictures 60
Under the Daisies 40
Vivii I'America 36
Vocalist's Text Book. (Iniimction) 2.75
♦We Shall Meet Again. (Eng. and Frenchj
(G anfl F>) 40
^Waiting, (Italian or German,) SO
•Watching 60
♦Weeping 60
Whate'er Betide 60
'When the Tide comes in. (I) S E; 50
•When Swallows come again 60
Where l- 40
Whether or No 40
•Whispering Tide 60
Why 1 60
Why should I Love thee? 40
•Why should I he Sad i 40
Would that I were there 85
♦Who Knows! 40
Will you keep one Sweet Kiss 40
We'll bide together Slill 40
You may Pet me 40
DEBORAH!
( Opera (n Tour Actt, )
Complete, or 37 separate Numbers,
with Italian and English words.
PIECES MASKED WITH A STAB (*) AilE EMBELLISHED WITH HANDSOME LITHOGRAPH TITLE PAGES.
Orchestra Parts can be obtained of Songs marked (ti.
Any of the above mailed free on receipt of marked price. Address, H. MUXABD, New York City.
^%^^mHy
wmiwiMiwt.
B0ST0Nif//'y'/Et7^^^^' OLIVER m%^)\Jl.>WaA7(fmffm-St.
BOSTON C.C.CLUPP&CO.
N.YORK. W.VANOERBEEK. NEW ORLEANS E, A. TYLER.
Inmid aar&Tt^' IT aTiT &}ifK'-iJj/<'Ji'i)/'.Mii:i->i g, r/,( //>«■ 'few <>'air lir lisTrirJ/^
w-
WHILE THUS AROUND JOY HOVERS
At
ALFONSO.
p }^^- | J' jtiiji0^j, | j)g ^
^ Iiilethus around joy boversto delight thee,Art thou not glad in moments but sobrief ;
Dans ce palais reg-nentpour te se-diii - re tous les plaisirs tu inar - ches sur des fleurs ;
it
^P
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7 7
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When love and hope
Au - tour de toi
P
It
smile up-on and invite thee, An -gel of love why fall those
quand tu vols tout sou-ri - - - re, An -- ge d'amour d'ou viemient
r J 7
) 7 7
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^ 77
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^
LEONORA.
^^
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Speak not of joy, for I know not thefeel-ing. Deepin my lieart I
Dans vns palais ma pauvre a - - - ine sou-pi -- re Ca-chant son deuil sous
tears of grief!
tPs douleurs
4i
Ol'fl.
4-7 7 ^^Vi
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hidf my si- lent tears.
\\t I't sous les fleurs.
Heav'n on • ly knows
Dieu seul le -voit
liovv my smile is con-ceal ■ uij,
sous moll tris - - te sou- it • - re
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fa ■ tal
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comfortless grief, andmany hitter tears, and niaii}' bit-ter tears. /tpf^vr^jpA \^^*'
ninn coeur fie - tii de - vo- re bien di'S pleurs de-vd-re bien despleurs. ' Oil!
^"=^
ALPHONSO.
P
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Oh!
Oh'
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ta - tal
Hion a -
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love, Oli fa -tal love. oli sweet af - fee - - tion,
inour, Oh iiion a -- mour, o chaste flam - - me,
Deep in \\\y
Bru - - - le dans
#-V J • ,h
s
^P
f) nir far
fc
il
love, Oh fa -tal love,
incur, quoi mon a - mour
sterile af - fee •
ste- ri - le flam
tion,
nie ,
That
Est
in her
sans puis-
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ho - - - soni, deep in my
I'oin - - bre brule dans
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bo - • - soin shun de
1 ''.>ni - - bre de iiion
tec
tion.
me .
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that still ill lier lieart can find no re - - tlic
lion.
uie
it
P=^^W^ I 'r F ^' - ^'
n h n-
P
it
Burn and per - - ish in thy bloom, As burns the lamp with-
Con - - su - me toi comme un flam-beau, Con - - su - - - lue toi comnie
e
I g r M cj g u" ^
Bright for -tune hov - ■ ers o'er her now, Yet dark - ness rests up -
Est il pour- tant des - - tin plus beau Est il pour - - tant des -
BcM:
==*
^^
^^A!^^\ [ ; ^f^=^
f^^m
jj
a tonib-
f lain - bean .
Burn and perisli in thy Idooin, thy hlooin. As
Con - - - su-ine toi comme un flam - beau dans un To:n
pi^^mvT^ ^m
on iit-r brow.
- tin plus beau .
Yet darkness rests up- on her l)row, darkness rests on her
Mais son bonheursembie un far - dean, son bon-heur, son bnn -
^fS
1S28
-tf
^^^^^^^
7 -7
burns the lamp in the tomb.
beau com-uie dans un torn - beau.
5 ^^ | , | J' , , ^^
A
withiii the tomb,
consume toi,
\\ ithinthe
con-su-uie
fUVi a'Q'i^^ ^
w
^^
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* •y 7
br()W,darkness rests on her brow, yes darkness rests
heur sem - ble semble un far - deau, oui son bonheur
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upon her brow.
semble un fardeau.
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tomb, Asbiirnstlie lamp witlrin the tomb.
toi Conunc iin flambeau dans un t'i:n - l)eau .
witli
dans
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Yet darkness rests on her brow,
son bonheur semble un far - deau
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^
1928
Choice Songs for Low Voices.
MY LITTLE "WOMAN. Geo. L. Osgood. Price 40 cents.
mf Aduyio csutiUtiulo. jiuco ten. crts. a<i lib. J a Itinpo.'-
■ y -^ ^_h —- A--^ -^m -:^::i§p
porto. J'f^'fgn.
r ^^ porj, riturd. T-^-i/
4 WoulcUhe diamond seemsuchapeerless gem, If il measured one foot round ?WouId tlie rose-leaf yield such a sweet perfume.If it covered yards of gr mui.
'ize^fc^d
I
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m
zt^*z
6*i*
cj-fcs. coUa voce.
z±2:*-
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ii?i;^;^itb^s^?£?^^^fe^EE!s^
P colla coce. f con ttd. % | c/iu
:3^
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Copyrluht, 1M77. liy Olivkr Ditson A Co. --h-
KISS ME SWEET-HEART. Wilson G. Smith. Price 40 cents.
C'o/t esprt-ss.
1- -J
^fe
r
Kiss inesweeHieart;tIie spring is here. And love Is lord of yon and me,
The bine bells beck" each passing bee. The wildwood laughs to the (lowered yej r
Copyrlnlit, IfSfl, liy Oi.ivtH Ihtion ( omi-*nv.
ABSENT, YET PRESENT. Anton Strelezki. Price 30 cents,
mf coil iniptto
3^^pi^^^^=?S
Aj'tlie flight of a riv - er TiTatflow« tn tlie fea, My smil nislies ev- pr . . in tu - mult to thee'
And al) - sence hut hriglitens T.ib eyes tlia. £ miss And cus - to;ii hut hiighieus . . the aii ell . . of thy kiss
i^^r^it
bSCr-
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§^K2i^^:
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Coityrltflil, 1889, l.y Olivkk I'lTaON CoUl'ASY
HEART TO HEART. Courtney Thorpe. Price 35 cents,
P Andante, con c--<prt!*.'iio)ie
-^.-
d:
■p-
I
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^^T"
rcH poco.
1. The wca-ry \van-ing of the year.Tlip fall-iiig of the losp; The swallows' gathering far and near Tell of the summer's rlSe
2. Once more the sweet white roses blush Neath summer's ripening breath, .\nd swallows in the evening hush Forget the cold and death
iS^
-H-mrrE-i
!i^^^
l>o you think of thedays that are gone
Do you tliink of thi^ friends tha are feone
Jean-nie, As you sit
.lean-nie, As ynu sit
by the iire
by tlie file
at night,
at night,
ri^i|pi|l|a.S3ipii.^Jlg^ip|pi|P|
"^W^
Any of the above Choice Songs mailed post-paid for price named. Catalogues of Sheet Music and Music Book.
mailed post-paid on application. "i"=»v- .uuu»a
AXwed ocMnUiu; to Act 0/ Cangrtu, A, D. 1865, by WJf. JESHlSOa DEMOESaT, in lU CltrKt Offlct ij/tht U.S. DUtrUI Omrt/tir BU SotMtn JfUlriat t/S—t Tfty
Quitar.
PHILAOA.
B O S T O IV s Piano,
Published by OLIVER DITSON & CO., 277 Washington St.
NEW YORK.
BOSTON.
CHICACO.
C. W. A. TacMPiEE. John Chckch, jb. C. H. DITSON & CO. J. c. Ukmu & Co. Ltos & Huir.
am V'J
A BALLAD.
Composed by H. MILLARD,
Author of " Vlya I'Amirloa," "VHj doea my htart itUl dgli," (tk
[Tho Echo of the Whip-poor-will ma^ be repeated by another Toioe at a diatance, or in another room, with very fine effect,]
Allesretto.
P
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3fe
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1. Oh, meet me when day -light is
susim
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fad - ing, And is dark-en-ing in - to the night ; When song-birds are singing tlieir ves - pers, And the
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day has far vanished from sight ;
And then I will tell to you, dar- ling, All the love I have cherished so
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If you will but meet me at evening, When you hear the first whip-poor-will's song. ,
long,
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Whip-poor-will !
Whip-poor-will I You hear the first whip-poor-will's song ;
±d!:
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Oh, meet me ;
ii^^^Ep^^^S^
oh,
Echo.
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When you hear the first whip-poor-will's song.
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Fine.
•*"*■ •*■•*■ mm mm •*■*■ ■*■■*■ m^ m_ Mm -P"*- ^
'Tis said that whatever sweet feelings
May be throbbing within a fond heart,
When list'ning to whip-poor-will's singing,
For a twelve-month will never depart ;
So then we will meet in the woodland.
Far away from the hurrying throng,
And whisper our love to each other,
When we hear the first whip-poor-will's song.
IFltp-jwor-ictH, &o.
And in the long years of the future,
Though our duties may part us awhila,
And on the return of this evening,
We be severed by many a mile ;
Yet deep in our bosoms we'll cherish
The affection, so fervent and strong.
We pledged to each other this evening.
When we heard the first whip-poor-will's tong>
GHOICS lYEUSIGAI. PUBLiIG ATIOIff S.
Life of Beethoven.
BY SHINDLER.
Edited by mO»$CHEL.ES.
In One Volume. . . JPi-ice $2.00.
Neatly Jonod io Cloth nnlformly with DitfiOn ft Co'8 popu-
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of Gottschalb," "History of Music," &c.]
Sent post-p&ld on receipt of price.
OLIVEK DlTSOir & CO., Boston.
C. H. DITSON & CO.. JNew York.
CLARKE'S NEW METHOD
FOR
• KEED ORGANS
la the most popular of all books used Id learning to play on
these favorite iustruments.
Mr. Clarke is a fiae muslctan und brilHnDC organist, and,
in this work, displays good taste aa well ft.s talent la comblaioK
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0. H. DITSON & CO.. New York.
Music Books worth having!
Life of Beethoven.... 5e/tm(^/(T and Moscheles. $2.00
Beethoven's Letters iVoA.'. 2.00
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Polko's Reminiscences (Of Mendelssohn) 1.75
Polko's Musical Sketches (of the Great Maaters) 1.75
Life of Handel Schotldier. 2 00
*' Rossini Edwards. 1.75
•* Chopin Liizc. 150
•• Qottachalk Hensel. 1.50
Mozart's Letters Lady Wallace. 1.75
Mozart. A homantlc Biography Rau. 1-75
Music Explained to the "World Fetis. 1.25
Bitter's History of Music 1.50
Ehtert's Letters on Music 1.50
History of "Old Hundred'* Havergat. 1,50
Mason's Musical Letters 1.50
Hastings' Forty Choirs 1.50
Moore's Encyclopedia of Music 6 00
Gardiner's Music of Nature 5.00
The recent encoumi^ng prof^'e^s in Musical Calture and
Musical Taste, is clearly iDdicut<;il by the great and tncreas-
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C. H DITSON & CO., New York.
BAKER'S HARMONY
AND
THOROUGH BASS.
The Pull and Complete Treatment of the Preliminary Steps,
»nd the Thorough Anivlv.'<is d the Principles, remler a knowl-
edge of Harmony nTailabte to all It is THE BOOK for
the Student, whether in Inbtrumental, Vocal, Orchestml or
Baud Mufio.
By B. E. BAKER.
Price in Cloth, Si- Sent post-paid to any address on receipt
of retail price.
OLIVER DITSON & CO., Boston.
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New and Popular Songs.
mart; me a jacket of pa-s old
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MEET ME, ADDLE, BFTHE OAK TREE.
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TENDEK AND TRUE... G. Lull. 40
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W. Kiiuedec. 40
AH b»Te tumdsome Llttiognph titles.
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FOR THE
PIANO FORTE. CABINET ORGAN, MELO-
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ACCORDEON, GERMAN ACCOR-
DEON, CLARIONET, FLUTE,
FLAGEOLET.
Price of each book 75 cents.
These little works are great favorites, because they are cheap,
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Mr. Winoer has also compiled a collection of lively
PARTY DANCES. For Violin and Piano, and of
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The Song Garden.
Annual Sale 40,000 Copies.
A series of Muslo Books adapted to Schools of all grades.
Each book complete in it.self.
By Dr. LO"WELL MASOif.
Tho Song Garden. First Book. For beginners, with
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The Song Garden. Sfcond Book. In addition to a
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The Song Garden. Third Book. Besides a treatise
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Richardson's New Method
FOR THIS FI.airOF0RTS.
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"PoBsesses merit not claimed by other works."
Cleveland Ilentid. "CommoQ scnsB, pliiin talk, and
brevity." Boston Journal. "Presents many new
and important ideas." N. Y, Tablet.
No long dry Ip.>"f>ns, nor wearisome exerci.'ies. but
Sprightly Studies throughour, and Charming Melo-
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Price $3.75. Sent post-paid,
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Eaton's New Method
FOR THE CORNET.
A MOST USEFUL AND ATTRACTIVE
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Contains, lo Part I, plain, full, and complete directions
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Contains, in Part II. a fineselection of popularnelodies,
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Letters on Music.
TRANSLATED BY
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have met with a large circulation and extended success in Ger-
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Prlc«,inCloth^$1.50. Seat postpaid on receipt of retail
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SYSTEM FOR BEGINNERS
In the Art of Playing upon the
PIANO-FORTE.
By WILLIAM MASON & E. S. HOADLET.
A wonderfullv well-arranged nnd interesting book with
abundance of llec rent ions, lilustntive Pictures, Duet» for
Teacher and Pupil, pleasing Accent Exercise.", Hnd many fine
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Beems' Solfeggi!
For Elementary Singing Classes!
These Solfeggi are well arranged Exerci<;es, rnnglng from
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T TT- ^ r, ^ . I^ Choir Practioe,
In High Schools, and
In Advanced Singing Schools.
PRICE, 75 Cents.
Sent post-paid for the above price.
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A Tery clenr-hradefl and practlrnl booh, perrinir as a manual
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for the above price
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A Method of
Modern Violin Playing.
BY
A well Arrancced and easily Progressiye Method hy a Distio.
(iui.*hed perf"rmt*r. Pujiilof D.ivid, Joachipnand Vicnxtemps,
he iswell quiilified to guide learners from the lowest to The
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Most of the le'i.'^ons are amnBcd with nccompanimen's for
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Price, $3.00. Soot post-paid "o receipt of rftaii price.
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The Woman of Samaria.
J. SACRED CAJVTATA.
BY
W. STERNDAUE BENNETT.
Persons who pxnniine thi* Cantata, ( which ifl almost an Or-
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nounces it ■■chiirmini?, from fir*t to lu«t."
Has eleven Choro'se.''. imd a variety ff Silo* Quartet*, &C.,
and i.-^ well worthy u place \a the rfnertoire o/ Aluflral Socie-
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Price,— Paper, $1.00; Boards, $1.25 ; Cloth, $1-50.
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History of Music
IN THE FORM OP LECTURES.
Frederic Louis Hitter,
A series of Five lectures eich embracing dJHtlnct epocbii In
the history of the Art, the whole forming a book of lotenM
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Bound in Cloth uniformly with Dltaoo & Co's popular
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Price $1.50. Sent pontage paid on receipt of retail prle*.
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Chas. H. DitOQ & Co., New York.
NEW YORK,
Published by S.T. GORDON, 706 Broadway.
e>
YANKEE DOODLE
MELODIES FOR THE MlLL10N^^o.^ "^" VAKiAiioiSB.
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WM.A.PONDaCO.25 UNION SQUARE.
CHICAGO MUSIC C0.152 STATE ST'CHICAGOJ
CopjT'ghtieS? byWrnAJondtCi)
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SACRED SOLO.
Ajidante.
CONSTANCE FAl NT LE ROY. (Riuide.)
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Copyright 1882 by Wm.A. Pond &Co.
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SACRED
Songs.
Before the Throne of Olory. Medium voice in E . .50
Comforting Christ, The. Medium voice In Dl- .40
Eternal City, The. Medium voice in Ei> . .40
Hills of Uod, The. High Voice in C. Medium vcice in A .60
O Son of the Carpenter. Medium voice ur . ij
Relolce, Jerusalem, and Sing. High voice in C. Med. voice in E^ .40
SECULAR
Songs.
If Thou Wert True as Thou art Fair. Medium voice In C
Let Me Forget. High voice in C .
Minster 5ong, The. High voice in C min.. Med. voice in G min.
Night Has a Thousand Eyes, The. High voice In G
Phantom Horseman, The. Bass voice in F
Village Blacksmith. The. Bas.'s voice in Dl"
,40
.SO
.40
.25
Duets.
P.yen^tttm 'l\\\\ mo or Tenor, and Baritone in F .
Hark, Hark, My Soul. Soprano or Tenor, and Baritone in F
My Faith Looks Up to Thee. Mezzo-Sop. and Baritone in i
Twilight. Alto and Baritone in A
Duets.
Now the Silver Moon. Soprano and Baritone In Al» .60
Ring On, Sweet Bells. Tenor and Baritone In BS- .
Star of Love on Evening's Brow Hath Smiled, Tlic.
Soprano and Baritone in B^' . . -60
Thou Art Mine. Soprano and Baritone in Dk .50
s
EVENTIDE
Words by
CHARLOTTE ELLIOTT.
SACRED DUET.
SOPRANO or TENOR and BARITONE.
Music by
GEO. B.NEVIN.
Andante con sentimento.
iSiLU
$
Soprano (or Tenor.)
Jt> con espress.
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The Sabbath day has reach'd its close.
Yet, Sa_viour,eTe I seek repose,
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Grant me the peace thy love be.stows:
Smile on my eve.ning:
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Copyright secured in England.
4-3-.9960.i'«
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Look down on rae with pity.ing eye:
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4-3-5»80.V«
Selected Songs
By standard COMPOSERS
Ncvin, (i. U.
•Hills of God.
Pratt, Silas U.
Egyptian Lullaby.
KofcUIiK, M.AK'IIN. (CoillU.Uetl. f
Now Open My Heart.
Lay Thy Cheek.
Mez/o soprano or Imritone
One Word is Too Oft Profaned.
•Minster Song.
....40
....50
Soprano or tenor in C miu
Alto or baritoue iu O miu
Phantom Horseman.
Purdy. McCracken M.
Love's Repose.
Medium voiee
Sleep of the Jasmine.
1"
5»
Cootrultoaud basb
Spanish Serenade.
* Eternal City.
Medium voice
.•Hark! Hark? My SouUDueti.
Sopraiiooi tenor mitl Imiiioin:
Purrington, Lily
For Love's Dear Sake.
•Suffer Little Children.
*Ave Verum Corpus.
("Geutly. Lord. Oil Oently I.cad us.") I.al
and KuKlish words. Trauseribcd from M
zarl. Medium voice
With violin or 'cello obligato.
*My Faith Looks Up to Thee
Diift, Mezzo tioprauo aud baritone. . .
11
0-
Kandegger, A.
•Save Me. O God.
Soprano or Iciior in H;.
Osgood, (ieo. L.
Koscwig, A. H.
The Diver.
Brown Eyes Hath that Little Maiden.
Alto or bass ii: E>;
..■.50
...50
...30
SoprniiuiuC
•0 Salutaris.
Sojirano or teuor
Coming.
Sojirano in Ai»..
Richardson, J. Howard
D^ncath the Stars.
Medium voiee
Love's Dilemma
Medium voiee....
*Within that Holy City.
Down the Shadowed Lane She Goes.
Soprano or tenoi m i
Mezzo soprano in 1-
Alto or baritone iit D
50
■50
J"
35
-60
0<j
Koma
That Day.
Flower May Hide Its Lovely Face.
Sapio, Komualdo
Why Don't You Come Again? (Waltz Sor
Medium voice. Knglish ami italiuu \vord>
Sicilian Serenade.
Mediinu void-. Huylish uud Italian word^
Night before May Day (Serenade.)
Meiluim'voiie
AUoor baiiii iu A
My Little Woman.
Teuor iu Kt>
4«
....50
K(
Roeder, Martin
Ah. Could Youth Remain.
-opriino ui tenor
Chalice of the Lily.
Shadow.
CoDtralto in U
Soprano lu 1- . .
Day of Love.
Medium voii-e
Eternal Love
Sopiuuo or tenor .. . .
Harlequin's Serenade.
Soprano or leuor
In Grateful Shade Thou Sleepest.
I.iillnby. Sopiauo ot teuor
Love's Dream.
Coutralto or baritoue ...
Maids of Cadiz.
Paine. John K.
Early Springtime.
Sawyer, Frank
In Springtime.
Sopiauu or tenor
Love's Yearnings
Soprano or tenor
Shine On, O Stars,
I Wore Your Roses Yesterday.
Matin Song.
Me/?o soprano oi- tenor
Moonlight.
Soprauo m tenor. Gerniuu aud English won
The World is Fair.
'Twas in the Glorious Month of May
Soprauo or tenor
When Both Our Hearts.
Medium volt <- ■■-
Pattison, J. N.
Patti Waltz Song
Soprauo
Moon Shines Clear.
Couirullu
Nea.
Schnecker, P. A.
*Take My Life and Let it Be.
Soprano or tenor iu I>
Alto or baritoue iu Bt»
At The Church Gat.
Baritoue
Perry. Francis \V.
•I Heard the Voice of Jesus Say,
Neapolitan Serenade.
Mrzzo soprano or baritone.
Night Thought.
Mezzo soprano or baritone
Sacred Songa Markeil •
■1"
Low voice in I-
XKW \CM<K
BOSTON
OLIVER DITSON COMPANY
PlIli,AUELPHIA
LONDON
N? I. iR A l»
SUNG- BY
M^ Edward Lloyd.
N?3.in d1»
N?2.inBl'
SOUG
WITH Organ Accompaniment.
The Words by
F.E.WEATHERLY
The Music by
CHORUS PARTS. lO"*^
OROAN SOLO. 60
PIANO SOLO. 60
SONG WITH GERMAN TEXT IN Bb 75 '
Pn75*f
"SMALL ORCHESTRA,
FULL ORCHESTRA.
FULL MILITARY BAND.
BRASS BAND.
75*
.25
BOOSEY&Co
9 East Seventeenth Street. New York.
295 Regent Street London. Eng.
Sole Agents for
CH APPE.LL & CP
EN OC H 8c SONS
London Eng.
COPVRlCHTieqz BV BOOSfY&CO LONDON fNG-.
This Song Is Now Published With German Text In KeyB Flat
THE HOLY CITY
Words by
K E WEATHERLY.
Music by
STEPHEN ADAMS.
Andante moderato.
VOICE.
PIANO.
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The Holy City.
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And once again the scene was chang'd. New earth there seem'd to be, I
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saw the Ho - ly Ci _ ty
Be . side the tide . less sea;
The
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The Holy City.
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Sing for the night is o'er!
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The Holy City.
N9l,iiiEk
NSa.inF. NS3,inG.
Nfi 4, in At.
1-1
Sung by Mr. EDWARD LLOYD.
THE WORDS BY
F. E.WEATHERLY
THE MUSIC BY
TEPIli iMi
'PrGO*^
BOOSEY&C^
9 East Seventeenth Street. New York.
295 Regent Street London. Eng.
Sole ^se^^^rj^^^^^llo^on Eng.
w— WA4** COPYRIGHT 1896, BY BOOS EV & C9
n«w Edltlou M I89H ,, '-x - -
111 OF L0¥E
MY Silf Mill K
-:^H'/y;
=^< SACJ^eX) SONG ^y^'^^^
Words by Sir Hy. W. Baker, Bart.
BY SPECIAL PERMISSION FROM "HYMNS ANCIENT a MODERN?
M!usic by
CH. GOUNOD.
Cojitrcdto orBass
Jiaj-itojiA?.
Sopra7%o or Tenor.
Co/?fpass:ffWB. Corfipass C^tol. Ooynpass £to Ch.
Arranged as Solo QuartEt or Chorus 8 '^.o Pr. /5?ner.
Pr.50 9
NEWYORK
G.SCH1RMER. 35 UNION SQUARE
W. H. BO
No. nil Cnc-
THE KING OF LOVE MY SHEPHERD IS.
Moderate quasi Allegretto.
CH. GOUNOD.
VOICE.
PIANO.
^
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The King of Love my
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the leng;thof days, Thy
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NEW SONGS FOR ONE VOICE, PUBLISHED BY G- SCHIRMER, 35 UNION SQ UAREHmA^n^
Abt, Fnuui, Op 61S. S SongL e. g. Com-
plete. Sop 10 n
No L Spriug's Avakeaiag. (Rown-
telU 35
No. i Love's Rictae*. (Ueticheiu
Relobtham.) 36
No 3. Id Ttaurtngli's WuodB. (Im
Thuringer Wald.) 8S
lUvagro, A. L., C||<^ <!' Amor (Song
of Love ) Sop. C. AltuBi), each.. 85
Ar41U, L., L'ArdlU. V>lw brill I. t b.
SopL At>, Alto G. escb 60
L'IocaotiLtrk«. (Tlie BocbaDtrese.J
Val«e canUbUe. i c. Sop. 0, M.-
Sop. F, eacb 75
P»rl» ! (Speak I) Vaisc cBant^. t
t e. Sop. D, M.-8op. C, each 76
Bach, L. E., Cradle Song. (Wiegenlled.)
.Sop. A, M.-8op. Oreach 36
Ballo, n., Salve Maria. I. e. Sop. Ah,
.M.-8op. F, each
SaitJetl, H. N. , A heaatMiu Vision ....
Come unto me. Sacred Song. Sopu
F, Alto^, each
Laughing Eyes. Concert Song. M.-
Sop
8 sacred Songs for Alio :
No. 1. I heard the Voice
No, 2. Nearer, my God, to Thee. . .
No. 3. Junt ae I am ai
The same tran^jposed for Sop.
Besdel.F., Cradle Song. ( An der WIege.)
Slip Bt), Alto A>, each 35
Biaet, G., Arabia. (Adieux de I'HOtcsse
urabe.) f . e. Sop. Cm., Alto Am.,
each ,
Berceuse. (Cradle Soug.) f. e. Sop.
F, Alto EVeacb
Paatorale. (Givlug and Taking.) t e.
Sop. Fui., Alto Em. , each
Blumenthal, J., Ansvrera. Sop. F. Alto
£■>. eacb
Love, the Pilgrim. Sop. F, Alto a,
each
— — Venetian Boat Song. e. I. Sop. D,
Alto B!>, each
Bradsky, Th., Thon art mine all (Dn
blEt iiiein All.) Sop. Gl>, M.-Sop.
E, Alio D, each
Btaga, G., Ninetta. (Ninon.) Seine
draoiatlque I f. e 50
Sereoata. (Angel's Sereuade.) I.e.
Sop. G, Alto E, eacb SO
Brahms, Joh., X)i\ aweet mr Love.
(Wie biat da, meioe Kdnlgfo.) Sop.
B>, Alto Dj, eacb 40
Falthfuiuesfi. (Liebeatreue. ) Sop.
or Alto, each . . 25
The vaia Suit. •Verffeblichefe Stflnd-
chen. ) Sop. ur Alto, each 36
Brttll, l«. There wns a Las.*:. (Eg war 'ne
MjW.) Sop, E. Alto D, each
To u Butterlfy. (An deo Schmetter-
ting.) Sop. .\, Alto G, each
Bock, Dudley, The merrr brown Tbruab.
Sop. G, M.-Sop F,'AltoE, each...
3 Sacred Songs for Alto :
No. 1. M>- Pilgnnioge 50
" 2. Through Peace to Ugbt .... 60
" 3. Light ol the better tfoming. 60
Tho same, transpoaed for Soprano,
each 50
Camplsllo, P. F., Doubting Romance.
M.-Siip 35
Catacrlolo, I,., Alaal Sop. F, M.-Sop.
E>, *;nch 35
Garmlohael, J. A., Across the Sea to
Thee. Sop. or Ten 60
Champion, S., Gaily I wander. Sop. Ei> 65
The same foi .H.-Sop. C 60
Chopin, Fr., Ainio-mol. (Love me.) Ma-
Jurko, nrr. Uy P. Vlardot. e. t. g.
Sop or Alto, each 50
Llthoaiiiau Song. (Lithauisohes
Lied) Sop F, Alto Ej, each.... 35
The Maiden's Wi-b. (M&dohen's
Wunseh) Sop. A, Alto G, each.. . 86
L'Olselet. (The BIrdllng.) Arr. by
P. Vlanlot. !. c. g. Sop. Am , Alto
Gm., each
Coirn, Garrett, Persian Serenade M.-
35
60
86
Densa, L., AmamI I (Love me !) 1.
Sop. Eh, M -Son. D, each 10 60
FuulcuU-funicuIft. L o. Sop. F, M.-
Sop. Ei>, eacb 1 00
Je ue voua aime pna I (1 love you
not!) f. I. e. Sop. G, M.-Sop. F,
Alto Q), eacb 50
Maijtneritej Sop. E», Alto C. each. 50
Occhlneri. (Eyoaof Baiel ) I. e.Sop.
or Alto, each
81 tu m'aimals 1 (If thou didst love
me !) f i. e. Sop. E. M.-Sop D,
AltoC each
Dick, C, Farewell, If ever fondest
Prayer. Sop A7, M -Sop. F, each,
Donizetti, G., ''No' omera la bruna
Chioraa.'' (There shall grace her
Raven Tresses.) Scene e Cavatlna.
60
SO
1 00
35
SO
36
40
Coomba, Ch. W., Break! Break! Bar.. 50
Good-ulghL, beloved 35
Cornell, J. H., Lend, kindly Light.
Hymn. M. Sop. Solo with Choms
. nd lib QQ
Saviour, Source of every blea'slng.
Uymu. Contralto Solo (with last
Veree as Ciuarlel ad lib.) 50
Cowan, F. H., Aunade. (Momln
uado ) Sop K, Alto D. eacb
ChUdren's H>
each
Never again. Sop G, Alto ^, ca(ih
Who knows. Sop. F, Alto I5>, each
»•»»«, Pel., La. Pbbm »d B»*bil:
' Charmant Olseau." (.Thou brill-
Uut Bird.) f. e. Sop. 0, Alto E,
each
B«Tl», A. J., The One Is mine! (Die
Hne lit main!) Alto E. Sop. 0,
Paa>e, J., Safe Szed on High. Credo.
With Piano, t. e. Sop. C, Alto Bs
each 50
The same. \Vith Piano and Organ
ad lib. Sop. or Alto, each 60
Souplra. (Sighs.) f. e. Sop. F,
AltoD.each SO
Feaca, Alex., In Springtime. (Im Frtth-
llng.) Sop. or Alto, each 86
Fnmagaili, I.., Serenade. (Spanish Stu-
dent.) 35
Gaili J., Maiden with the Lips so rosy.
(M&dchen mit dem rotbeu Miiud-
cheu.)... 35
Gastaldon, S., Moslca prolblhi. (For-
bidden Music.) I. e. Sop. A, M.-
Sop. G, each 60
Gericke, W., My Messengers. (Melne
Boteu.) Sop. i^, Alto C, each. ... 36
Supplication. (Bltic.) Sop. E, M.-
Sop. D, each 35
Gilchrist, W. W., A Dirge for Summer.
M.-Sop 60
A Song of Doubt and s Song of
Faith. M.-Sop 66
Bugle Song. Sop. G, Alto F, each.. 50
Dream, Baby, dream. Cradle Song.
M-S., . 25
How many Thoughts. Sop. F, M.-
Sop E',,eacli 36
Sing I Sing ! Sop. D. Alto C, each, 50
The two Villages. Sop. or Alto,
each 50
Gloraa, P., La Stella dl Nevada. (The
NevudaStar.) Sop. D^ i.e. 100
Vien mio bene. (Come, my dearest.)
Volier. Sop. Bt), M.-Sop. G, each. . 75
Godard, B., Lcs Adienx du Bergcr.
(The Shepbei-d's Farewell, ) f. e. . . 50
L'Amour. (Love.) f. e. 85
Chanson arabe. (Arabian Song.) f. e.
Sop Gm, M Sop. Em, each 30
Chanson de Berger. (Song of the
Shepherd.) f . e 35
Chanson de Florlan. (Floriau's Song.)
fe 35
Dites-moi, (Tell me now.) f. e... 50
Embai-(juez-vous[ (On Board.) f e. 36
— Fleur d'Exll. (Flower in Exile ) f. e.
Sop, E5. M.-Sop. Di), each 50
Je ne veux pas d'autres choses.
(Naught else.) 35
La Sicste. (The Siesta. ) f. e 50
Te ."iouviens-tu ? (Dost thou remem-
ber V) 35
Le Voyageur. (The Traveller) f. e. 75
6 Villuuelics. (Spring Songs.) 1.
April, 2 Spring's Retuin, 3 The
Fairest One. 4, Roundelay. 3,
Annette. 0. The Bee. Complete.
f c ..net, 75
Gambert, F., First Song (Das crstc
LleU) Sop E^, M Sop. C, eacb. ^ SO
Oh ! Us Heaven ! (Oruss' didi Gott,
du holder Schatz.) Sop, A>.\AUo
F, each.,,- 35
Hall, Wm. H. A., Farewell ! M.-Sop. 35
Hartoiann, L., The Evening Bells. (Die
Abeodglocken.) 86
Hearlon, P.,F>r froniBome. (Loin dn
Pays.) Tyroltenne. Sop. D, M.-
Sop. C, each 50
Hlller, F., Hearken to the NIghUngala,
IDoitblu will Icli I Sop. E, Alto
C, each ."»
Bodges, Faastina Hasse, A Psalm of
Life. AJto A-}, Sup. Ht. cuch
Hofkiaiin, H., Tristram and Iseult.
(Tristan u. Isolde.) Sop, P», Alto
£>, each
50
35
Winds ut Rest (DieMcere) 35
H6lcel, G., BIrdllng within my Heart
(Hub in der Brust eln Vogelem. )
Sop. or Alto, each 35
Ingraham. R., I arise from Dreams. Sop.
or I'enor At), Alto or Bar. F,
eacb 60
The Owl and the Pu8«y-Cat 50
Jensen, A., Favorite Songs :
No. 1. Oh, by thy Cheek on mine.
^Lebn' deine Wnug' an meioe
Wang' ) Sop. F. Alto Do, each.
No. 2. Muruiuriug Zephyr.
25
20 Songs.. net, 1 50
(Die
50
35
50
Sara-
Home. Sop S), Alto D^,
60
90
each.
60
50
Serenade. (Stindchen.)' Sop. jf ji-
Sop. D.each .......". 38
Delikea, L., Bon Jour, SnionI (Good
Day, Soaune 1 1 f. e .
Co«*LU. Walts, e. f. Sop. ifi). Alio
C, each
LutMi : ■• od v„ ,a jeune indoae.''
(Indiau Bell Sonit ) f. e. Son. Km.
M.-Sop. Dui.. each ; '
2 Serenades No 1. Serenade U. Ruy
Bias (Chant desLevandlArea.)!. ^
««. a. Serenade to Ninon. (A qnoi
Godard>8oug-Albuni.
Goldmark, C, At the Spring.
(Quelle. J Sop. or Alto, each
GOtze,C.,0 happy Dav. (O schoneZelt.)
Sop. Bj, M.-Sop; Ai>, each
Goanod, Ch., A la Brise. (Whisper of
uie ) Mjdrigal. f. e.
Au RoRsignol (To the Nightingale )
f. c. Sop. G, M.-Sop. F. Alto D,
each ...
BoWro. f. i e. Sop. Gm. M.- Sop.
FSni , Alto Fm, each... 65
Glory 10 Thee my God. An Even-
ing Song. Contralto Bo. Bur. C,
M.-Sop. D, Sop. or Ten. E>, each, 60
Jerusalem f. e. Sop. E, M -Sop. D,
Alto C. each go
The King of Love my Shepherd is.
Contralto C. Bar D Sop. F, each,
PoLrnrcTB: "A Vesta porteis.''
(Now to VesU ) Sop. Aft. Alto F,
«* 35
Do Barcarolle, f . e. Ten. Bt>, Bar.
A(). each 50
Power and Love, from " Rbdsmp-
TIOK." M.-Sop SO
Prl^re. (If you but knew.) f. e.
Sop Dm , ilto Cm., each .'
RsHiE DE Saba : " Plus grand dans
son OUicurit* " (More regal In
his low Estate.) f. e. Sop D, M.-
Sop, C, eacb
3«uM le I ( Without tliee )' ' i.' f .' e!
Sop. E, Alto D, each . .
Sone of the HearL Sop. F»m. f. e.
Tumalmesl (Touloveme') f e.
Sop. C, .M.-Sop B), .Vlto Ai,, each
The Wurker. Sop. Dm., Alto Cm.,
each
Graben-Hoffmann, My Peace Is gone.
(Meine Rub' 1st hin.) Sop. Dm.,
Alio Cm, each
Grieg, E., The Pnncees. (Die Prin^
zesslo. J 35
Grleg-Albom. 48 Songs, e. g. 8vo. i
Vols , each net, $1.00; bound hi 2
. Volt^ each net, 2 00
GDuaud, E., PiccouNO: "Soriente'^
(•_' Sorrento.") 1. L e. Son. D. Altn
50
SO
36
50
SO
(Mui^
meludes Liiftcbeo.) Sop. (}^,
Alto E!>, each 50
No. 3. Can you tell f (Welsst du
Doch ?) Sop. D, Alto B:>, each. ... 35
No. 4. Marie, eg '35
No. 5. Old Heidelberg, thou fair
one. e.g. Bass D, Ten. G each. 50
No. 6. Margretn. (M:ircieth am
Thore ) Ten. Th. Bar. W. each ... 50
No. 7, By Manzanares. (Riberlcas
del Rio.) Sop. D, Alto Dr), each. . 50
Jensen-Albom. e. g. 8vo. So?, or
Alto. 7 Vols., each net, flOO;
bound, each net, 1 75
Joknes, IHrs. Edtv. R,, Longing 86
Jordan, J., A Vcnetinn Serenade.. .. 35
Lo\c'» Philosophy Teu.. Bur., eacb, 40
Kantz, J., Hear my Praver. God.
SoiJ. Gm, Alto Fm., eacb 35
BJeroif, Hal/dau, Album of 48 Songs.
'Tntnslatlou by T. Marzials. 8vo. 3
Vols., each net, 1 SO
LastNixhu (Sehnsacht.) Sop. A|>,
Alto Ei>, each 25
Klein, B. O., Song Album. It Songs.
c. g. 8\o Sop. or Alto, each net, 100
Kontski, A. de. Dream of Love. Sop. 50
Lassen, Ed., Thine Eyes so blue, f e g.
Sop. Ad, M.-Sop. G!), Alto F, each.. SO
Lassen-Albnm, 43 Songs, e. g. 8vo.
Sop» or Alto, i Vols., each net,
$1.00; bound, cuch net, 1 75
The same, in separate Numbers,
each 25c to SO
Le Jeune, G. F., Fannie's Cnrls. Sop.
G, M,-8op. F, each 50
Liszt, Franz, " There is an Hoot of hol-
lowed Pence." Adapted by W. K.
Bassfoid. Sop 86
Lund, J., Musician's Love. (Muslkan-
teD-Litbc) A Cycle of 4 Songs :
No, I. The Musiciau and Dame Mel-
ody. (.Musikus uud Muslku.) 35
No. 2. Greetings. (Oriisse.). 35
No. 3. Musician's Evening Praver
(Kllngeud Nachtgebet.) With Vio-
lin 50
No. 4. Happiness. (Glflck.) 50
naofbrlene, M. R., Marguerite so fair. 36
Mackny, Ph., Moontlde. Barearolle. . . 50
Alarchaut, A. W., It may not be! Sop.
or Alto, each SO
Soft, soft Winds. . w
Ralf , J ., Songs e g 1
^:M.|:irti?f^^-Bo,
|e ilJ'-CoX'e.^-
teach." .*•""• ««■»«> Aio
Hand, Josephine, 8«od-mormw.' Son'
Dd, M.aop, A, each
IHarzo, E., Per chl ? (For whom ?) i. e.
Serenade "O tliati were a Bird.".
Mnssenrt, J., Elcgie. f. e. Sop. Fm.,
Alto Em . , each
Happy Children. (LesEnfontt.) e.
t. Sop G, M.-Sop. F, AltoE, each
HiBODUDK : " n est doux." (He is
kind) Sop. E!>, M.-Sop. C. each..
Serenade to Mtgnon. 1. f. e. M.Sep.
C, Ten D, each .
ideyer-Hellniund, E., A slight Mis-
take. lEin kleiue. Vemebsn ) Sop.
or Alto, each
Betraval. (Verratii) Sop, E, Alto
D, each ,
Forsaken. (Das verluaa'ne MAd-
ehen.) Sop. or Alto, each .
I ne'er should have thought. (HAtt*
es nlmmergedaeht.) Sop. or Alto,
each
Maiden's Song. (MWchenlled.) Sop.
A. AltoG, each 35
Old German Love Rhyme, (Alt-
d>fus»ehei- Liebrsreim.) Sop. O,
Alto E, each 35
Moderati, C, Da tc lontano. (From
thee afar ) Sop. E!>, Alto C, each.
La Parlenia. (Parting.) Romania.
M.-Sop so
Seiua dl te! (Severed from thee!).. 30
Aloor, Eman., Love's Delight. (Lie-
h'^sllick.) 50
Nevin, E. W., Serenade. Sop. (or M.-
Sop ) .':,:
P4lz, Ed., Radiant Eyei'. (Das Franen-
auge.) WaluSong. Sop. A, Alto
G, each
Ponchlelli, A... Gioconda : L« Cleca.
as
50
35
SO
Reinecke, C., The golden Rlnir'let. ' ,'a '
deuRlug) Sop. F, Alto'D U*" ,,
"'''""B'^L^-.'^-r »-"•"• (Da.
Richmond, F. G., In after Years!' «
Rlegg, C., I alone can tell. (Das »,i„
nm^ieballeln., ^^T^XZt
"'"''"F,'fv™o%^i""T°l'''"»"'^' "
Ronalds, M. F., Ever near...!!! S
Rubinstein, A., Album of 60 Songs! e
— ■i^cs«ne,bonnd;.,-.v.-.v;,..::;;:iJ««
Sachs, Jol., Serenade for Tenor with
Orchestra or Piano Ace. e. x'with
Piano •*■ *"
Orchestral parte.'.'.'.'. „.; , J?
Semet, T., G.l Blas^ Serenade. I e 'm^ ' ""
^P :. 89
Sptcker, Max, Th(! Voice of SdiIm
( Fi iihliUgstrost) Sop. or Teo . _ m
Sponholtz, A. H., Beneath my Tiad
g. c. Sop- P, Alto Bj, euch .' jo
Stephsns, E., My Woslem Home ss
Strelezki, A.,A Secret. BaUad. 8op
or M.-Sop., each jj
— A Tale of Love. Ballad. Sop. or
M.-Sop, each 35
—^ Broken Vowp * 50
Days of Tore. Ballad. Sop .ir M.-
Sop.. each 3j
Dearest Hesrt, Farewell I Komantc 3S
Dreams. Ballad. Sop. D, M.-8op.
C, each jb
. Expectation. Sop. or M..8opL,
each 85
False Love. Ballad 85
May Winds. Sop. or M.-Sop., each, 85
Morning Serenade to MlgnoD . 50
My Bride. Ballad. Sop. or M.-8»pi,
each 25
Tell me not. Waltz Song. 3op. &,
M.-Sop. C, each SO
To-morrow. Balhid. Sop. D, it-
Sop. C.eacb 85
The Vision 86
Wooing Ballad. Sop. F, M.-8op.
E»>, eucb 96
8app6, F. von. Naught else?' (Soutt
nicbts "1 Bar. F, Ten A|^ each.... 65
SWBniSB SONO FROM A DaLESABLIAK
Dance. Sop. or Alto, each 85
Tballon, R., My Bonnie wee Rose 85
Tosti,F. P., Ave Maria, i.e. Sop. A,
M.-Sop G, Alto F, each 85
■ Clmoson de Fortunio. f. e. flop.
Bd, M. So]) Ao, Alto F, each w
DN-rooi done ! (Tell me I) f. !•«■
Sop. A'), Alio F, each »
Ideale. (My Ideal.) I. e. Sop. A,
M.-Sop, G, Alto F, each
It came with the meriy May, Love.
(Epbemereal. ) Sop. Ab, M.-3op.
F, Alto ib, each "
Oh6Mam4l (Love's Dream!) 1. »•
Sop. Ep, Alto Dl), each •■•■ '"
Preghiera. (Prayer.) 1. e. Sop «»,
M^op D. Alto C.eacb. -
Yesterday. Sop, 0), M.-Sop, ».
Bar, C, Ba«8Bi>, each , _
Tours, B.,Thc Gate of Heaven, Alto
D, M,-3op, Eb. Sop. F, each
Hymn to the Angels. 8ocred Song.
(With Harmonium or Organ aJ no- 1
Sop . Bi), Alto A'>, each . . ^^ . • ■ -
The three Singers. Sop », Alto
C, each ,,"
Vogrlch,MBx,TheClover81o6»om8kH8
thy feet Ten. 0, Bar , each-----
Happy am I Sop. or Teu. C, Alto
or Bar. A>, each i; ■ ' ' W" i im
— Holy Night. Sop. or Teu. F, Alto
or Bar E£), eacb
— Thy true Heart. K"- ■;--U\,mL
When in my Dreams I mMt )"*
Sop. or Ten. E, M.-8op. or Bar t. ^
men two Hearts drift "sunder^ Sop-
or Ten. F. Alto or Bar. D, '"\-
Wagner, Rich., MaisiEBsiNoat for „
oar's Address. « J!^. ?f V«n Bb^
RlBNZl: Prayer, (flebet) Teo.BD. „
Bar A*, Bass F, each ■-■
TannhXcsek: "O thou sub^BS
sweet Evening Star." e. I g »"• ^
G, Base Et,, Ten. *•. f«° - so'^g^
Walkijrb: SI«gmoud'8Loi<^»»°S ^
«, g, Teo. or Bur., each.....--
Walln.Vfis'V, A., Spring ^-^^JX
hu^nwesung ) Sop. w, "-^i- 86
WalterTK-.P^po^^-^P^' *';-'"':' g
Warm^hrc^'DldstthoukuowlM^So.
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Adams, Clins. R. The Lord's Prayer. Mez. Sop. or Bar 23
Ambrose, R. S. One sweetly solemn thought. Mez. Sop. or Bar. .35
Bailey, Eben U. Guard rae tlirough the Night
Bailey, Eben H. Humbly licf'ore Thy throne.
Bailey, Eben H. Throw wide the Portals,
(Christmas.)
Becker, R. Easter Soup;. Sop. or Ten. . .
Blnmeiischein, W. L. dome unto me. Alto 35
Brown, 0. R. 0, that thou liadst hearkened. Mez. Sop. or Ten. .35
Brown, O.B. Therefore the redeemed of the Lord. Alto or Bar. .40
Brown, 0. B. Wliat arc these that are (Sop. orTeu, in Dl>j gj
jSop. or Ten. in Gl
I Con. or Bar. in F|
j Sop. or Ten. in B^\
I Con. or Bar. in G)
JSO]!. or Ten. in FJ
I Con. or Bar. in D |
.35
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.35
.35
Brown, 0. B
arraved - I Con. ar Bar. in Bl> j
All's Well. Mez. Sop 25
35
35
Chadwick, 0. W. Brightest and Best, (Christmas). Mez. Sop. or Alto
Cliadwick, 0. W. When our heads are bowed with woe. Mez. Sop.
Chadwick, 0. W. Mother dear, Jerusalem. Mez. Sop. or Sop.
Cliadwick, 0. W. Let not your heart be troubled. Mez. Sop. or Alto
Cheliiis, Herman P. It passeth knowledge. Sop. or Ten. . . .
Cirillo, V. Ob, Thou who dry'st the mourners tears. Sop. or Ten.
Crowninsbield, Mary B. There is a land mine jSop. or Ten. in G]
eye hath seen. 1 Cnn. or Bar. in Et> |
Crowninshield, Mary B. The Star of Bethlehem, (Christmas)
Mez. Sop. or Alto
Crowninshield, Mary B. Via Cruris. Sop. or Ten 25
Christ Arisen, (Easter) . . • |il ^.S; jn d) ■*«
From the cross uplifted high. Sop. or Ten. . . .40
Just as I am. Sop. or Ten 50
Inspirer and Hearer of Prayer. Con. or Bass. . .35
My Shepherd will supply my need Sop. or Ten. .35
There is an eye that never sleeps. Sop. or Ten. .35
Arthur In heavenly love abiding. Sop. or Ten 35
Arthur Come, said .lesus' sacred voice. Sop. or Ten. . .25
Arthur Now and Afterward. Sop. or Ten 35
Uenshaw Ave Maria. Sop. or Ten 60
Dana, Hensbaw Salutaris Mez. Sop. or Alto 40
Dana, Henshaw Salve Regina. .^.Ito or Bar 50
Federlein, G. Come ye that know 35
Federlein, (i. Lo the day of rest declineth 35
Frank, J. W. Wait thou still. Alto or Bar 36
Gounod, Chas. Entreat me not to leave thee. Sop. or Ten. . . .50
Gradwell, Alex. Ave Maria. Sop. or Ten 35
Hascsll, W. F. Kyrie Eleison. Sop. or Ten 33
In heavenly love abiding. Alto or Bass 40
He is thy Lord. Alto or Bass 60
His love is everlasting. Alto or Bass 50
Glory to Thee. Alto or Bass 40
Cutter, Benj.
Cutter, Benj.
Cutter, Benj.
Dana, Arthur
Dana, Arthur
Dana, Arthur
Dana,
Dana,
Dana,
Dana,
Howe, Jas. H.
Howe, Jas. H.
Howe, Jas. H.
Howe, Jas. H.
Huss, H. H, They that sow in tears. Alto or Bar
Jecko, Steven H. Art thou weary, art thou languid. Sop. or Ten
King, R. God's sheltering care. Mez. Sop.
Lynes, F. Fear not, ye seek Jesus, (Easter.
Lynes, P,
Marcello
Marston, G
Marston, G
Good Tidings, (Christmas)
Fearful I bow before Thee.
Bass.
(Sop. or Ten. in G|
1 Con. or Bar. in D j
I Sop. or Ten. in A |
I Alto or Bar. in FJ
.35
.40
.40
.35
.25
,40
.60
Marston, G.
Marston, G.
Marston, G.
Marston, G.
W. Ave Maria. Sop. or Ten
W. It came upon the Midnight clear, (Christmas.)
Sop. or Ten. Alto or Bar 40
Jesus, lover of my soul. Alto or Bar 40
W.
W.
w.
w.
His love shines over all. Sop. or Ten 35
Love not the world. Sop or Ten 35
My God and Father, while [Sop. or Ten. in Gl g,,
^^— I stray. I Alto or Bar. in !)!>( '
Marston, 0. W. The Homeland. Sop. or Ten .35
Marston, G. W. Still with Thee, my God. (Duett) Sop. and Alto .40
Marston, G. W. Slowly by God's hand unfurled. Alto 40
Marston, G. W. The Land of Peace (Duett). Sop. and Alto . .40
Marston, G. W. Hail to the Monarch. Christmas. (Duett) . . .65
Mendelssohn, F. But the Lord, He leadeth. Sop. or Ten. . .40
Mendelssohn, F. Thou who dost turn. Sop. or Ten .50
Meyer, L. As thy wav'ring footsteps. Sop. or Ten .35
Nemo, B. Cradle Hymn of the Virgin. Sop. or Ten 50
Nicholl, H. W. Shout the Glad Tidings. (Christmas.) jl^fo or Bar) '^^
Norris, Homer A. Once in royal David's City. (Christmas.)
Mez. Sop. or Alto 36
Norris, Homer A. Supplication. Sop. or Ten 35
Parker, H. W. There is a land of jiure delight. Sop. or Ten. .60
Parker, H. W. Rest. Sop. or Ten 40
Parker, J. C. D. Eye hath not seen. Alto 35
Parker, J. C. I). He that is mighty. Soprano 40
Parker, J. C. D. And there shall be no more Curse (Duett)
Sop. and Ten 60
Raff Ave Maria, with Violin Obligato. Contralto 65
Roelofson, E. B. Christmas Lullaby. Mez. Sop 25
Rotoli, Augusto Evening Rest
Rotoli, Augusto Ou
Tinney, Chas. E.
Tinney, Chas. E.
Tinney, Chas. E.
Sop. or Ten. in G j
JMez. Sop. or Bar. in F[ .60
I Con or Bass in D I
I Sop. or Ten. in F 1
Mez. Sop. or Bar. in D } .60
Con, or Bass in C J
Art thou weary. Sop. or Ten .50
Peace I leave with you. Sop. or Ten 50
Rock of Ages {^I'-:,';CL|-*«
Arthur P. Schmidt.
Boston
146 BoylstOD Street.
Leipzig
New York
136 Fifth Avenue.
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My &or AND Father, while I stray.
Andante.
6.W. Marston.
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published by
<Arthur P. Schmidt, Boston & New York.
Pianoforte Solo.
Baoatelle. F
Impromptu-Caprice, (i
The Mill-Wheel (Characti'ristii' sketcli)
Slumber Song. B '»
March. D
Gavotte. B rain
Hoinanza
Souvenir de Baviere. Xo. 1
Souveuir de Bavi6re. No. 2 ....
Souvenir de Baviere. No. 3 ....
.\riers Songs from -The Tempest" 50
A night in Spain. A min 40
Album Leaf. F.
Adagietto. E?
36
40
Songs.
(i-i-)
Ave Maria. G' (di— g?) . .
Tlie Boat of my lover. G min
Days are long. F (c — f)
Don't forget. B? (d— f)
Milkmaid's Song. Gmiu (d — f)
Cavalier's Soug. C (c— d)
Oh! heart of my heart. G min. (d — g) . . .
The Promise. D> (dp— f) .........
Lonely. Dj (c~<)
Douglas, my Douglas. Mezzo Sop. C (c — d) .
It came upon the Midnight clear. (Christmas).
Sop. A" (ei — a ')
Alto F (c— f)
.fesus, Lover of ray soul. Gi" (d'— e^) . . .
His Love shines over all. D^ (et> — g'i . . .
The Homeland. F (f— g)
Love not the World. G if! — g)
The Lullaby divine. E min. (d— e)
Morning Star. E ? (e > — g)
My God and Father, while I stray. Sop. G i,d — gi
Alto. Df- (ai[Iow]— d>) 26
The old Clock on the stairs. D) (e? — e ^) . . 35
Segovia and Madrid E^ (hi — f) 35
Waiting by the Hedges. F (e— g) 30
When soft tlie Vesper Sparrow sings. F (e— g) 25
Song Album for Soprano. Fourteen Favorite
Scrags. (Edition Schmidt No. 16) . . . . u. L50
Springtime In my Garden. Violet, come rejoice
with me. The Leaf in the Book. Last niRbt a
dream came to me. A stately pine ataods lonely.
Happy Death. The Duet. Evening. Lay thy Check
to mine The Water Lily. Cradle Song. In
April, Sunday.
Song Album for "Contralto. Fifteen Favorite
Songs. (Edition Schmidt No. 18) .
'T was in the charming Month of May. In Dreame
1 saw a desert Heath Wanderer's Song The
Sailor's Ave Maria. On the Water. Evening.
Thourt like a lovely Flower. At early Morning.
There was an aged Monarch. Far on the Coast
of Scotland. The Chapel. The little Sandman,
Heralds ot Spring, See'Bt thou the Sear O sweet
and wondrous Mysterv
Persian Serenade. Tenor or Sop. F (d— g) .
Slowly by God's Hand Unfurled. (Sacred). Alto
or Bar A > u— e >)
Bedouin Love Song. Ten. E min. (p — a) . .
— — Bar. C min. (b — e)
Aunabel Lee. Ten. Br (d— fl
Bar F (a-— c) .
1.50
Songs.
The Fairy Wedding. "'Twas the middle of the
night". .41to or Baritone. A? ^d•' — e ■) . .
Sun of my Soul. (Sacred). Contralto. Di(bj — d,')
The Lilac Tree. D (d— d)
It seems to me. Sop. or Ten. F (e— g) . .
Alto or Bar. D (cS — e)
Free Lances. Cavalier's Song. Ten. B) (c — gi
Bar. F (g-d)
Vocal Duets.
The Land of Peace. Sop. and Alto. D!> . .
Hail to the Monarch (Christmas). Sop. and
Alto. Di
Come, May, with all thy flowers. Sop. and Alto. G
Still with Thee, my God. Sop. and Alto. E /
Part Songs. Sacred.
a.) Ladies' Voices.
Blossom Time (Trio)
The River of Rest (Trio)
Vesper Song iTrio)
The Night hath a thousand eyes
When green leaves come again (Quartet) .
40
35
40
,35
35
40
40
40
65
65
40
10
10
10
10
10
The Sands 0' Dee (Quartet) 10
b) Mixed Voices.
Beyond the Smiling. Response 10
Te Deum in B !> 20
Christ our Passover. (Easter.) 16
The Lord is King 16
Like as a Father 12
Lift up your beads 12
As pants the Hart 8
Be still and know that I am God 8
Shout the Glad Tidings (Christmas) 12
Hail to the Monarch 12
Jesu, thou art Standing 10
Cantate Domino, in D 12
Bonum Est, in B ? 10
Venite exultemus, in B;' 12
Due thing have 1 desired 12
Sentences and Responses 40
David. Sacred dramatic Cantata 80
Come, let us sing (Venite) 16
How beautiful on the Mountain 16
1 will arise and go to ray Father 12
Out of the Depths 16
Jubilate Deo in D p 16
My Soul longeth 16
O taste and see 16
Hear, o Lord 16
Come unto me 12
It came upon the Midnight clear. (Christinas) 12
Rejoice greatly 12
I'm a Pilgrim, I'm a stranger 10
Jubilate Deo in E' 12
Festival* Te Deum in D min 20
The Land beyond the Sea 10
Jerusalem the Golden 10
Nearer, ray God, to Thee 10
Break forth into Joy fEasteri 1**
The Babe of Bethlehem (Christmas) 1"2
I
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"ft. COLLECTION OF g^C^D JdllglC
»BY«
H. P. BANKS.
"Mxj &atl, Ifermit me not. Solo, Duet and Quartette. ^ - - - - - - - 80
Father, B^hate'er uf EarthllJ Bliss. Soprano and Alto Solos and Quartette. - 40
Suide me, © thou G-reat lehouah ! Baritone and Soprano Solos and Quartette. iO
Srlaria 3fatn. InD. Soprano Solo and Quartette. 40
&laria in Hxcelsis. in b/a - - 80
Jubilate. in C. Two Duos and Quartette. 78
BenedictUS. in E^. Solo, Soprano or Tenor, and Quartette. 80
Mtxi J.sbamed at 8hrist. Contralto Solo. 40
Santate Bummo. in C. Soprano and Tenor Solos and Quartette. - - - 88
IfitTjing: Sauinur, Laab with Blessing. Soprano and Tenor Solos and Quartette, 40
Baaum est, in D. Soprano Solo and Quartette. --------60
Beaedic (^uima mea. in D. Soprano and Tenor Solos and Quartette. - - 60
Mn Shaage af Time. in G. Solo, Duo, Trio and Quartette. ----- 80
BaUT Bawn Thine Ear, ® Lard ! in A^ maj. Trio, Sop., Contralto and Bass. 60
NEW YORK:
Published by vVM. A. POND & CO., 25 Union Square,
Uroaa^vay. between 15th ttntl lOlli Streets.
CHICAGO MUSIC COMPANY. 152 STATE STREET, CHICAGO.
Copyright. j£74, i£;;. i£7t, i£it., i££3,l)]r Wm. A. Fond & Co.
Not Ashamed of Christ.
HYMN 17 5.
By H. P. Danks.
Legato.
New Edition, Revised by the Author.
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Sacred Song.
Words by
Phoebe Cauy.
Music by
II. S.Ambrose.
Price. 35({:.
Oliver Ditson Company.
BD5TDH, WEWYDRK, PHILl. LDlDQlff.
Chicago, Lyon 8<tiEaly-
One Sweetly Solemn Thought.
SACRED SONG.
Words by PHOEBE Carey.
Music by R.S.Ambrose.
Andan<e.
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SONGS BY
AMERICAN COMPOSERS
Alden, John Carver Upon a Meadow All Alone. ( The Violet.) High voice in C
do When I Wander in the Evening. (^Sirenade.') .... Medium voice in E
Ambrose, Paul In the Thornbush. (/« dem Dom-busch.') Op. 12, No, 2. . . Medium voice in G
Andrews, Addison F. O For a Day in Spring High voice in ES>
do Song of the Heart. ......... High voice in F
Bartlett, Homer N. An Autumn Song. Op. 121. Low voice in El>
do Sweetheart, Sigh No More. ........ Medium voice in C
do The Wind is Awake High voice in Db. Medium voice in lib
Bartlett, J. C. A Dream. H's^h voice in Ab- Med. voice in F. Med. voice in E. Low voice in Db
do Come to Me, Sweetheart. ..... High voice in F. Low voice in D
do Winona. ....... High voice in Eb- Medium voice in C
Boott, F. Lethe Medium voice in L)
Brackett, Frank H. Proposal. High voice in E. Medium voice in C
Buck, Dudley In thy Dreams Op. 67, No. 2. . . . High voice in lib. Medium voice in G
do When the Heart is Young. Op. 67, No. 5. High voice in Eb. Med. voice in C. Low voice in B,
Bullard, Frederic Field Beam From Yonder Star. High voice in Bb- Medium voice in G. Low voice in E;*
do The Indifferent Mariner. ........ Bass voice in E?
Chadwick, Geo. W. Across the Hills Medium voice in Bb
do Good Night. ....... Medium voice in C. Low vt)ice in Ab
do So Far Away. ......... Low voice in A minor
Chapman, Wm. R. This Would I Do. High voice in G. Medium voice in Eb
Cole, Rosseter Q. Auf Wiedersehen. 0|) 12, No. 2. Medium voice in Eb
do Longing. Op. 12, No I. High voice in G
Dana, C Henshaw Among the Lilies. ..... High voice in Ab. Medium voice in F
do The Lilies, Clustered Fair and Tall High voice in Db
DeKoven, Reginald Cradle Song High voice in G. Low voice in E
Dressier, Louis R. Drink to Me Only with Thine Eyes. . . High voice in F. Medium voice in D
do Serenade. ........ High voice in G. Low voice in D
Dulcken, Ferdinand Q. I'm Dreaming, Loved Visions are Nigh. ..... Low voice in G
Dunkley, Ferdinand O Moonlight Deep and Tender. . High voice in C. Medium voice in A
Farwell, Arthur Silenced are My Songs. Medium voice in F
do Strow Poppy Buds High voice in C. Medium voice in A
Fisher, William Arms Softly in a Dream. Op. y, No. 3. . . . Medium voice in F. Low voice in Eb
do Tell Me So. Op. 9, No. I Medium voice in G. Low voice in F
do Under the Rose. Op. 8, No, 4 High voice in F. Low voice in L)
Qilchrist, W. W. Gone Before. (Bali.^d.) High voice in U
do Where WouldlBe. i^-i Sen Song. )...... Low voice in I )
Qottschalk, Louis Moreau O Loving Heart, Trust On. High voice in F. Medium voice in E. Low voice in D
do Slumber On, Baby Dear. (Za Ninnarflla.) .... Medium voice in Y
Hadley, Henry K. Love's Calendar. Op. 15, No. 2 High voice in G
do The Garden Old. f Violin OliMigii/o.) Op. 19, No. 2. . . . High voice in F
do What the Flowers Say. Op. lu, Nu. I. . Hi^h voice in F. Medium voice in D
Harris, Victor Just as it Used to Do .... High voice in C. Medium voice in A
Hopekirk, Helen Bonnie wee thing, Cannie wee thing. Medium voice in E
do Highland Baloo. .......... High voice in (i
do Can ye Sew Cushions? ........ Medium voice in G
THE ABOVE IS BUT A PARTIAL LIST OF SONGS BY THE COMPOSERS NAMED.
.40
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BOSTON
OLIVER DITSON COMPANY
New York
H. DITSON &. CO.
Chicago
LYON & HEALY.
Philadelphia
J. E. DITSON & CO.
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Catalogue of SacredISusic
G. SCHIBMEB, (^'""iTEn * scBiBXEii^ 701 Broadway, New York.
No.
FOR ONE AND TWO VOICES.
Bach, Jobann Seb., My heart ever faithful (My glailbig
Herz). Soprano or Mezzo-Sop.,
Banck, Carl, Three sacied Quartetts or Soprano Solos.
(See Quartetts.)
Campana, F., Dal profondo dell'oblio. (From the depths).
Prayer for Contralto. Ital. and Eng.
Oordigiani) O sanctissima Vergine. (Prayer to the Virgin),
llodgcs, Faustina llasse. Cloister Memories.
Itcatitudes.
Blessed are the poor in spirit. Mez.-Soj). solo,
Blessed are they that mourn. Contralto,
Blessed are the meek. Duet, two Sopranos. -
Blessed are they that do hunger and thirst. Con'to
Blessed are the merciful. Soprano,
Jackson, Sam'l, " Teach me, OLord." Sop. Solo, with Quar-
tett ad libit., adapted and arr'd from Mendelssohn's
" O quam suavis,"
KinfT, W. A., Ave Maria. (English.) Soprano,
Lord, Ohas. W,, Vesper Hymn,
Luzzi, L., Ave Maria. Ital. and Eng.
Iflf rcadante, Salve Maria. Ital. and Eng. Sop. or Mezzo-Sop.
niillard. II., Ave Maria. Latin .and English. Mezzo-Sop.,
Millet, E., With cheerful notes. Duet, Soprano and Tenor,
or two Sopranos,
Meekly may my soul receive. Duet, Mezzo-Soprano and
Baritone,
Adored forever. (Beatam te dicent.) Duet, two So-
pranos, or Sopr.ano and Mezzo-Soprano,
Awake up, my glory, (Quae te, Christe). Offertory for
Soprano and Contralto, or two Sopranos,
niosentbal, Josepb, I will magnify thee, O Lord ! Duet,
two Sopranos,
Proch, H., Ave Maria Stella. Soprano Solo. (Latin and Eng.)
Rinck, I'bs., Sabbath Eve. 12 devotional sonars for 2
voices. Bk. I and II, each,
Speranza, D., The hour of Prayer. Mezzo-Soprano, -
A Hymn of . Thanksgiving. Mezzo-Soprano,
Stradella, O Lord, have mercy. (Pieta Signore.) C minor,
Torrcnte, G. Show me thy ways, O Lord! Ant'm for Sop. in G
" " " Mezzo-Sopr,ano in F,
Vilanova, R., Ave Mari.a. Soprano. Latin,
Wood, Alb. U., A Psalm of Life. Words by Longfellow. Sop.
FOR THREE AND FOUR VOICES.
Banckt Carl, Three sacred Quartetts or Soprano Solos.
No. 1, Dawn,
No. 2, The Morning Star,
No. 3, The Cloudless,
do Complete in one, ]
Bassford, W. K., Te Deum. E flat, ... ]
Buck, Dudley., Episcopal Church Music. For Quartett or
Chorus Choir.
Morning Service, Op. 25, No. 1, Venite,
" 2, Te Deum, - ]
" 3, Bcnedictus,
" 4, Jubilate Deo,
Evening Service, Op. 31, No. 1, Gloria in Excelsis,
" 2, Bonum est,
" 3, Deus misereatur,
" 4, Cantate Domino,
Christ our Passover. Easter Anthem,
There were Shepherds. Christmas Anthem, )
Hark 1 what mean those holy voices. " Hymn, j
Darkly rose the guilty morning. Lenten Anthem,
Special Hymns (in Anthem form) for Quart, or Chor.
Choirs.
The strain upraise AUelujia, - - 1
(Harkl a thrilling voice is sounding. (Advent,) )
( Saviour source of ev'ry blessing, - ■ j
Hail to the Lord's anointed. (Epiphany,)
Day of wrath ! (Dies Irae,)
Christ the Lord is risen. (Easter,)
B. O holy, holy, holv Lord. (Trinity Sunday,) )
Y J Bread of the world in mercy broken, - j
■ ( Jly faith looks up to thee,
8. Come ye disconsolate,
II j'^'*'*''*''' '"'"■'«n> Deus Misereatur. Anthem for 4 vcs., 1
Hodges, Faiisriua H. "I heard a voice from Heaven." Quart.
Jackson, Sam'l, "The Lord my pasture shall prepare,"
(Hymn 9,) for Sopr. Solo and Sopr. and Tenor, Duet
with Quartett, from Guglieljio, ....
Jesus, Saviour of mv Soul. (Hymn 143,) arr'd for Sop.
and Tenor Solo, with Quartett, from Franz Abt,
arise. (Sentence) from an "Agnus Dei, by
Lamotte, 4 voices.
No.
1.
2.
3.
4.
5.
-I will
ct».
40
50
35
25
25
25
25
25
65
40
35
40
75
50
75
75
50
60
75
50
75
40
35
50
60
60
50
35
50
35
35
00
25
75
00
50
50
50
65
75
75
00
35
75
75
75
65
75
35
25
25
65
65
50
Jackson, S,, 6 Gloi-ia tibis. Four voices
Saviour, source of every blessiuiT. (Hxnnn 1r"> owVI
for Sop and. Ten. Duel, with A^to LH^ss S ,o "m
Quartett, from Franz Abt, - - . .
Bened ictus. E flat, - -..'.'
Gloria in Excelsis. Chant in D,
Lord for ever at thy side. (Selection of Psalms 105,)
arranged for 4 voices. Melody by Abt
Inspirerand Hearer of Prayer. (Hymn 173.)" Sop'.
„ -incl Tenor Solo with Duet and Quartett,
As pants the wearied hart for cooling sprino-s "
(Select. 37.) Soprano and Tenor Solo with Duett and
Quartett, from Robt. Franz, - . . .
" Teach me, O Lord." Sop. .Solo with Quartett ad libit.,
adapted and arr'd from Mendelssohn's "Oquam suavis,"
Thanksgiving Anthem, " Great God ! we come with
grateful heart !" Pour voices,
Sun of my soul." (Hymn 268, L. M.,^ Sacred Quar-
tett, arranged from an Ancient Melody,
Deus misereatur, in E flat. Four voices,
" Lord, with glowing heait." (Hymn 150.) Sop. or
Tenor Solo, with Quartett, from Mendelssohn,
"Saviour breathe an evening blessing." Openino-
piece, arr'd from Mendelssohn. For Sop. Solo and Q'?,
" Hiirk a thrilling voice is sounding." (Advent Hymn'
218.) Arranged forSop. and Tenor Solo, with Quar-
tett, fi-om Mozart, - . ...
"Jesus Christ is risen to-day." (Easter Hymn, 233.)
Arr'd for Sop and Ten. Solo, with Quart'e, from Mozart
Griind Te Deum, in A. Four voices,
Jubilate Deo, in F. " . .
Jubilate Deo. in E flat,
Jubilate Deo, in D. " - .
Benedictus, in F. " . . .
Gloria in Excelsis, in C. "...
Gloria in Excelsis, in A"" Chant. (Separate voice parts),
Gloria Patri in F. Arr'd from Girschner,
Gloria Patri in F, arranged fi-om Hesse,
Gloi-ia Patri in G. Four voices, ...
— — Gloria Patri, in B flat, arr'd from Dr. John Smith. 4 vcs.
King, W. A., Six sacred Quartettes, ...
Kotzschmar, H., Te Deum in F, ... . ]
Millet, E., Ye fields of Light. Trio, Sop. Contralto and Biiss,
Morgan, Jobn P., Te Deum Laudamus. Solo and Quartett,
or Chorus. (Separate chorus parts printed,)
Paine, Jobn K., Mass in D. 4 voices, with Piano or Organ
accomp. (Separate Chorus Parts.)
Rivarde, P. A., Softly now the light of day. Soprano or
Tenor Solo with Quartett,
Scbilling, Fred., Jubilate Deo. Li C. For 4 voices,
Walter, W. H., Out of the deep. Anthem for Ten. and
Sop., with full Choir,
O, how amiable. Quartett, ....
Warren, S. P., (of Grace Church,) Hymns adapted and
arranged for Quartett Choir.
Hark ! what mean those holy voices, (Christmas
Hymn,) from Schumann. (Also text "Saviour
source of ev'ry blessing,'' to the same music,)
There is a fountain filled with blood, from Smart,
Sun of my soul tliou Saviour dear, Schumann,
How sweet the name of Jesus sounds, Husett,
Asleep in Jesus, S. P. Warren,
Ct8.
40
50
75
60
50
50
50
50
75
35
75
65
50
35
35
00
75
75
75
75
85
60
35
35
35
35
00
25
75
No. 1.
2.
3.
4.
5.
2 00
5 00
50
75
1 00
75
65
50
FOR ORGAN.
Buck, Dudley, 18 Studies in Pedal Phrasing for the Organ.
Parts I and H, each,
Grand Sonata in E flat, ... . -
Concert Variations on "Star Spangled Banner." Op. 23,
Triumphal March. Op. 26, - - -
Impromptu Pastorale. Op. 27,
• Rondo-Caprice. Op. 35, - ■ '
Ouverture to William Tell. (Rossini.) Op. 37,
Andante from Beethoven's Sonata. Op. 28. (Iran-
scription,) op. 38,
Ouverture to Stradella, (Flotow.) Transcription op. 39
Two Transcriptions from Schumann's Pictures from
^ the Orient. Op. 40,
Jackson, Sam'l, Twelve Voluntaries, Yp' I and II, each,
Mendelssobn, Wedding March, from " Midsummer-night s
Dream," arranged by Sam'l Jackson,
War March of the Priests, from "Athalie," arranged by
Sam'l Jackson,
Wagner, R., March and Chorus, from " Tannhaiuser," ai-
" ' ' ranged by Sam'l Jackson,
2 00
1 50
75
65
50
60
1 25
60
1 00
50
1 25
50
50
65
IMPORTEROFFOREIJji^MIJSI^A^^^Pl^IjIgHER.
FORSOFKANOORTENORMB/ {^} TOR CONTRALTO ORBMITONEDT G,
C c Chicago. ' '
CHICAGO. MUSIC CD.
THE RESURRECTIOIS
Contralto or Baritone.
Words by GEORGE COOPER.
Music by ALBERT J. HOLDEN.
Maestoso.
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Oh, night of gloom, while
An - gels watch and wait!
••007
Copyright , 1880 , hy Wm . A .Pond 6e Co.
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oil, bless- ed morn that saw the Lord a- rise!
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MUSIC COMPOSED, AND CORDIALLY DEDICATED TO HIS FRIEND,
Ithaca, N. Y.
BY
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Published by 0. DITSON & CO., 277 Washington St._^
NEW YORK: C. H. DITSON & CO.
J. CHimOH, JB.
Cinn.
LTON * HEALT.
Chicago.
Entered according to Act of Congnaa, to the yrar 1868, hy OUrer DItsoa ft Co., to thft
rierk^s office of the District Coart for the District of MMMobiuetts,
A. a- imCEB'S IfCSIO ttpooiapst.
J. 0. HATNES & CO.
Boston.
THE THREE CALLS.
PIANO.
Allegretto piu Becitante
I. B. WOODBURY.
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The Lord
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of the vmeyard stands wait-ing for thee,
of the vine -yard yet wait- eth for thee.
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C A T A H. O O TJ E N TT IMC 13 E R T H li E E .
CHOICE (LilVlLOG^
Published by OLIVER DITSON & CO., Boston, Mass.
-All the pieces In the Catftiogues numbered 1, 2, 3, and 4, haye an established reputation, and consequently any person orderiog from these lista will bo eure of getting Taking
and Popular pieces. Any of the numbers of these Catalogues can be had on application
Abbrbtiations. — Pieces and soagit are numbered from I to
7. Rccordiug to difBculty. The easiest pieces, for beginners,
like m.any by Bi;ll'ik, aro marked 1. Common Marches, Quick*
Btep'i, IViiltzes, &c., ure 2. More diffliiult dince music, like
most of thatof 3tniu-<3, nod sui^li mjirclips aa the March from
B'nu^t, lire 3. I'ieces about as difficult a'f "The Maiden's
Prayer" lire 4; sotnewhiit more Jlfflcuit pieces are 5; such
ones asThalberg's "3ffeet Ilotne" (tra 6, and the more difficult
pieces of Chopin, Liszt, Thalberg, &c^ are 7.
A capittil lett«r ruarM the key, as, B, C sharp, D&, &0. A
email Homati letter mni'k.t the highest note (of a rocal piece],
if OQ tbu aUQ, but un linlic letter is used, if the DOt« is above
the staff. Cti. means that th;; soug has a Chorus.
Instrumental.
COMPOSITIONS 0§ Q. W. WAKBEN.
Sonf,^ of the Rolnn. Romance. 4. F 60
Bobolink Polka. 4. B6 50
Hurry's Mu^ic Box. 2. A 40
Three chanctoristic pieces, ehowiui; the strength
and hrtlhauoy that belong to this composer. The
la^t one i^ a charming les-son for a child learner, and
hae a pretty picture of Mr. Warren's little Harry oa
thtJ title.
COMPOSITIONS OFH.A.WOLLENHAUPT.
Kvei- of thuc. Transcription. 5. A6 60
Mvieor Griiiid G^iIop. 5. A6 75
Ricii Aud tasteful pieces, wtiich will well reward
their study.
COMPOSITIONS OF L. M. GOTTSCHALK.
SciniillA. M.izurka Sentimentalo. 5. Ei . ... 75
Maiden's Blush. Grand Concert Waltz. 5. E6. 60
La Gurtnelia. Caprice. 6. G 40
Forest Glaiie. I'olka Brilliant. 5. E6 60
The Dyin;? Poet. MeditatloQ. 5. E6 60
Love and Chivalry. Caprice. 5. E6 75
Orfa. Grand Polka. 5. Aft 60
The Water Sprite. Polka de Salon. 5. E. . 1.00
A brillinot arr-iy of pieces combining power with
lightne^H nnd grace. As they are not of the most dif-
flculL grade, a great many of the admirers of Gott6-
chadkwill be able to perform them.
A FE'W VERY POPULAR PIECES.
Cherry Ripe Scliotlischo. 3. F J. Manck. 50
Beautiful Vignette Title, end fine Schottisch.
Saratoga Schottisch. 2. F J. Manck. 35
spirited. View in Saratoga on title.
Holiday Schottisch. 2. B& S. C. Foster. 30
Very pretty.
The Third Calesthenic Rondo, 2, F. . . W. Iiicho. 35
A famous Instructive piece, pretty and useful.
Tell me. Darlin::. Quickstep, 3, F...Dr. 0,dwm/. 35
(iood init.'-elf, and founded on a song that has made
a "quick-stfp" to popularity.
Dreams of the Past. Nocturne, 2, F Turner. S5
Very pleasing, and no easy as to be proper for the
youDg stuUeoUt' first nocturne.
American Medley, 2, C and G C. Grobe. 75
Contains the airs "Stir Spangled Banner," "Rod,
White aud Blue," " Uajl Columbia," " Washlngtou's
March." and " Yankee Doodle,"' and beloogs to a col-
lection of Patriotic piec&>, called
•'Muaioof the Unioil,** all of which have a
colored Vignttte title.
Fairy Wednins Waltz. 2, C J. W. Turner. 35
One of the very prettiest cod easiest of show pieces.
Very popular.
Pickwick Giilop, 2, G. . . ; G. W. Turner. 40
Litliograph Portrait of DlcketiB, on the title. Good
Music.
Mos<y Dell Wnltz. 3. C J. W. Turner. 40
Nice Lithogniph, View of "Mossy Dell." Muaic In
good t.ist«. Uood octave practice
Northern Penrl. No-turne. 3, E 6 Cloi/. 40
Fine Lithograph title, and beautiful muslo. Erery-
body likes it.
Sunrise Mazurka, (LeLeTerdu Soleil). 4. A.
J. N. Pattison. 60
Very fptrlted and bright.
March des Am.izones, 6. E 6 T. M. Wehli. 100
A powerful aud showy concert piece.
Grande Duchesse of Gerolstein, In 3 Noa. 3.
G. Mack. each. 75
Each number contains five or six of the best ala la
this fjiTorlte opera.
La Gnnde Duche«e, Books 1 and 2. 3. Weh. ea. 75
Eich book coQtttiuj about half the most stiiUog airg,
flady armnged.
FAVOBITE SETS OF PIECES.
BY BELLAS.
Dew Drops for the Piano Each 20 cents.
1 Ellen and Annie, Schot.
2 Filledu Keg Quickstep
3 Musket Galop-
4 Boheoiiao Girl Waltz.
5 SoDtag Waltz.
6 Marco Spada Schottisch.
7 Sea Breeze Folka.
8 CrowD of Diamonds Qalop.
9 Jewel Schottisch.
10 Bellsario Waltz.
11 Farewell my Home Walta.
12 Martha Quickstep.
13 Rocking Chair Polka.
14 Lucretia Borgia Waltz.
15 Festal Waltz.
16 Dieu et La Bayadere Qalop.
17 Coaxing Polka.
18 Colonello Waltz.
19 Favorite Irish Walts.
20 Fra Diavola Quickstep.
21 Procession March.
22 Linda Galop.
23 Shells of Ocean Walti.
2-1 Pre aux Clt*rcs Q. step.
25 Joyful Waltz.
26 Flower Garden Schottisch.
27 Cradle Polku.
28 Good Old-Fashioned Polka.
29 Little Darling Schottisch.
Spare Moments Each 20 cents.
1 Rubezuhl Oalop. 20 The Harp that once thro'
2 Dolly Brown Waltz. Tata's IIhIIs
3 Glover's Ballad " 21 Dim home Bell Galop.
4 I Due Foscari. 22 Duncan Gray Polka,
6 My Good Old Darkey Home 23 Ingle Side Quickstep.
Polka,
6 London Schottisch.
7 II Trovatore.
8 Natalie Waltz.
9 Vienna Penny Polka.
10 RAtaplao Quickstep.
11 Camilla Waltz.
13 Castle of Flowers Polka.
13 Gentle Annie Polka.
14 Bohemian Chant Walts.
15 Vive le Iloi "
li5 Kiss me Quick Polka.
17 Warrior Bard March.
13 All for tlie Best Waltz,
19 My own Native Land Sch.
The PiANtsra
1 Peri Waltz.
2 Slap Bang Polka.
3 Her Bright Smile.
4 L'Elegance Polka.
6 Juanita Mazurka.
6 Caprii-p Militaire.
7 Leup Yetr Waltz.
8 Call me Thine Own.
9 March of the Victor.
10 Guards Waltz
1 1 Joys that we "ve Tasted.
12 Aiipeu Aroon Polka,
24 Hours There Were. Varia-
tions.
25 Maz. elegante, Wely.
26 Stilly Night Polka.
27 Sunny Hours of Childhood
Waltz.
28 Dreims of the Past Polka.
29 Bonny Boat Schottisch.
80 Spare Momenta Polka Maz.
81 Clochettes Waltz.
32 Cauliflower
83 Courtesy Polka.
34 Sounds from Home, Gungl
3)3 Dav.i of Absence Waltz.
36 William Schottisch.
WuE.vTH V.wh 20 cents.
14 KrolPs Ballklanpe Waltz.
16 How can I lenve Thee Mar'.
1(3 Wreath Mazurka.
17 Grand March Triumpbale.
18 Drummer Hoy.
19 Blossom Waltz.
20 Thou art so Near. Maz.
21 Flower Qalop.
22 Kiss Waltz.
23 Maryland Polka.
24 Hiirk! I hear an Angel Slog
Waltz
13 Boonie Red, White and Blue Quick;^tep.
Now AND Then Each 30 cents.
1 Hyacinth Schottisch.
2 Trab trab Galop.
3 Mountain Echo Polka.
4 Ko-^ette Polka.
5 Chime again.
G Young Recruit Quickstep.
7 Sardinian Waltz.
8 Masked Ball Maz.
9 Smiles and Toara.
10 DumbartODS Polka.
11 Warblingrt at Eve.
12 Aria Alia Scozze&e.
13 Red, White and Blue M'ch.
14 Lombnrdi March.
1.5 Bnftleof Prague March.
16 Joy, Joy, Freedom To-day.
17 Now and Then Polka.
18 Caskft Redowa.
19 Le Torrent Waltz.
20 0, Whistle my Lad Q. step.
21 Hail to Thee, Liberty.
22 Pony Galop.
23 I'd be ft Star.
24 Verdi Cotillon.
The above four bhIs include more than a hundred
carefully Xirepared, easy instructive pieces, nearly all
of which may he marked a-s 1, in point of diffirulty,
and none would be marked more than 2. They are
in easy keys, very generally in C or G, varying to For
D in the course of the ple^e. All are fingered, and
• each one introduces a popular air.
BY GEO. A. BUSSELL.
Popular Echoes Each 20 cents.
1 Wildfaug Galop. 12 Come into theGardenMaud
2 Mazurka from Dr. Of Alcan- March.
tara. 13 II Bacio, Kiss Waltz.
3 Five o'clock, Tremolo, var. 14 Slumber Polka.
L5 Musidora Polka Maz.
16 Crispino Galop.
17 Minnie's ''
18 Fra Diuvolo.
19 Polka Gulop, from Don Se-
ba-stian.
20 L'Africaine Polka Elegant.
4 I would I were a bird.
5 Mabel Waltz, No. 1.
G " " " 2.
7 lUinbow Schottisch.
8 Uol la's Polka.
9 Guard's Waltz, No. 1.
10 " " " 2.
11 Meet meat the Lane Sch
The above are of about the dame grade as the pieces
by Bellak, are carefully fingered, andare excellent for
beginners.
BY O. EVEREST.
The Pupils' Folio Each 20 cents.
1 Her Bright Smile Haunta 13 PirateoChoruu.Enchantress.
me Still 14 Lucretia Bor«ia Waltz.
3 BoItTO, Sii-llian Vespers. IS Anuie Liile,
8 Do they Think of me at Hi IlMos-and G''ctchen Polka.
Home? IV Hunter's The- Frei,'^ch'utz.
4 Chorus of Servants. 18 II Balen, Trovatore.
5 Darner of Serilla Waltl. 19 Air from Traviata.
6 Warblings at Eve. 20 Serenade, Don Pasquale.
7 Glorv Hallelujah. 21 Angel of Light. FavoriU.
8 The Captain 22 Swlfzer's Farewell.
9 Shadow Song, Dlnorah. 23 In tears I pine for Thee.
10 Reaper's Polka, 24 When the Swalloffs Uoma-
11 Red, White and Blue. ward Fly.
12 Ea Avant March. 2r) Grand March from Faust.
Sioiilat to the preceding ; excellent Instructive
ple«et.
7 Fi-cv.schutz.
8 Wii'liamTell.
9 Nabucadonosar.
10 Charles 6th.
BY C. KINKEL.
Crystal Gems. Each 30 centa.
1 Fairy Footsteps, Waltz. 13 Fairy Tale Polka.
2 Snowfltike Polka, 14 Sunbeam Scholtische.
3 CbarmingSchottisohe. 15 Whlilwiod Galop.
4 Romping Oalop Ifj Leup-Vear Quickstep.
[J Silver Slur Quickstep. 17 Whispering Love Mazurka.
6 Fairv M^aurka. 18 Tambour March.
7 Soldier Boy's March. 19 Belgravia Waltz,
8 Mabel Waltz. 20 Silver Shovrer Polka.
9 Sweet Kip.i, Polka. 21 My Darling, Scholtische.
10 Ro«y Cheeks,Schottiflche. 22 First lmprcs.iion Waits.
11 Runaway Galop. 23 Fast Boy,'< Galop,
12 Hilda Waltz. 24 Cornflower Waltz,
Mr Kmkel infuses a peculiar brilliancy into bis
pieces, which are easi', andcarefully prepared for JKar-
Dcrn. Most of them may be ranked among the easier
pieces of the 2d degree of difficulty
BY J. BLUMTAL.
Buds from the Opeka,
1 Martha. 21 Zauipa.
2 Bohemian Girl, 22 La Muette de Porticl.
3 Don Pasquale. 23 II Trovatore.
4 Crown Diamonds. 24 Rigoletto.
6 Lucia di Lnmmermoor. 2.'> Fra Diavolo.
6 Locrezia BoruiH- 2ii Maritaua.
7 La Fillo du Regiment. 27 Cinderella.
8 La Favorita. 2H Caliph of Bagdad.
9 Ernani. 29 1-e Dieu et la Bayadere.
10 SomDambulfl. 30 La Traviata.
11 Linda di Chamounix. 31 Lfh Huguenots.
12 Moutecchi e Capulottl. 82 ILonibardi.
13 BeliRario. 83 Un Balloen Maschera.
14 L'Elisire d'Amore. 84 Li Pardon de Ploermel.
l.'i Norma. 3-J I.*s Vepres Sicilienes.
IG I Puritani, 86 II Oiuraiuento.
17 William Tell. 87 Don Giovanni.
18 Mos.-s in Kgvpt. S8 Robert le Diable.
19 La Dame Blanche. 39 1 Martiri.
20 Anna Boleiifi 4'l 'iUpc Flute.
Ea«y urrariupmentof airs from 40 operas, and of
about the 2d degree of difficulty.
BY BADMBACH.
Chaplet of Pearls Each 20 cents.
1 Martha.
2 Sicilian Ve.-iperc
3 Gipsey's Warning.
4 Vaillance Polka.
5 !/>mbaTdi. 11 LouaaMilU-i
6 L'Eli«ire. 12 Amateur IValtz.
Mr. Baumbach's refined taate slioivs its<-!f plainly In
tbe.se8impleairs,whichinaybumarked2 fordiOlculty.
Cliildren's Toys Each 20 cents.
1 Harmonica. 7 Drum.
2 Jews Harp. 8 Battle.
3 Shuttle-cock. 9 Harlequin.
4 Top 10 Doll.
5 Fife. 11 Bat.
6 Kockiog Horse. 12 Fool-ball.
or about the 2d degree of dilTiculty. and. as the ti-
tles indicate, composed to ple^iso tho children.
BY E. MACK.
Monthly Amdsementb Each 40 cents,
1 jTtmiary March, Key of C. 7 July Barcarolle Key of K*.
2 February Waltz " •' G. 8 August Polka " " D*.
3 Mnrch Oalop " " D. 9 September Var^oviana. Aft.
4 April Iledowa " ''A. 10 October Schott , F sliarp.
6 May Polka " " E. H Nov-mbcr Qulckslep. B4.
6 June Itevcrie " " B. 12 Diceniber Mazurka, F.
Mostly 2d degree of difficulty, have illustrated title
pages, and form a fine instructive eet
In the above lists, a (eucher may fiml all that is
needed for the "amuhements" of a pupil during the
first months of practice. All are arranged by able
hand'-.directlY for teachers and pupilf, and these num-
bern will form a-'golden catalogue ' for sorely puzzled
Instructers. at a distance from cities, to whom the se.
lection of easy pieces has always been one of the tnals
of the profession.
CHARLES WELS* FOTPOUHIS FEOM
FAVORITE OPERAS. each 76
1 Grand Duchesse. 9 La Traviata.
2 BarI.e-Bleue. 10 Marrln.
3 n Trovatore. H La Norma.
4 Lucretia Bnrgla. 12 Fidelto.
6 La Dame Blanche. i^ Fra Diavolo.
6 Lucia di Ltmmermoor. 14 Faust
7 Don Glovaniii. 15 Krnani.
5 La.*:omnambula. 16 ' ?""^'*"';ft.vorite op-
The above constitute quite a library orftvorite op
eramelodies, and are about of the third degree or
ficulty.
FAVORITE PIECBrPKOM "LA. BELLE
HELBNE" gjj
Schottisch 30
; S5
■. 30
50
. "■ ■ 30
Helens Galop
Polka Rcdowii
Mari Siigo Galop . . .
Lancer's Quiirltille.
BALCONY -R
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'1^"2222 00743 6852
BALCONY OVERSIZE
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